MEDIA ECONOMICS Daria Kuchařová Culture and Mass Media Economy 1 Content I. Media economics II. Broadcasting  Television III. Publishing Culture and Mass Media Economy 2 MEDIA ECONOMICS Culture and Mass Media Economy 3 Mass media  What is mass media?  What mass media goods and services you know? ◦ Group discussion Culture and Mass Media Economy 4 Mass media  Broadcast (radio, television)  Print media (newspapers, magazines, books, etc.)  Recorded music  Cinema, films  Digital media (Internet)  Outdoor media (billboards) Culture and Mass Media Economy 5 Mass media  Diversified media technologies that are intended to reach a large audience by mass communication (http://www.sciencedaily.com/articles/m/mass_media.htm) Culture and Mass Media Economy 6 Media Economics  What is media economics? ◦ Group discussion Culture and Mass Media Economy 7 Media Economics  Explores the specific application of economics laws and theories to media industries and firms,  Shows:  how economic, regulatory and financial pressures direct and constrain activities of media industries and firms,  and their influences on the dynamics of media markets. Culture and Mass Media Economy 8 Media Economics  The ways, how media behave and operate,  How economic and financial pressures affect: ◦ The kinds of media available in society, ◦ Content of the media, ◦ Culture, politics and society as a whole. Culture and Mass Media Economy 9 Traditions in media economics  Theoretical tradition  Applied tradition  Critical tradition Culture and Mass Media Economy 10 Theoretical tradition  Basis – neoclassical economy  Tries to explain: ◦ Choices and decisions and other economics factors affecting producers and consumers of communications goods and services, ◦ Forces that constrain and compel actions in media markets  Result: ◦ Support forecasts, explore optimal choices for firms and optimal policy options Culture and Mass Media Economy 11 Applied tradition  Basis – business economics and management  Explores: ◦ The structure of communication industries and markets, with an emphasis on understanding trends and changes ◦ Consumer and advertising behavior  Result: ◦ Help to develop strategies for government and firms Culture and Mass Media Economy 12 Critical tradition  Basis – political economics and social sciences  Concerned with: ◦ Issues of welfare economics ◦ Cultural and social orientation in media ◦ Issues in media markets (monopoly, cultural effects, etc.) Culture and Mass Media Economy 13 Media  Media – economic entities which work within economic context to produce and sell media content to consumers ◦ Operate with a variety of business models and value-creation processes and in a wide variety of settings ◦ Sold vs. Free ◦ Financed via advertising (none, some or all income), state and private subsidy Culture and Mass Media Economy 14 Media economy  Recent changes ◦ Changing markets (beyond national borders) ◦ New technologies ◦ Intensification of competition  Thus:  The need to understand media economics is growing rapidly. Culture and Mass Media Economy 15 BROADCASTING Culture and Mass Media Economy 16 Broadcasting  A diverse range of radio and television services for entertainment, educational and informational purposes.  Includes: ◦ programme production, ◦ programe selection for networks and local stations, ◦ programme delivery, ◦ funding of this whole process. Culture and Mass Media Economy 17 Broadcasting  A key sector in modern society, not only economically but, more than most industries, culturally, socially and politically.  Is subjected to government regulation more than other cultural sectors Culture and Mass Media Economy 18 Broadcast financing  Advertiser payments ◦ Programmes sold for free to audience. ◦ Audience is sold to advertisers. ◦ Payment depends on the extent costs are passed on in product prices  Audience payment ◦ Direct payment, determined by willingness to pay Culture and Mass Media Economy 19 Broadcast financing (cont.)  Government or community subsidy ◦ Donations from community members ◦ Government subsidies based on taxation Culture and Mass Media Economy 20 Broadcast regulation  Should broadcast be regulated?  Arguments for and against. ◦ Group discussion Culture and Mass Media Economy 21 Broadcast regulation  Broadcast market with: ◦ Limited supply (frequency spectrum), ◦ Unpriced product, ◦ Demand derived from advertisements, ◦ Economics of scale and scope, ◦ Output that is persuasive and penetrating. Culture and Mass Media Economy 22 Broadcast regulation. Market failures  Programme diversity / Tendency to homogeneity ◦ Competition, funding from advertiser -> reduce programme diversity and neglect minority tastes, duplicating popular programmes  Monopolistic market  Asymmetric information (advertising) Culture and Mass Media Economy 23 Broadcast regulation. Market failures  Social and political effects  Externality  Merit good  E.g. programme with explicit violence ◦ Induces (influence) actual violence from some viewers (externality) ◦ Immoral even if not affecting people’s behavior (merit good) Culture and Mass Media Economy 24 Broadcast regulation. Policy  Objectives: ◦ Reduce signal interference, ◦ Increase programme diversity, ◦ Prevent private monopolies, ◦ Enhance desirable social and political context. Culture and Mass Media Economy 25 Broadcast regulation. Policy  Instruments:  Control of access and introduction of new technology in broadcasting,  Fiscal subsidy,  Regulation of ownership,  Regulation of programme content. Culture and Mass Media Economy 26 Broadcast regulation. Policy  Licensing (to reduce signal interference) ◦ Issue licenses to broadcasters via qualitative competition, financial tender or lottery  Public broadcasting (diversity of programmes, social and political concerns) ◦ ‘Principal-agent problem’ people are unable to transmit preferences easily to public broadcaster ◦ Political interference Culture and Mass Media Economy 27 BROADCASTING. TELEVISION Culture and Mass Media Economy 28 Television  has become a commercial mass medium by the 1950s, competing for audiences with radio and other media. Culture and Mass Media Economy 29 Television. Specific features  Non-exhaustibility ◦ Programme content can be used repeatedly without additional cost ◦ With few incremental costs content can be translated into other languages and reach wider audience ◦ Low cost of distribution  Non-excludability ◦ Free-rider problem Culture and Mass Media Economy 30 Television. Specific features (cont.)  Non-exhaustibility & Non-excludability result in protection of intellectual property becoming relevant issue  Solution: content protected by copyright Culture and Mass Media Economy 31 Television. Specific features (cont.)  Word of mouth promoting programmes ◦ Used as marketing tool (stimulating favourable reports)  Programme consumption is a personal and social phenomenon ◦ Discussion of content is a part of viewer’s satisfaction Culture and Mass Media Economy 32 Television. Funding  Advertisers  Tax payers (government subsidies)  Viewers (fees) Culture and Mass Media Economy 33 Television  Government regulation: ◦ Licensing ◦ Public broadcasting  Problem political influence: ◦ License for set period, apply for license renewal ◦ Influencing public broadcasters through funding Culture and Mass Media Economy 34 PUBLISHING Culture and Mass Media Economy 35 Publishing  Basic functions of publishing company: ◦ Acquisition of manuscripts, ◦ Editing and layout, ◦ Printing (may be outsourced), ◦ Sales. Culture and Mass Media Economy 36 Manuscripts  Solicited – offer from publishing company, non-fiction.  Unsolicited – publishing company receives and reviews manuscripts (on an exclusive basis). ◦ Review = artistic content + possibilities of commercial success ◦ Type I and type II errors ◦ Constant stock of unpublished manuscripts ◦ Rejection = costs for publishing company Culture and Mass Media Economy 37 Manuscripts  Bargaining btw author and publishing company: ◦ Costs and risks ◦ Revenue  Young authors – may pay for publishing  Well-known authors – may get advance and royalty on each copy sold  Library system – decrease revenue Culture and Mass Media Economy 38 Publishing market  Monopoly on book (copyright) + direct competition with other books = Monopolistic competition  Book – new commodity Culture and Mass Media Economy 39 Publishing market  Monopoly: MC=MR  Publishing: decision publish/not publish ◦ Fixed cost are crucial (though falling) -> high risk ◦ Many direct competitors ◦ Strength of demand is more important than elasticity  Result: ◦ Many books published at a loss ◦ Sometimes publish at loss to promote themselves as guardians of literature (cross-subsidy minority literature) Culture and Mass Media Economy 40 Publishing market. Books features  Experience good – don’t know the quality before you read a book  Horizontal quality – not better/worse than other book, but like it more/less than other book  Enormous supply -> information problem: ◦ Reviews – high impact, used as marketing tool ◦ Dependent preferences due to interaction btw readers (a ‘must’ to read a book Culture and Mass Media Economy 41 Sources  A handbook of cultural economics. Edited by Ruth Towse. Cheltenham: Edward Elgar, 2003.  Mass media. Science daily http://www.sciencedaily.com/articles/m/mass_media.htm Culture and Mass Media Economy 42 THANKYOU FOR ATTENTION! Culture and Mass Media Economy 43