DVHs123 Tradiční turecké divadlo

Filozofická fakulta
podzim 2005
Rozsah
2/0. 3 kr. Doporučované ukončení: k. Jiná možná ukončení: z.
Vyučující
Dr. Július Gajdoš, Ph.D. (přednášející)
Garance
Dr. Július Gajdoš, Ph.D.
Katedra divadelních studií – Filozofická fakulta
Kontaktní osoba: Zuzana Klusáčková
Předpoklady
not required
Omezení zápisu do předmětu
Předmět je nabízen i studentům mimo mateřské obory.
Mateřské obory/plány
Cíle předmětu
The lecture will concentrates on traditional Turkish theatre is usually divided in two groups: 1) The Peasants' Theatre Tradition, today, this subgroup is still alive in Anatolia with some plays called "the village spectacular plays" which, according to their ritualistic features, are played in certain time and context. The peasants themselves paint their faces, change their dresses, and make their masques and various accessories. In historical perspective, dramatic contents of the stories will be shortly analyzed in several topics. Some examples of these plays recorded this year will be shown. 2) The Public Theatre Tradition:three separate headings in this tradition, namely "Karagöz", "Meddah", and "Centre Plays" will be explained with some illustrations.
Osnova
  • Traditional Turkish Theatre 1) The Peasants' Theatre Tradition, and Today, this subgroup is still alive in Anatolia with some plays called "the village spectacular plays" which, according to their ritualistic features, are played in certain time and context. The peasants themselves paint their faces, change their dresses, and make their masques and various accessories. In historical perspective, dramatic contents of the stories will be shortly analyzed in several topics. Some examples of these plays recorded this year will be shown. 2) The Public Theatre Tradition. Three separate headings in this tradition, namely "Karagöz", "Meddah", and "Centre Plays" will be explained with some illustrations. a) Karagöz: is one of the traditional "shadow" plays which also called in turkish "hayal" meaning "imagination, images." It is based on the optical reflection of some transparent theatrical materials e.g. human figures, animals, plants, and things, on a small white curtain. Its general feature is based on the mutual quarrel of the two contradictory stereotyped figures, Karagöz and Hacivat, from which some historical, philosophical, and grotesque features can be drawn. b) Meddah: the narrator, is one of the most prominent genres in the Traditional Turkish Theatre. Because of its narrative character, it is different from the other traditional genres, but its narrative content is dramatic due to personification, mimesis, and dialogue. In Meddah plays, we can find some features of the illusionistic, presentative, or realistic genres. c) Orta Oyunu:"Center plays" are played impromptu, without any script, in an open square, but the players follow a certain pattern of some story. The plays progress with songs, dances, mimics, and dialogues. Those plays will be explained according to their historical frames and contents.
Metody hodnocení
lecture, participation
Informace učitele
Předmět bude vyučován formou extenze, v anglickem jazyce - přednáší Dr. Nil Unlu Aycil z Turecka - předpokládaný termín: týden 26.- 30. 9. 2005
Další komentáře
Předmět je vyučován jednorázově.
Výuka probíhá blokově.
Předmět je zařazen také v obdobích podzim 2006.