Content
Šárka Havlíčková Kysová, Tomáš Kačer / Editorial ...........................................................................7
Yorick
Svitlana Shurma, Wei-lun Lu / A Cognitive Poetic Analysis of LIFE and DEATH
in English and Ukrainian: A Multiple-Parallel-Text Approach to Hamlet’s Soliloquy .................9
Šárka Havlíčková Kysová / Stage Metaphors in Verdi’s Otello: Miloš Wasserbauer’s State
Theatre Production (Brno 1967) in the Context of Otello’s Staging Tradition .......................... 29
Jan Motal / Cognitive Phenomenology: the Promising Pragmatic Marriage
of Methodologies in the Field of Theatre Studies? ....................................................................... 59
Tomasz Ciesielski / Contemporary Dance Theatre in Neurocognitive Perspective –
Granhøj Dans Case .......................................................................................................................... 76
Dorota Sajewska, Dorota Sosnowska / Blackness as Medium. Body in Contemporary
Theatre Practice and Theory .......................................................................................................... 91
Spectrum
Dita Lánská / Meaning(s) of Otakar Zich’s Concept of the ‘Semantic Image’ .........................103
Guests
Martin Bernátek / Speculative Realities, Practice as Theory.
Interview with Dorota Sosnowska ..................................................................................................123
Tereza Konývková / Polarity and Coherence of ‘Making’ and ‘Viewing’ in Contemporary
Theatre Theory and Practice. Interview with Knut Ove Arntzen ..............................................130
Reviews
Libor Vodička / Are These the Last Volumes of Czech Theatrical Encyclopaedia? .............. 133
Andrea Jochmanová / Helena Spurná’s Oldřich Stibor (1901–1943)
Theatre Director and Man ............................................................................................................... 137
Tatjana Lazorčáková / Jan Roubal and His Complex and Complementary
‘Thought’ on Theatre .................................................................................................................... 139
Libor Vodička / The Journey from The Workers’ Theatre
to the Municipal Theatre Zlín ....................................................................................................... 142
Zdenka Gočálová / Theatre Life of Prešov. From the Beginnings
to the Mid-20th Century ..................................................................................................................146
Pavel Drábek / Bakhtin and Theatre? ......................................................................................... 152
Pavel Drábek / Three Books on New Dramaturgy and Adaptation
from Bloomsbury Methuen Drama .............................................................................................. 156
Events
Tomáš Kubart /Art of Action of 1960s and 1970s in the 20th Century
and Its Documentation in the Permanent Exhibition of the National Gallery –
Commented Tour with Pavlína Morganová ..................................................................................161
Barbora Kašparová / Bonn – Hommage à Pina Bausch ..............................................................164
Tomáš Kubart / My Body Is Not a Cage .......................................................................................166
Tomáš Kubart / Theatre of Arranging Live Images ....................................................................169
Amálie Bulandrová / Exhibiting Architecture: The Architecture of an Exhibition .................172