FF:FAVBPa03 Film Theory after 1945 - Course Information
FAVBPa03 Film Theory after 1945
Faculty of ArtsAutumn 2018
- Extent and Intensity
- 2/0/0. 5 credit(s). Type of Completion: zk (examination).
- Teacher(s)
- doc. Mgr. Pavel Skopal, Ph.D. (lecturer)
- Guaranteed by
- doc. Mgr. Pavel Skopal, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Contact Person: Patrycja Astrid Twardowska
Supplier department: Department of Film Studies and Audiovisual Culture – Faculty of Arts - Timetable
- Mon 12:00–13:40 C34
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- Film and Audio-Visual Culture Studies (programme FF, B-HS)
- Film and Audio-Visual Culture Studies (programme FF, B-OT) (4)
- Film and Audio-Visual Culture Studies (programme FF, N-HS)
- Film and Audio-Visual Culture Studies (programme FF, N-OT) (3)
- Course objectives
- The course starts with concepts which are still rooted in the inter-war period (neorealism, socialist realism). Nevertheless, the main focus of the lecture are the dominant tendencies of film theory and historiography from the 1960s to early 21. century. We will read some of the most typical texts representing the main concepts and will strive to interprete them in a wider cultural and political context.
- Syllabus
- - neorealism - socialist realism - auteur theory - Frankfurt School - Filmologie - Semiotics and Postsemiotics - Screen Theory - Cultural Studies - New Film History - New Cinema History - Czech Film Theory
- Literature
- recommended literature
- Lowry, Edward. The filmology movement and film studies in France. Ann Arbor: UMI Research press, 1985.
- Giovacchini, Saverio - Sklar, Robert (eds.). Global Neorealism. The Transnational History of a Film Style. Jacskon: University Press of Mississippi, 2012.
- Maltby, Richard – Biltereyst, Daniel – Meers, Philippe (eds.): Explorations in New Cinema History: Approaches and Case Studies. Malden-Oxford: Wiley-Blackwell, 2011
- CASETTI, Francesco. Filmové teorie 1945-1990. Translated by Helena Giordanová. 1. vyd. V Praze: Akademie múzických umění, 2008, 406 s. ISBN 9788073311438. info
- SZCZEPANIK, Petr. (ed.) Nová filmová historie. Antologie současného myšlení o dějinách kinematografie a audiovizuální kultury. Praha: Herrmann a synové, 2004, 528 pp. info
- CLARK, Katerina. The Soviet novel : history as ritual. 3. ed. Bloomington: Indiana University Press, 2000, xv, 320. ISBN 0253213673. info
- Teaching methods
- Lecture.
- Assessment methods
- Assessment: a written test.
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
Information on the per-term frequency of the course: Předmět se vypisuje jednou za 3 roky, další termíny jsou: podzim 2006, podzim 2009, podzim 2012 atd.
- Enrolment Statistics (recent)
- Permalink: https://is.muni.cz/course/phil/autumn2018/FAVBPa03