FF:IM068 The Theory of Composition II. - Course Information

IM068 The Theory of Composition II. A

Extent and Intensity

2/0. 2 credit(s). Type of Completion: z (credit).

Teacher(s)

MgA. Markéta Dvořáková, Ph.D. (lecturer)
Prof. Ing. MgA. Ivo Medek, Ph.D. (lecturer), doc. Mgr. Jana Horáková, Ph.D. (deputy)

Guaranteed by

PhDr. Petr Macek, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: doc. Mgr. Jana Horáková, Ph.D.

Timetable

Fri 8:20–9:55 JAMU

Prerequisites (in Czech)

Předpoklady: Zájem o vhled do oblasti výstavby uměleckého díla odvíjejícího se v čase. Doporučuje se kombinovat s předměty praktického komponování v oblasti akustické nebo elektronické a počítačové hudby (Základy hudební kompozice I. a II.) a předmětem (Základy teorie kompozice I.).

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 12 student(s).
Current registration and enrolment status: enrolled: 0/12, only registered: 0/12, only registered with preference (fields directly associated with the programme): 0/12

fields of study / plans the course is directly associated with

• Musicology (programme FF, B-HS)
• Musicology (programme FF, B-OT) (2)
• Musicology (programme FF, M-HS)
• Musicology (programme FF, M-OT)
• Combined Art Studies (programme FF, B-HS)
• Combined Art Studies (programme FF, B-OT) (2)
• Theory of Interactive Media (programme FF, B-HS)
• Theory of Interactive Media (programme FF, B-OT) (2)
• Theory of Interactive Media (programme FF, N-HS)
• Theory of Interactive Media (programme FF, N-OT) (3)

Course objectives

The main objective of the course is to give students who haven't passed the musical education basic information on development of musical composition from the late 19th century until present.

Syllabus

• 1. Late 19th century, early modernisms
• 2. Before the 1st World War
• 3. Between the Wars
• 4. Afterwar
• 5. Present

Literature

• MEDEK, I.: Úvod do procesuality jako komplexní kompoziční metody, JAMU, Brno 1996
• New Grove Dictionary of Music and Musicians, 2nd edition, London 2001
• The Undercurrents, edited by Young R., Continuum, London, New York 2005
• PARSCH, A., PIŇOS, A., ŠŤASTNÝ, J.: Transference hudebních elementů v~kompozicích současných skladatelů, JAMU, Brno 2004
• VIOLA, B.: Reasons for Knocking at an Empty House, in: Writings 1973–1984
• MEDEK, I., PIŇOS., A.: Řád hudební kompozice a prostředky jeho výstavby, JAMU, Brno 2004
• VOGT, H.: Neue Musik seit 1945, Philipp Reclam jun., Stuttgart 1982
• RUZICKA, P.: Erfundene und Gefundene Musik
• IŠTVAN, M.: Jednohlas v~soudobé hudbě, JAMU, Brno 1989
• SUTHERLAND, R.: New Perspectives in Music, sun tavern fields, London 1994

Assessment methods

Lecture. Credits + Exam.

Language of instruction

Czech

Follow-Up Courses

• IM069 The Theory of Composition II B

Further comments (probably available only in Czech)

The course is taught annually.

• Enrolment Statistics (Autumn 2008, recent)
  
• Permalink: https://is.muni.cz/course/phil/autumn2008/IM068