SUS_50 Chapters from Fim History II.

Faculty of Arts
Spring 2024
Extent and Intensity
2/0/0. 4 credit(s). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer), PhDr. Dagmar Koudelková (deputy)
PhDr. Aleš Filip, Ph.D. (alternate examiner)
Guaranteed by
PhDr. Aleš Filip, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Ing. Alena Albíniová
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Tue 8:00–9:40 N51, except Tue 16. 4.
Prerequisites (in Czech)
SUS_49 Chapters from Film History I.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 130 student(s).
Current registration and enrolment status: enrolled: 46/130, only registered: 0/130, only registered with preference (fields directly associated with the programme): 0/130
fields of study / plans the course is directly associated with
Course objectives
This course is focused on World Cinema from its emergence to 1945. Film is and has been simultaneously art form, technology, economic institution, and cultural product. We come to understand better how that system operates and how it changed over time. We are guided by concept of David Bordwell and Kristin Thompson. Our principal question are: how uses of the film medium changed or become normalized over time? How have the conditions of the film industry-production,distribution, and exhibition-affected the uses of the medium? How have international trends emerged in the uses of the film medium and in the film marked?
Learning outcomes
Student will be able:
will have an overview of the development of the aesthetic styles and tendencies of the second half of the 20th and 21st century in the film
will be familiar with the important social, economic and political influences that influenced contemporary film
will be aware of the transformation of Czech cinematography after its provocation
will be able to critical reflection of the film, to know important publishing platforms
will have a basic overview of film genres and expression means
will know the basic technological changes and milestones that have influenced the film's media character
Syllabus
  • World and Czech cinematography from the 80s to present
  • American film
  • Changes in the production process
  • Success of the independent
  • System of support of independent cinema
  • Film clubs and festivals
  • Global film culture - multiplexes
  • DOGMA 95
  • Asian cinematography: China, Japan, South Korea
Literature
    recommended literature
  • MONACO, James. Jak číst film : svět filmů, médií a multimédií : umění, technologie, jazyk, dějiny, teorie. Translated by Tomáš Liška - Jan Valenta, Illustrated by David Lindroth. 1. vyd. Praha: Albatros, 2004, 735 s. ISBN 9788000014104. info
  • BILÍK, Petr. Panorama českého filmu. Vyd. 1. Olomouc: Rubico, 2000, 514 s. ISBN 80-85839-54-7. info
  • BROŽ, Jaroslav and Myrtil FRÍDA. Historie československého filmu v obrazech : 1930-1945. 1. vydání. Praha: Orbis, 1966, 293 stran. info
  • SMRŽ, Karel. Film. Podstata, historický vývoj, technika, možnosti a cíle kinematografu. Praha: Prometheus, 1924. info
Teaching methods
The course will consist of lectures.
Assessment methods
Written test
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2025.
  • Enrolment Statistics (recent)
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