ZURb1412 Dramaturgical Practice

Faculty of Social Studies
Autumn 2020
Extent and Intensity
0/2/0. 3 credit(s). Type of Completion: z (credit).
Teacher(s)
Mgr. BcA. Miroslav Vlček, Ph.D. (seminar tutor)
Guaranteed by
doc. MgA. Jan Motal, Ph.D.
Department of Media Studies and Journalism – Faculty of Social Studies
Contact Person: Ing. Bc. Pavlína Brabcová
Supplier department: Department of Media Studies and Journalism – Faculty of Social Studies
Timetable
Wed 14. 10. 16:00–19:40 Střižna 531, Wed 11. 11. 16:00–19:40 Střižna 531, Wed 25. 11. 16:00–19:40 Střižna 531, Wed 9. 12. 16:00–19:40 Střižna 531, Wed 13. 1. 16:00–19:40 Střižna 531
Prerequisites (in Czech)
! ZUR383 Dramaturgical Practice
Course Enrolment Limitations
The course is only offered to the students of the study fields the course is directly associated with.

The capacity limit for the course is 15 student(s).
Current registration and enrolment status: enrolled: 0/15, only registered: 0/15
fields of study / plans the course is directly associated with
Course objectives
The course aims students to acquire basic dramaturgical analytical skills on the specific material of a genre of higher current affairs and documentary in both television (film) and radio.
Learning outcomes
Student will be able to:
- analyze documentaries and news for TV and radio;
- start the development of radio or TV shows;
- co-develop the treatment.
Syllabus
  • Introduction to the course. Dramaturgy: origin, context and relationship to journalism. Form and content: an aesthetic norm as a social phenomenon, the definition of genre. The basic terminology - narration / postnarration, theme, structure. Analysis - a musical work: the context (search), analysis (construction). Ostension and space: performativity, shot and cut as a means of audio-visual construction of reality. Reality and fiction: the respondent as a social actor (B. Nichols), fiction and documentary (N. Carroll). Ethical problems of the use of fictitious elements in journalism and documentary. Analysis - performative piece on a documentary basis (biography, travelogue, ...). Summary: audio, video and performative. Expression in media. Institutions, product and production: a process story, synopsis, screenplay, copyright, production and postproduction. Final discussion.
Literature
    required literature
  • Palúch, Martin. Autorský dokumentárny film na Slovensku po roku 1989.
  • NICHOLS, Bill. Introduction to documentary (Introduction to docementary). Blooming - Indianapolis: Indiana University Press, 2001. info
    recommended literature
  • Aronsonová, L. Scénář pro 21. století. 2014
  • DAVID, Ivan. Filmové právo : autorskoprávní perspektiva. 1. vydání. Praha: Nová beseda, 2015, 239 stran. ISBN 9788090608900. info
  • KOKEŠ, Radomír. Rozbor filmu. 1. vyd. Brno: Masarykova univerzita, 2015, 264 pp. Spisy Masarykovy univerzity v Brně, Filozofická fakulta, sv. 430. ISBN 978-80-210-7756-0. Munishop info
  • NICHOLS, Bill. Engaging cinema : an introduction to film studies. 1st ed. New York: W. W. Norton & Co., 2010, xxvii, 545. ISBN 9780393934915. info
  • NOVOTNÝ, David Jan. Budování příběhu, aneb, Demiurgie versus dramaturgie. 1. vyd. Praha: Karolinum, 2007, 234 s. ISBN 9788024613062. info
Teaching methods
Student prepare for each lesson analysis or position paper of a specified literature. This course is in czech language.
Assessment methods
Students are evaluated in the ongoing development of homework and active participation in discussions.
Language of instruction
Czech
Further Comments
Study Materials
The course is taught each semester.
The course is also listed under the following terms Autumn 2019, Autumn 2021, Autumn 2023, Autumn 2024.
  • Enrolment Statistics (Autumn 2020, recent)
  • Permalink: https://is.muni.cz/course/fss/autumn2020/ZURb1412