SKANSI_29 Scandinavian film

Faculty of Arts
Autumn 2012
Extent and Intensity
1/1. 4 credit(s). Type of Completion: z (credit).
Teacher(s)
Mgr. Karolína Stehlíková, Ph.D. (seminar tutor)
Guaranteed by
Mgr. Karolína Stehlíková, Ph.D.
Department of German, Scandinavian and Netherland Studies – Faculty of Arts
Supplier department: Department of German, Scandinavian and Netherland Studies – Faculty of Arts
Timetable
Thu 17:30–19:05 K21
Prerequisites
English language to be able to understand the films and specialized literature.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 50 student(s).
Current registration and enrolment status: enrolled: 0/50, only registered: 0/50, only registered with preference (fields directly associated with the programme): 0/50
fields of study / plans the course is directly associated with
Course objectives
The aim of the course is to acquaint students with Norwegian post-war cinematography. The course relates freely to the course Scandinavian Cinema I. Those who attend both courses will gain a comprehensive knowledge about Norwegian cinema. We will deal with the works of directors Arne Skouen, Edith Carlmar, Erik Løchen, Wam & Vennerød, Anja Breien, Marius Holst, Erik Skjoldbjærg, Hans Petter Moland and others. The main point of view will be film as a refelection of the time - ergo as a medium mirroring the changes of Norwegian society in the 2nd part of 20th century. The showing of selected films will be the part of the course.
Syllabus (in Czech)
  • 1/ 20. 9. Organizace, úvod, cíl kurzu. Norská kinematografie těsně po 2. světové válce
  • 2/ 27. 9. Norský noir. Projekce Smrt je pohlazení (Døden er et kjærtegn), režie: Edith Carlmarová, 1949, 88 min
  • 3/ 4. 10. 50. a 60. léta v norské kinematografii. Experimentátoři Erik Løchen a Pål Løkkeberg.
  • 4/ 11. 10. "Norská nová vlna" Projekce Jakten (Lov), režie: Erik Løchen, 1959, 94 min
  • 5/ 18. 10. Politizace norského kulturního života. "Sociálnědemokratické peklo". Kinematografie 70. let.
  • 6/ 25. 10. Dogma před dogma. Projekce: Trilogie: Hustruer I (Manželky), režie: Anja Breien, 1975, 90 min
  • 7/ 1. 11. Nová éra norského filmu. 80. léta v norské kinematografii.
  • 8/ 8. 11. Norský akční film. Projekce: Orions belte (Pás Orionu), režie: Ola Solum, 1985, 90 min
  • 9/ 15. 11. 90. léta - norský film dobývá zahraniční festivaly.
  • 10/ 22. 11. Filmová podoba nostalgie Larse Saabye Christensena. Projekce: Ti kniver i hjertet (Přísahám na mou duši), režie: Marius Holst, 1994, 92 min.
  • 11/ 29. 11. Současné trendy v norském filmu.
  • 12/ 6. 12. Norská 70. léta nahlížená z nového tisíciletí. Projekce: Gymnaslærer Pedersen (Gymnaziální učitel Pedersen), režie: Hans Petter Moland, 2006, 115 min
  • 13. / 13. 12. Norská dystopie. Projekce: Otravný chlap (Den brysomme mannen), režie: Jens Lien, 2006, 95 min.
  • 14. / 20. 12. Zápočtový test
Assessment methods
Graded credit - written test (differing according to students' study fields). Alternative - creation and publishing of Wikipedia entry related to Norwegian cinema.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is also listed under the following terms Autumn 2010.
  • Enrolment Statistics (recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2012/SKANSI_29