FF:VH_806a Music History VI A - Course Information
VH_806a Music History in Outline VI A
Faculty of ArtsSpring 2009
- Extent and Intensity
- 1/1/0. 3 credit(s) (plus 1 credit for an exam). Recommended Type of Completion: k (colloquium). Other types of completion: zk (examination).
- Teacher(s)
- doc. PhDr. Mikuláš Bek, Ph.D. (lecturer)
- Guaranteed by
- prof. PhDr. Jana Perutková, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová - Timetable
- Mon 15:00–16:35 J21
- Prerequisites
- Preliminary requirements include the basic understanding of harmony a musical form.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
- fields of study / plans the course is directly associated with
- Musicology (programme FF, B-HS)
- Musicology (programme FF, B-OT) (2)
- Musicology (programme FF, M-HS)
- Musicology (programme FF, M-OT)
- Theory and Practice of Ancient Music (programme FF, B-OT)
- Course objectives
- At the end of this course, the students should gain the orientation in the history of the 20th-century music, especially regarding the stylistic and compositional developments in their relationships to other artistic and cultural phenomena. They will learn to identify the musical styles on the structural level and will learn to understand the individual poetics of leading composers.
- Syllabus
- Modern music in Germany and Central Europe
- French impressionism and symbolism
- Russian modern music
- Expressionism and twelve-tone music
- Neo-classicism and "Neue Sachlichkeit"
- Neo-folklorism
- American modernism
- Traditionalists before 1945
- Socialist realism and music
- Serialism and its opponents
- American avant-garde and radical music
- Aleatory and the music of colours in Europe
- Music and post-modernism
- Literature
- NYMAN, Michael. Experimental music : Cage and beyond. 2nd ed. Cambridge: Cambridge University Press, 2001, xx, 196. ISBN 0521653835. info
- WHITTALL, Arnold. Musical composition in the twentieth century. 1st publ. Oxford: Oxford University Press, 1999, vi, 419 s. ISBN 0-19-816684-2. info
- DANUSER, Hermann. Neues Handbuch der Musikwissenschaft. Lizenzausg. Darmstadt: Wissenschaftliche Buchgesellschaft, 1997, vi, 465. info
- NAVRÁTIL, Miloš. Nástin vývoje evropské hudby 20. století. Ostrava: Montanex, spol. s r.o., 1993, 189 pp. ISBN 80-85300-26-5. info
- Anthology of twentieth-century music. Edited by Robert P. Morgan. New York: W.W. Norton & Company, 1991, xii, 452. ISBN 0393952843. info
- MORGAN, Robert P. Twentieth-century music : a history of musical style in modern Europe and America. 1st ed. New York: W.W. Norton & Company, 1991, xvii, 554. ISBN 0-393-95272-X. info
- DAHLHAUS, Carl. Schoenberg and the new music. Translated by Derrick Puffett - Alfred Clayton. Cambridge: Cambridge University Press, 1990, viii, 305. ISBN 0521337836. info
- DAHLHAUS, Carl. Schönberg und andere : gesammelte Aufsätze zur Neuen Musik. Edited by Hans Oesch. Mainz: Schott, 1978, 412 s. ISBN 3795721687. info
- Skladatelé o hudební poetice 20. století : Copland, Stravinskij, Schoenberg, Berg, Bartók, Martinů, Prokofjev, Honegger, Šostakovič. Edited by Ivan Vojtěch. Vydání první. Praha: Československý spisovatel, 1960, 192 s. info
- Assessment methods
- The course includes lectures, class discussions, homework, reading, and group projects. The course ends by a written test for all students. The students who choose to end the course by an examination have to take an oral examination as well.
- Language of instruction
- Czech
- Further comments (probably available only in Czech)
- Study Materials
Information on completion of the course: Ukončení formou zkoušky je určeno jednooborovým studentům.
The course is taught once in two years.
- Enrolment Statistics (Spring 2009, recent)
- Permalink: https://is.muni.cz/course/phil/spring2009/VH_806a