IM056 The Means of Expression within Audio-Visual Production A

Faculty of Arts
Autumn 2008
Extent and Intensity
2/0. 2 credit(s). Type of Completion: zk (examination).
Teacher(s)
Mgr. Rodrigo Morales (lecturer)
Jiří Vanýsek (lecturer), doc. Mgr. Jana Horáková, Ph.D. (deputy)
Guaranteed by
PhDr. Petr Macek, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: doc. Mgr. Jana Horáková, Ph.D.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
Course objectives
The lesson is dedicated to the characteristics of means of expression of a structured audiovisual work, film, TV program, clip, and also of mutual influences, relations and uniqueness of individual formats, characteristic stages of development and trends. At the end of the course students should be able to understand the importance of light, sound and timing of the inner tectonics of a work of art.
Syllabus
  • 1.) Language of film
  • 2.) Film taking as a picture hunting
  • 3.) Conception of a snapshot
  • 4.) Basics of cameraman's work
  • 5.) Axis and main orientation of the film
  • 6.) Basics of editing
  • 7.) Sequence – invisible editing, tempo
  • 8.) Film as a synthetic art (literature, visual art, acting, music)
  • 9.) Three phases – literary scenario (synthetic), technical scenario + film taking (analytical), final works (synthetic)
  • 10.) Basics of tricks
  • 11.) Use of sound
  • 12.) Use of music
  • 13.) Film language before the 2nd World War
  • 14.) Film language of neorealism, new waves and the group Dogma 95
  • 15.) Film language of the document
  • 16.) Editing composition of a document
  • 17.) Film language and editing composition in musical programs, TV news, sport programmes, videoclips, adverts
  • 18.) Technical means for picture taking, sound
  • 19.) Movement and picture as a basis for audiovision
  • 20.) Movement and moment of a priviledged perception and automatic perception
  • 21.) Composition in audiovision
  • 22.) Picture as a finished complex and as an open structured system
  • 23.) Audiovisual language in different media
  • 24.) Theory of language of audiovision and movement
  • 25.) Types of moving image in audiovision
  • 26.) Light as an element of art
  • 27.) Image and psychology
  • 28.) Image and action
Literature
  • PŁAŻEWSKI, Jerzy. Filmová řeč. Translated by Zdeněk Smejkal. 1. vydání. Praha: Orbis, 1967, 461 stran. info
  • JIŘÍK, Vlastimil. Kinematografický obraz [1. díl]. Vyd. 2., upr. Praha: Akademie múzických umění, H & H, 1994, 219 s. ISBN 80-85787-57-11. info
  • JIŘÍK, Vlastimil. Kinematografický obraz [2. díl]. Vyd. 2., upr. Praha: Akademie múzických umění, H & H, 1994, 183 s. ISBN 80-85787-58-2. info
  • GAUTHIER, Guy. Dokumentární film, jiná kinematografie. Translated by Ladislav Šerý. 1. vyd. V Praze: Akademie múzických umění, 2004, 507 s. ISBN 8073310236. info
  • ÈJZENŠTEJN, Sergej Michajlovič. Paměti. Praha: Odeon, 1987. info
  • CHAPLIN, Charlie. Můj životopis. Translated by František Vrba. Vyd. tohoto překladu 2., v. Praha: Academia, 2000, 550 s. ISBN 8020003738. info
  • Truffaut, Francois: Rozhovory s~Hitchcockem
  • BERGMAN, Ingmar. Laterna magica. Translated by Zbyněk Černík. Vyd. 1. Praha: Odeon, 1991, 287 s. ISBN 8020702806. info
  • WAJDA, Andrzej. Moje filmy : Meine Filme (Orig.). Edited by Jiří Fiala - Marie Sobotková. Olomouc: Votobia, 1996, 231 s. ISBN 80-7198-128-1. info
  • JASNÝ, Vojtěch. Život a film. Edited by Jan Lukeš. Vyd. 1. Praha: Národní filmový archiv, 1999, 276 s., [3. ISBN 80-7004-094-7. info
  • VÁVRA, Otakar. Zamyšlení režiséra. 1. vyd. Praha: Panorama, 1982, 319 s. URL info
  • TARKOVSKIJ, Andrej Arsen'jevič. Deník 1970-1986. Translated by Marek Sečkař. V ČR vyd. 1. Brno: Větrné mlýny, 1997, 547 s. ISBN 80-86151-01-8. info
  • SOLMI, Angelo. Federico Fellini : biografická studie. 1. vyd. Praha: Orbis, 1967, 171 s. URL info
  • Buňuel, Luis: Až do posledního dechu
Assessment methods
Lecture connected with screenings of audiovisual works and followed by an analysis. Oral Exam.
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
The course is taught annually.
The course is taught: every week.
The course is also listed under the following terms Autumn 2007, Autumn 2009, Autumn 2010, Autumn 2011, Autumn 2012.
  • Enrolment Statistics (Autumn 2008, recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2008/IM056