02
2014
Table of Contents
Tomáš Kačer, Barbora Příhodová / Editorial ............................................................................................5
Prague Semiotic Stage Revisited II, Brno, May 20‒22, 2013: Programme .......................................7
Yorick
Christian M. Billing / Responsibilities to the Past; Duties to the Present: Considerations
on Translating, Editing and (Re)presenting the Czech Structuralist Canon for Modern
International Audiences .......................................................................................................................... 13
(I) The Prague School in the Contemporary Context
Yana Meerzon / Between Intentionality and Affect: on Jan Mukařovský’s
Theory of Reception ................................................................................................................................. 24
Eva Šlaisová / The Prague School’s Contribution to the Theory of Intermediality ...................... 41
Andrés Pérez-Simón / Conceptualizing the Hollywood Biopic ........................................................ 50
(II) The Prague School in a Semiotic Perspective
Freddie Rokem / Mimetic and non-Mimetic Aspects of Space in the Theatre: Some Reflections
following Jindřich Honzl’s “Dynamics of the Sign in the Theater” ................................................ 60
Martin Pšenička / Otakar Zich’s Invisible Actors and Creative Minds ........................................... 71
(III) Personalities and Methodologies of the Prague School
Pavel Drábek / Functional Reformulations: Prague School
and Intralingual Translation .................................................................................................................. 81
Herta Schmid / Jiří Veltruský Revisited .................................................................................................96
Šárka Havlíčková Kysová, Barbora Příhodová / Archaeology of Concepts and Ambitions:
Performing Structuralism through the Field of Scenography (Czechoslovakia, 1970s) ...........111
Ondřej Sládek / Jan Mukařovský and Theatre .................................................................................... 122
Martina Musilová / Jindřich Honzl’s Texts on Acting – Between Convention
and Spontaneity ........................................................................................................................................137
(IV) International Reception of the Prague School
Veronika Ambros / Prague Linguistic Circle in English: Semantic Shifts in Selected Texts
and their Consequences ..........................................................................................................................148
Elizabeth Sakellaridou / Phenomenological Aspects of the Prague School Theatre Theory ..... 162
Archive
Martin Bernátek / The Prague Linguistic Circle and the Prager Presse .........................................175
Spectrum
Barbora Příhodová / Where Theory Meets the Practice: Jaroslav
Malina’s Space, Function and Sign in Scenography and Painting ................................................. 191
Orientation
Pavel Drábek / Hastábhinaja: gesta rukou v tradičním divadelním umění Indie ....................... 225
Višnja Rogošić / 100 Years of Croatian Set Design and Costume Design 1909‒2009 ................ 227
Tomáš Kačer / Pavel Drábek’s Attempts at Shakespeare .................................................................. 230
Olga Majcen Linn / The Chronotopical Overview of Croatian Performance Art ....................... 233
Marcela Kostihová / In Double Trust: Shakespeare in Central Europe .........................................238
Šárka Havlíčková Kysová / A Fresh Approach to Old Issues .............................................................241
Events
Naďa Satková / Theatrology at a Crossroads – notes from a conference ...................................... 247
Tomáš Kubart / ‘O’ – Scenographic Video-Essays ............................................................................. 250