TIM_B_019 Introduction to Visual Composition in Time I

Faculty of Arts
Autumn 2022
Extent and Intensity
1/1/0. 3 credit(s). Type of Completion: z (credit).
Teacher(s)
doc. MgA. Filip Cenek (lecturer), doc. PhDr. Martin Flašar, Ph.D. (deputy)
Guaranteed by
doc. MgA. Filip Cenek
Department of Musicology – Faculty of Arts
Contact Person: Bc. Jitka Leflíková
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Fri 10:00–11:40 218
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 5 student(s).
Current registration and enrolment status: enrolled: 1/5, only registered: 0/5, only registered with preference (fields directly associated with the programme): 0/5
fields of study / plans the course is directly associated with
Course objectives
Students will be able to compose analogue and digital picture, manipulate photograph, create and work with moving image. They will be acquainted with basics of visual communication, language of film, design and color iconography etc. The main objectives of the course are the ability to work with contemporary software, video picture and video composition.
Learning outcomes
Course participants will be able to compose analogue and digital picture, manipulate photograph, create and work with moving image. They will be acquainted with basics of visual communication, language of film, design and color iconography etc.
Syllabus
  • A practical course dedicated to the creation and work with moving image in the computer, development of creativity of students. Basics of composition of temporalized image.
Literature
  • Block, Bruce: The Visual Story: Seeing the Structure of Film, TV, and New Media. FP, 2001
  • Antologie textů k~Úvodům. FAMU, Praha 2006
  • Vogel, Amos: Film as a Subversive Art. Random House, New York (on-line)
  • Beránek, Petr.: Digitální video v~praxi. UNIS, Praha 2001
  • Sitney, P. Adams: Une histoire du cinéma. Museé national d’art moderne, Paris 1976
  • Beyond Narrative. DVD-ROM, ZKM, Karlsruhe 2003
  • Aumont, Jacques: Obraz. AMU, Praha 2006
  • Manovich, Lev: The Language of New Media. MIT Press, 2001
  • Skripta FAMU (části, týkající se střihové skladby)
  • Čada, Ondřej: Digitální video krok za krokem. Grafika Publishing, Praha 2002
  • Ulver, Stanislav: Západní filmová avantgarda. ČFÚ, Praha 1991
  • Wodtke, Mark: Mind Over Media. McGraw-Hill, New York 1993
  • Reiser, Martin & Zapp, Andrea (eds.): New Screen Media: Cinema/Art/Narrative. London 2002
  • Bellour, Raymond & Bandy, Mary Lea (eds.): Godard. Son + Image 1974–1991. New York 1992
  • Manuály, uživatelská fóra a rozcestníky: Adobe (www.adobe.com), Discreet (www.discreet.com), Quicktime (www.apple.com/quicktime), portály digitalproducer.com, desktopvideo.about.com, dvcentral.org ad.
  • Epstein, Jean: Poetika obrazů. Herrmann & synové, Praha 1997
Teaching methods
lecture: 1 hour seminar: 2 hours (individual)
Assessment methods
Autumn semester: fulfilling requirements: essay /2 pages/ Spring semester: exam: presentation and defense of project
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Information on the extent and intensity of the course: přednáška+individuální výuka.
Listed among pre-requisites of other courses
The course is also listed under the following terms Autumn 2019, Autumn 2020, Autumn 2021, Autumn 2023, Autumn 2024.
  • Enrolment Statistics (Autumn 2022, recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2022/TIM_B_019