IM049 Introduction to Visual Composition in Time B

Faculty of Arts
Spring 2016
Extent and Intensity
1/1. 4 credit(s). Type of Completion: graded credit.
Teacher(s)
MgA. Filip Cenek (lecturer), doc. PhDr. Martin Flašar, Ph.D. (deputy)
Guaranteed by
doc. Mgr. Jana Horáková, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Bc. Jitka Leflíková
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Fri 11:40–13:15 302
Prerequisites (in Czech)
IM048 Visual Composition in Time A
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 4 student(s).
Current registration and enrolment status: enrolled: 0/4, only registered: 0/4, only registered with preference (fields directly associated with the programme): 0/4
fields of study / plans the course is directly associated with
Course objectives
Composition of analogue and digital picture, manipulated photograph, creation and work with moving image, Basics of visual communication, language of film, design and colour iconography etc. The main objectives of the course are the ability to work with contemporary software, videopicture and videocomposition.
Syllabus
  • A practical course dedicated to the creation and work with moving image in the computer, development of creativity of students. Basics of composition of temporalized image.
Literature
  • Sitney, P. Adams: Une histoire du cinéma. Museé national d’art moderne, Paris 1976
  • Skripta FAMU (části, týkající se střihové skladby)
  • Ulver, Stanislav: Západní filmová avantgarda. ČFÚ, Praha 1991
  • Manuály, uživatelská fóra a rozcestníky: Adobe (www.adobe.com), Discreet (www.discreet.com), Quicktime (www.apple.com/quicktime), portály digitalproducer.com, desktopvideo.about.com, dvcentral.org ad.
  • Antologie textů k~Úvodům. FAMU, Praha 2006
  • Epstein, Jean: Poetika obrazů. Herrmann & synové, Praha 1997
  • Čada, Ondřej: Digitální video krok za krokem. Grafika Publishing, Praha 2002
  • Manovich, Lev: The Language of New Media. MIT Press, 2001
  • Beyond Narrative. DVD-ROM, ZKM, Karlsruhe 2003
  • Bellour, Raymond & Bandy, Mary Lea (eds.): Godard. Son + Image 1974–1991. New York 1992
  • Beránek, Petr.: Digitální video v~praxi. UNIS, Praha 2001
  • Vogel, Amos: Film as a Subversive Art. Random House, New York (on-line)
  • Reiser, Martin & Zapp, Andrea (eds.): New Screen Media: Cinema/Art/Narrative. London 2002
  • Wodtke, Mark: Mind Over Media. McGraw-Hill, New York 1993
  • Aumont, Jacques: Obraz. AMU, Praha 2006
  • Block, Bruce: The Visual Story: Seeing the Structure of Film, TV, and New Media. FP, 2001
Teaching methods
lecture: 1 hour seminar: 2 hours (individual)
Assessment methods
Exam, written essay
Language of instruction
Czech
Further comments (probably available only in Czech)
The course is taught annually.
Information on the extent and intensity of the course: přednáška+individuální výuka.
The course is also listed under the following terms Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022.
  • Enrolment Statistics (Spring 2016, recent)
  • Permalink: https://is.muni.cz/course/phil/spring2016/IM049