LYNN JAMIESON Polity Press Introduction In the late twentieth century, seeking sexual pleasure can be celebrated as more than lust or a matter of reproduction but as an expression of love, whether or not marriage is involved. Moreover, moralists fear and radicals hope that the process of 'finding yourself, or 'being yourself, now incites a more varied sexual repertoire than conventional heterosexual sex. This is the shift which Anthony Giddens calls 'plastic sexuality' and associates with the ascendancy of greater equality and 'disclosing intimacy' between sexual partners. Chapter 2 has already sketched stories of the history of sex and social change. This chapter is concerned with comparing late twentieth-century academic and popular stories about sexual behaviour with the much more complex and messy picture which emerges from research on everyday sexual behaviour and sexuality Sex, love and intimacy are analytically separate but in social practices they are often linked, as the phrase 'making love' illustrates. If the way in which people learn to feel sexy (when and with whom they want to have sex) is structured by a popular story of 'falling-in-iove', then sex is linked to love in the construction of their sexuality. If a person learns to feel sexy only when they feel close to somebody whom they know and love, then, for them, sex is linked to intimacy. The converse is a learned separation between sex and intimacy such that knowing and feeling close to somebody makes them sexually r ; r ,___ L_ L. Sex and intimaq uninteresting. A question to ask of the research literature, then, is, 'Are there routinely produced linkages and separations between intimacy and sexual relationships or behaviours in people's everyday lives?' This is crucial to deciding whether sex is becoming more or less tied to intimacy, as are questions around gender difference. Are we witnessing the decline of macho-male masculinity with its predatory sexuality which ritually denies intimacy? Is there convergence in men's and women's relationships to sex and intimacy? There are also a number of subsidiary questions; for example, if there is a closer realignment of sex and intimacy, what of the continuance and in some cases increase in forms of sexual behaviour in which sex is totally separated from intimacy (prostitution, cottaging, erotica) or aligned instead with violence and abuse (rape, child-abuse, violent pornography)? And what of the fact that the mass media makes the publication and consumption of sexual stories all-pervasive? Is increased intimacy compatible with the increased exposure of people's sexual lives? There are no easy answers to such questions. Different theoretical understandings of how and why people behave sexually lead to different views of sex and intimacy. As noted in chapter 1, there can be no one story and no neutral reading. The chapter begins by looking at the dominant themes and images of sex and intimacy in public stories, paying particular attention to popular culture, the official messages of the state, and the vocal lobby of the Moral Right. This part of the chapter ends with the current academic notion that the late twentieth century is qualitatively different. The remainder of the chapter turns from public stories told from 'on high' (that is the stories of moralists, experts and academics) to the research literature, the more grounded stories told by ordinary people to researchers. Stories of 'Normal Sex' and Intimacy A common message of experts on medical, mental and sexual health, that 'sex' is good for you, has become a taken for granted fact in much popular culture. This is not an unqualified message - it generally means conventional ways of being sexual -with a conventional category of 'suitable' other and the conventions are rather different for men and women. However, celibacy, in the form of chosen sexual abstinence, is not recommended or spoken highly of in popular Sex. and intimacy culture. The stereotypes of people-who-do-not-have-sex often conjure up people who are social isolates either because of their preoccupations or their inadequacies. While not always portrayed unsympathetically, the incompleteness of their life is what makes them a topic.1 Sally Cline has conducted one of the few studies of celibacy and commends women's celibacy as enhancing their autonomy and independence. Referring to the 'sacred cow of sexual consumerism' (1993, p. 1) she notes that 'fifty years ago it took courage for a single woman to admit that she was enjoying an active sexual life. Today it takes courage for her to admit that she is not' (Cline, 1993, p. 3). On the other hand, 'lovers' are typically portrayed as on a higher plane of happiness than others who do not have the combination of love and sex in one relationship. In popular culture there are many characterizations of lovers as equals focused on 'disclosing intimacy7 but there are also many traditional characterizations of heterosexual lovers as masterful men and admiring, grateful, seduced women. Numerous films, novels and plays have portrayed lovers as experiencing an intensity of not just sexual discovery but also of a more general, knowledge-gathering intimacy, such that other relationships seem like shadows in comparison.2 In the successful romance of this genre, the couple are typically both sexually passionate and engaged in intense efforts of mutual understanding. However, another characterization of lovers draws on themes much closer to conventional macho masculinity. The man is the hero and the woman is the one whom he has chosen or otherwise happens to have his special protection.3 His heroic deeds of care and protection are shown as winning or sustaining her love. Women's love is then akin to gratitude or admiration rather than constructed through mutual discovery. Both genres frequently present sex between lovers as the ultimate peak of intimacy. In portrayals of the action hero, sex and love are often collapsed into each other as the only episodes of intimacy in contrast to scenes of macho male violence. The lovers-as-equals who are focused on disclosing intimacy are mutually absorbed in a relationship which is more intense than anything else in their lives. The linking of sex and intimacy in cultural constructions of 'lovers' echoes popular and expert assumptions that couples who are celibate or for whom sex is somehow unsuccessful have a problem which threatens their viability as a couple. In late twentieth-century Euro-North American societies, sexual success is generally defined in terms of mutual orgasm (Clark, 1993). Mutual orgasm as proof of success and intimacy in sexual relationships suggests a common and equal Sex and intimacy 109 standard of sexual pleasure for men and women. The dominant popular representations of lovers portray sex as mutually enjoyable. There oxe two common representations of mutually pleasurable heterosex jj^ popular culture which match the two common types of lovers': that of the couple for whom sex is a further heightening of their intense concern with knowing, understanding and pleasing each other, and that of the masterful and lusty protective male hero and his relatively passive, indebted and worshipping woman who gives herself to him sexually and to whom he gives sexual pleasure. For most of the twentieth century, men have also been portrayed as pursuing and being enhanced by sexual adventures which split sex from love and intimacy, while women are presented as degraded by such exploits. Respectability for women has depended on their sexuality being restricted to relationships in which they lose themselves in love and yet do not make the first sexual moves. But, in the late twentieth century, women taking the initiative in love and sex has become a more common cultural theme. Angela McRobbie (1991, 1994) describes this shift in British magazines for teenage girls. Most strikingly the girl is no longer the victim of romance. She is no longer a slave to love. She no longer waits miserably outside the cinema knowing that she has been 'stood up'. She no longer distrusts all girls including her best friend because they represent a threat and might steal her 'fella'. She no longer lives in absolute terror of being dumped. She is no longer terrified of being without a 'steady'. . . . There is love and there is sex and there are boys, but the conventionally coded meta-narratives of romance which . . . could only create a neurotically dependent female subject, have gone for good. . .. femininity does indeed emerge as an altogether less rigid category. It is still predicated round the pursuit of identity (in beauty), the achievement of success (through fashion consumption) and search for some form of harmony or stability (through happiness). There is more of the self in this new vocabulary of femininity, much more self-esteem, more autonomy, but still the pressure to adhere to the perfect body image as a prerequisite for the success in love which is equated with happiness. (McRobbie, 1994,164-5) The popular culture described by McRobbie links intimacy and sex in love; 'good sex' is the sex of lovers, success in love results in durable, intimate, sexual relationships, and love is conducted in a 'new more equal climate of sexual relations that girls are encouraged to enjoy' (McRobbie, 1994, p. 166). 110 Sex and intimacy Themes of greater gender equality in sex, love and intimacy coexist with strong reassertions of traditional and patriarchal versions of how things are and should be. Wendy Hollway (1984) and Francesca Cancian (1987) have described how stories denying men's need for intimacy and portraying loving intimacy as women's business, construct women as dependent on men. Double standards in sexual conduct continue to divide women into 'the good' (who are not out looking for sex) and 'the bad' (who are asking for it). The 'sex drive' story continues to characterize men as needing sex in a way that women do not, justifying predatory and aggressive male heterosexuaiity of macho masculinity. Many popular narratives continue to present the approaches of men and women to sex as polarized and crudely stereotyped. In much of Euro-North American popular culture, the most feminine woman exhibits what Robert Connell (1987) has called 'exaggerated femininity'. Sex, for her, occurs in the context of being helplessly in love with (and dependent on) a man. The archetypical masculine man of popular culture exhibits an aggressive heterosexuaiity as if his sexuality were an aspect of general physical toughness. Sex is part of the hero's command over his action-packed life; the relative weakness of his sexual partner is made clear as the hero rescues or protects her and sex is part of her gratitude. This is the hegemonic masculinity endlessly celebrated in popular culture from John Wayne through Arnold Schwarzenegger and beyond. Norbert Elias's (1978) account of the 'civilising process' indicates that the actual incidence of male violence has waned as the modern state removed the legitimate use of violence from the everyday lives of men. Why then has the popularity of this type of hero persisted? One possible interpretation consistent with Elias's account is that such heroes are cathartic, allowing men to act along with male violence in fantasy, while living a more 'self controlled' life. However, the continued high incidence of domestic violence and rape indicates that many men have retained a sense of their right to enforce their domination of women by the exercise of male violence. indeed, David Morgan (1990) finds no evidence of a decline in the ideal of a 'real man' who is capable of killing; violence continues to be an aspect of the most celebrated form of masculinity. The similarity in justifications given by perpetrators of sexual and domestic violence indicates the continued viability for unextraordinary men of a misogynist world view in which women are for their use and abuse (Kelly, 1988). Predatory male sexuality and passive succumbing femininity are Sex and intimacy pervasive cultural themes powerfully portrayed not only in popular culture but aiso in a number of expert domains. The social construction of the 'fact' of men's stronger sex drive has sanctioned views such as, that men naturally do the chasing and that women like to be chased, that men cannot help but sometimes lose control, and that women who 'lead men on' are asking for trouble; views which form part of the mythology of rape (Smart and Smart, 1978) and isolate men's sexuality not only from intimacy but from any form of social context. Laqueur (1990) and others4 have documented dominant ideological medical/scientific understandings of sexual arousal and pleasure in men and women, and their counter-currents. Decades after the physiology of women's orgasm had been conclusively documented by Masters and Johnson as resulting from clitoral stimulation (1966), experts continued to define women's sexual arousal as if it could only occur in the context of penetrative heterosexual intercourse, and as if women could only learn to like sex in the context of a relationship with and under the tutelage of a man. Stories of the sexual prowess of men and seducibility of women are stock stories told by 'experts' in a number of other social contexts. For example, they are routinely drawn on by defence lawyers in rape trials. The standard defence in rape cases is that the woman consented, either by welcoming or giving in to the man's sexual advances.5 This means a defence which presents whatever sexual events are acknowledged as taking place as being 'normal sex'. Skilled defence lawyers successfully present sex between casual acquaintances, in uncomfortable surroundings, followed by extreme distress on the part of the woman as normal or the normal gone slightly wrong. In the process a predatory male sexuality and a readily seducible female sexuality are typically presented. Nevertheless, the picture of 'normal sex' which emerges is frequently the grim coercive event diagnosed by feminists of the 1970s (Greer, 1971). Courtroom speeches both draw on and reinforce the more pervasive public stories about gender, sex and intimacy, as courtroom dialogue frequently reenters the domain of public stories through media coverage. The various arms of the twentieth-century state are powerful filters, amplifiers, and sometimes producers of public stories about sex, intimacy and gender. However, modern states are complex and state agents - legal, medical, religious, educational, welfare workers -may pursue contradictory, competing and uncoordinated policies. What is not in doubt is that the frequency of state, official and quasi-official pronouncements about personal sexual lives has increased. v \ í I t I L I íl I l I i I (McRobbie, 1994, p. 168). However, other authors continue to speak in terms of young women obsessed with romance. Eisenhart and Holland (1983, Holland and Eisenhart, 1990) have argued that in US college culture young women are, above all, educated in romance, constructing their femininity in romantic relationships. They argue that friends and classmates are particularly powerful promoters of conventional masculinities and femininities (Holland and Eisenhart, 1990). Studies of young people's rules of sexual conduct invariably illustrate the strength of the assumption that 'normal sex' is heterosexual. Daniel Wight sums this up with reference to his own research with young men: In the course of both ethnographic and formal research explicit references to homosexuality were rare. However, this did not indicate that sexual orientation was not important to young men's identities, rather it demonstrated how taken-for-granted compulsory heterosexuality is as the cultural norm . . . When boys touched on the subject in group discussion there was a predictable expression of homophobia, as found amongst the young in other parts of Britain. (Hendry, et al., 1993; Clift, et al. 1990; Wight, 1994, p. 720) And Stevi Jackson sums up more generally in her review article: 'We all learn to be sexual within a society in which "real sex" is defined as a quintessentially heterosexual act, vaginal intercourse, and in which sexual activity is thought of in terms of an active subject and a passive object' (Jackson, 1994, p. 10). There are no question marks in the literature about the tendency of all-male groups of friends to promote conventional, unromantic, sexually obsessed masculinity among boys and young men. Miriam Johnston (1988) has argued that the male peer group is the key source of social pressure which turns young men away from intimacy The power of the all-male peer group as a promoter of a sharp separation between sex and loving intimacy has been documented in a number of studies. Recent British examples include the study of Janet Holland and her colleagues of 16-21-year-old men in London and Daniel Wight's work with 14-16-year-old young men in Glasgow. The young men talked of the competitive pressure to perform sexually. While some could reject such pressures, many felt compelled to lose their virginity as quickly as possible. As one young man put it when asked if sex means something different for boys and girls: 'Yes, definitely men just see it 26 Sex and intimac as something mat has to be done, that's what 1 think, so your friends don't tease.you. Women see it as something that really means something to them. We are using them to get something, I don't know, it's all ego when it comes down to it for men. . . it's like an achievement' (Holland et al., 1993, p. 14). Boys talk of sex as something that men do to women (Wight, 1994). A number of young men described how during their first experience of conventional sex they were thinking throughout 'I've got something to tell my mates now' (Holland et al., 1993, p. 22). At this stage in their lives, such young men have uncritically accepted a male model of sexuality which separates sex and intimacy and identifies male power as sexual conquest over women. Janet Holland and her colleagues found young men pursuing different sexual careers after using a girl to dispose of their own virginity. Some then sought something more like a sexual relationship. Others made a sexual career out of pursuing women for sex and then immediately losing interest in them. Young men who chose this career as self-styled 'bastard' wanted to believe in themselves as star sexual performers: 'men then have to prove their prowess to women, as well as report it back to men' (Holland et al, 1993, p. 31). But the lack of communication and caring in their sexual performance meant the impossibility of knowing anything other than their own version of good sex. Some were aware of this paradox and had a conscious policy of never asking 'was it good for you?' for fear of shattering their faith in their sexual prowess. One young man maintained indifference to what girls thought or felt for him as a person while asking them what they liked in terms of sexual technique to 'keep them happy'. Like some others in the sample, he eventually abandoned his 'bastard' career. He described himself as having fallen in love and talked of the contrast between sex in his previous relationships and with his girlfriend: 'It feels totally different . . . because I love her and that, we can actually make love without actually having intercourse, just being nice to one another and that... it feels we are making love. But with other girlfriends sex had to be intercourse, so it was sex' (Holland et al., 1993, p. 26). Daniel Wight {1993a, 1994) also found divergences between the norms of masculine sexual conduct and young men's behaviour. While conventions of masculinity required sex without emotional attachment, some teenage men did want to know and did have feelings for young women. However, those who had revealed a more sensitive side to themselves in individual interviews, nevertheless objectified women and stuck to the _! L_! L_' L_LJ_L_L Sex and intimacy 127 norms of masculinity in group discussion, remaining publicly vague or silent about sexual details in their actual relationships. Research on gay men continues to give qualified support to Gagnon and Simon's inferences about men's and women's socialization into a search for sex versus a search for romance. Studies find that the majority of gay men seek intimacy as well as sex; most want lasting intimate sexual relationships (Bell and Weinberg, 1978; Blumstern and Schwartz, 1983; Weston, 1991). However, their frequent ability to separate sex and intimacy means that visits to cruising areas and the like for casual sex are not necessarily considered a threat to a relationship with a partner. On the other hand, there are many gay men in stable partnerships who never visit the sex scenes. Research confirms that women's sexual relationships with other women are more typically based on friendships and mutual support than sex. For example, Lillian Faderman referring to her own US research (1991) and that of Philip Blumstein and Pepper Schwartz (1983) notes that the emphasis on sex of the 1960s and 1970s passed lesbians by: Because most lesbians had been socialized first and foremost as female, they were no more able than most heterosexual women in the past to form relationships primarily on the basis of sexual lust. And unlike heterosexual women in the 1970s, lesbians generally did not have partners who would prod them on to greater sexual looseness. . .. Not only were lesbians outside of committed relationships far less sexual than gay male and heterosexual singles, but even within long-term relationships they tended to be much less sexual. (Faderman, 1991, p. 247) Kath Weston (1991) is critical of the notion that sharing the same gender results in an intensification of gendered characteristics, but notes that because this is a commonly held belief among gays and lesbians, it impinges on the way 'both lesbians and gay men configured eroticism and commitment' (1991, p. 143). For example, some men considered.their relationships as particularly susceptible to breaking down because they believe men do not learn to 'nurture' while many lesbians worry that their relationships are over-nurturing, causing excessive dependency (Weston, 1991). In the 1990s some lesbians are actively reacting to the notion that lesbian identities are about relationships not sex by advocating a more aggressively erotic sexuality. I------■ fc—■ i I li i k l l l k 5ct o/jíí intimacy Adult sexu a liti es and social change Psychoanalysis teaches that many of our early emotional reactions become lost to conscious scrutiny, yet they are consequential for the patterning of our subsequent emotional life. Robert Connell suggests that one of the most valuable insights of psychoanalysis is the fact that it does not conceive of the self as a simple homogeneous core identity but rather anticipates people building psychological tension and conflict within themselves and then acting in ignorance of their self-constructed contradictions. Connell attempts to build some of the insights of psychoanalysis into the social construction paradigm of how sexuality is acquired. in his recent text on masculinity (1995) Robert Connell provides detailed accounts of the biographies of men who have chosen a route other than conventional macho masculinity, with its associated separation of sex and intimacy, emphasis on male sexual performance and conquest of women. In interpreting the stories that men tell about their lives he is drawing on a psychoanalytic framework and its feminist variants, including the work of Nancy Chodorow and Dorothy Diruierstein.7 Connell is not searching for definitive causes of particular sexualities, since sexuality is not predetermined but produced through, specific practices. Rather he is illustrating the unfolding of sexuality in an individual biography by reference back to the emotional attachments, resistance to attachments and rejections of early-family life, as well as the backdrop of conventional stories of masculinity, femininity and heterosexuality. Among the groups of men Connell studied were a group of eight men who identified themselves as gay. Connell used the phrase 'very straight gays' to communicate their commitment to much of conventional macho masculinity despite their sexual orientation. They all grew up in households with conventional divisions of labour and power structures between their mother and father. All learned to embrace aspects of the project of male dominance. However, in childhood all identified closely not just with their father but also with their mother or sister thus allowing them to internalize the possibility of being more like their mother or sister than their father, although as boys they all conformed to masculine stereotypes. The realignment of their sexual identity typically followed on from a same-sex encounter. Realignment of sexual identity typically coincided with a new sense of self and ended a phase of rebellion or unhappiness. Another group Sex and intimaq .fudied were men contacted through the environmental movement. They were self-consciously 'new men' who had distanced themselves from macho masculinity, were sympathetic to feminism and wanted , treat women as equals. In examining the biographies of these men Connell shows the point at which they reversed their developing commitment to conventional masculinity and how realignment of their childhood feelings for their immediate family were part of what made this possible. For example in his story of Danny Taylor, the implication is that if circumstances had not resulted in Danny feeling excluded by the strong bond between his father and brother then he would probably have continued down the route his older brother already followed. By early adolescence, his brother had tutored him in two important aspects of masculinity, sex (celebrating sex for its own sake, objectifying women as sex objects) and football. If Danny had followed the conventional mould then in his adult relationships he would have pursued sex without intimacy perhaps until deciding to 'fall-in-love' and settle down in a relationship in which he played the dominant partner to a woman. Instead, however, he formed a strong bond with his mother in adolescence, reassessed conventional masculinity and now in his adult life seeks open and honest relationships with women. Although analysing alternative sexualities to conventional macho masculinity, Connell's analysis suggests how robust gendered patterns of sex and intimacy are. Both gay men and 'new men' rework rather than abandon the conventional male mould. While Danny Taylor's biography demonstrates how a profound psychosexual reworking is possible it also suggests the strength of the contradiction in conventional masculinity between sex and mutually disclosing intimacy. Danny sought a relationship of openness, intimacy and greater equality but the woman he sexually desired and with whom he fell in love was not an equal in his eyes but a superior. He saw his partner as a strong woman whom he looked up to. Connell implies that Danny is unwittingly recreating the contradiction between sex and mutual intimacy in his own psyche and replacing the mother of his adolescence with a strong woman in adulthood. The gay men who Connell also interviewed were 'very straight gays' in that although they sought men as sexual partners they liked masculine men and had not themselves broken wholly with conventional masculinity. They all wanted long-term, mutually loving relationships with other men but most found they were making do with casual sexual encounters. f Lillian Rubin's interview study also found contradictions in how men and women talked about what they wanted from heterosexual relationships. Her analysis suggests that individual conflicts and contradictions reflect a process of social change. Rubin (1990) interviewed 300 heterosexual men and women aged 18-48 {from 'all over' the USA) from a range of ethnic and class backgrounds (as well as a sample of 75 younger people), some in couple relationships and some not. Many of her interviewees, particularly those outside of coupledom, conveyed a sense of unsettled heterosexual relationships Men stated both that they were seeking strong independent women who would be their equal and yet that they also wanted women who would be soft and submissive, in other words their subordinate. Or they admitted that when they found the spirited women that they sought they then got nervous and were not sexually interested. Some women also wanted possibly contradictory characteristics in men -successful and ambitious as well as sensitive and feeling. Some men were very angry at their perception of the impossibility of living up to what women wanted: "Hie women are always talking about how they want a man who's different, you know, one who's not just an aggressive prick. Then when a guy tries to be like that, what happens? They call him a wimp' (1990, p. 154). On the double standard in sexual conduct Lillian Rubin concluded that 'Men still hold the power to define the acceptable; women still conceal their sexual behaviour. But it's no small change that many if not most, men now question the legitimacy of their own thoughts and feelings and that most women are now angry about such sexual inequalities' {1990, p. 120). Similar findings led the British sociologists Jean Duncombe and Dennis Marsden to conclude that 'traditional role and behaviour have been disturbed to the extent that men as well as women now experience an uncertainty and ambiguity in the most intimate areas of emotional and sexual behaviour' (1995, p. 11). Some men in Rubin's study had, nevertheless, opted for the separation of sex from intimacy characteristic of conventional macho male sexuality. A fifth of men had visited a prostitute in the previous year, a considerably higher proportion than the averages reported by Laumann et aj. in their survey of sexual behaviour. While Rubin found that the overwhelming majority of women and many men valued intimacy more than sex, those who had embarked on new relationships typically started having sex before they felt they really knew the other person. Even those respondents who strongly believed that it is better to delay sex until you get to know somebody . other ways found it impossible to do this. Elisabeth Badinter has ..jigo-ested that sexual passion and consuming desire have faded from human experience as the price paid for greater sexual equality and freedom (Badinter, 1981). While not accepting Badinter's romanticized view or the passionate past, it is clear that building intense passion through years of sexually desiring someone would be an unusual pattern of behaviour in the late twentieth century. Public stories of the naturalness of sex if you are in love, portraying sex as the ultimate form of intimacy, and promoting sexual consumerism, sex as a good in itself, help set the scene for quickly progressing to sexual acts. The desire to 'know the other' combined with sexual desire almost inevitably leads to sex if there are no clear proscriptions against it and when the wider culture makes sex the obvious next stage. Other agendas for developing intimacy, loving and caring, knowing and understanding, are not necessarily subverted in the process, but studies of couple relationships indicate that this can and does happen. In so far as women pursue something like 'disclosing intimacy' more typically than men, then women are more likely to be dissatisfied if intimacy is reduced to sex. This is confirmed by a number of studies, although exceptions to the rule are also found. While surveys suggest that both men and women value intimacy, in-depth studies find that reducing intimacy to the physical intimacy of sex and seeing sex as all the intimacy you need remains more com> mon among men than women. The following typical example of what many women and men feel about this is taken from Lillian Rubin's North American study of working-class families. A woman said, 'If we have a fight, I want to talk about it so we could maybe understand it. I don't want to jump in bed and just pretend it didn't happen'. Her male partner said, 'I want to make love to her and she says she wants to talk. How's talking going to convince her I'm loving her?' (Rubin, 1976, p. 146-7). Many women find sex increasingly burdensome without the flush of romance or any effort from their partner to make them feel loved and special. In the following example, a woman explains that sex has got worse not because her partner is doing things differently but because there is no romance to make it tolerable. 'He didn't really bother with foreplay. But somehow I was so into him that it didn't matter, and I never said anything' (interviewee quoted in Duncombe and Marsden, 1996a, p. 226). Pat O'Connor (1995) found that for most of the working-class women she interviewed (57 predominantly white married women living in London) good sex and high intimacy typically went together. How- ever, a small minority of women rated sex as pleasurable and a rim of closeness but yet did not rate their relationship highly on oth 6 measures of closeness. They had very segregated marital relation1 ships with little disclosure or sharing of activities. For them, sex wa evidence of love, and all the evidence they had. An earlier study of British middle-class marriages similarly identified unusual couples in which sex was the only time when the woman felt close to her partner. For example, a couple who were collusively drawing on both the public story of sex as the most intimate expression of love, and macho masculine notions of sex as something-men-do-to-women said, ' 'At least, while we're having sex, I how that Brian is with me. I have his attention and his mind is completely on the job and he's not thinking of anything else.'... '1 can't talk to my wife, but I can throw her on the bed and then talk to her. 1 do feel I communicate in bed. It's obviously an intense awareness of each other, and afterwards, that's it, I change the subject mentally and physically.' (Deverson and Lindsay, 1975, p. 153) A recent British study of long-term heterosexual couples found men complaining about lack of sex and women complaining about lack of intimacy, illustrating persistent gender differences and inequalities. Jean Duncombe and Dennis Marsden found that of the 40 long-term married couples they interviewed, the happier couples felt close and had maintained a sexual agenda of mutual orgasm but in many couples at least one partner was unhappy with their emotional or their sexual lives. Most had experienced a diminishing of sexual activity and some were currently celibate. Women's main sources of dissatisfaction were inequality in providing 'emotional reassurance and comfort' (1993, 1995b, p. 13). Cuddling, kissing, saying T love you' and other such emotional reassurances were wanted by women but rarely initiated by men. The compiaints that men made to the interviewers were of women who 'don't try' or were 'not interested' in sex. The paucity of men's 'emotion work' influenced how women felt about sex. These themes were found to be already present among recently married couples (Mansfield and Collard, 1988). The newly wed wives reported that after marriage, men were less likely to express love when having sex, that they found it difficult to say no to sex because they did not want their husbands to feel rejected and that they tolerated sex they found less than pleasurable. Duncombe d Marsden suggest that women as new wives felt obliged to do an re 'sex work' on behalf of their husbands, but men as husbands Tit that 'security of possession' in marriage meant they could ex- nd less effort on sex. Women were doing more 'sex work' to please ^ en while men were doing less to please women. In conventional heterosexual activity men take the initiative and the lead through-ut the action and are responsible for it being 'good sex' for their partner as well as themselves. What is being suggested is that, after marriage, men want to carry less of this burden. Given that most men regard their orgasm, unlike women's, as a more or less inevitable outcome of conventional sex, this means resentment at carrying the work of 'giving her one'. The consequence for women is both less satisfactory sex and feeling less loved, a loss of intimacy which feeds back into less satisfactory sex. When men regarded women 'letting them' have sex as a part of the marriage contract, then their resentment at women's reluctance to have sex became righteous perhaps justifying coercive behaviour: 'It would be no skin off her nose . . . Sometimes I just want her to let me put it in and do it . . . She's broken the contract. Sex is part of marriage, and I can't see that anything's changed enough to alter that' (Duncombe and Marsden, 1996, p. 12). 'Pete used to say, like, he didn't mind . . . [when she did not feel like sex after the birth of their childj. But every now and then, you know, 'the erection in your back' ... I used to feel it was my duty , . . and sex was horrible, I used to cry afterwards' (Duncombe and Marsden, 1996a, p. 229). The nature of intimacy between these couples did not lead to them talking about dissatisfaction with their sexual lives, despite a cultural backdrop of public talk about sex. Stories, Practices and Social Change Neither public stories nor what is known about everyday practices indicate a clear trend in sexual relationships towards equality, disclosing intimacy, and mutually negotiated do-as-we-enjoy sex. Public stories about sex offer a variety of contradictory messages which sustainboth a strong narrative of predatory male sexuality separated from intimacy and a romantic fusion of sex and intimacy. The dominant narrative of official 'expert' stories emphasizes the fusion of sex and intimacy, although expert supporters of 'male sex drive' sto- ries can still be found. The emphasis in expert stories on 'relation ships'" rather than roles, responsibilities and obligations has seriously displeased sections of the Moral Right, it is impossible to definitively judge the balance of narratives of popular culture, films, advertising, television soaps, novels and the like, but predatory male sexuality remains a celebrated theme and a commercially successful formula. While feminist and homosexual stories can be heard in public discourse, the dominance of heterosexual conventional sex certainly remains ensconced. New sexual stories are being told but assertions that they are the leading edge of social transformation remain a radical political desire and a conservative nightmare rather than an established trend. Stories which speak of equality, disclosing intimacy, and mutually negotiated do-as-we-enjoy sexual relationships are popular but easily matched by more conventional tales predicated on gender inequality and conventional heterosexual practices. In these stories men are propelled by sex drives and women are perpetually seducible. Although contradictory, both stories are inevitably consequential for everyday life. Recent empirical work suggests that most adult men and women, heterosexual or homosexual, share the ideal of a fusion of sex and intimacy. It also suggests some diversification in heterosexual repertoires beyond conventional sexual intercourse. However, research also reveals a fairly bleak picture of sexual relationships between young men and women. It is a picture which incites sympathy with the more damning feminist accounts of heterosexuality (MacKinnon, 1982,1987; Rich, 1980). It shows that young men and young women often share a phallocentric view of 'normal sex': it begins with penetration of the vagina by the penis and ends in male ejaculation. Young women lack a vocabulary for sexual desire; early sexual experiences are often devoid of pleasure and many young women continue to fake orgasm in order to please their male partner. John Gagnon's and William Simon's description of heterosexuality over twenty years ago continues to capture how many men and women begin their heterosexual careers: 'males - committed to sexuality and less trained in the rhetoric of romantic love - interact with females who are committed to romantic love and relatively untrained in sexuality' (1973, p. 74). The image of young women cut off from their own bodies and denied sexual pleasure in their first heterosexual relationships sits uneasily with the recent findings of Shere Hite. A similarly upbeat iiiiiilvsiM of rh.mges in women's scxnnlity is to he found in the work I f Barbara Ehrenreich and her colleagues who wrote in the 1980s of the quiet revolution of an historical shift in women's power to demand and receive sexual pleasure. The evidence they cited included ^e earlier Hite reports and figures for the increased sales of vibrators. Ehrenreich and her colleagues were concerned with the experiences of adult women rather than young women entering sexual relationships. The evidence of women in long-term couple relationships provides very limited support for this optimism. Indeed, it is impossible to wholly reconcile these optimistic views with the grimmer picture painted by other researchers. Perhaps they serve as an important reminder that many more women live in circumstances which allow them to explore the possibilities their bodies offer for pleasure than earlier in the 'modern' period. Women's expectations of sex and intimacy are higher than ever before and so perhaps it is not surprising that disappointment is common. The public stories which talk of passionate sex and intense intimacy constantly flag the possibility of negotiating mutually satisfying sex. Even when men and women come together in conditions and with ideas which work against a fusion of sex and intimacy, they both have some notion of a possibility which they are not inhabiting, even if they consider it 'not for them'. The celebration of separating sex from intimacy in conventional masculinity does not cancel out nor is it cancelled by the stories of the loving, disclosing, mutual intimacy. Each remains a consequential representation of a possible way of being in the world.