/ L" ^ J TJ Marcel Mauss Reprinted by permission via the Copyright Clearance Center. Introduction I use the term "body techniques" in the plural advisedly because it is possible to produce a theory of the technique of the body on the basis of a studv. an exposition, a description pure and simple of techniques of the bodv in the plural. By this expression I mean the ways in which, from society to societv, men know how to use their bodies. In any case, it is essential to mo%e From the concrete to the abstract and not the other way around. I want to convey to you what 1 believe to be one of the parts of mv teaching that is not to be found elsewhere, which I have rehearsed in a course of lectures on descriptive ethnology (the books containing the Summary Instructions and Instructions Jor Ethnographers are to be published1) and have tried out several times in mv teaching at the Institute of Ethnology of the University of Paris. When a natural science makes advances, it does so onlv in the direction of the concrete and always in the direction of the unknown. Now, the unknown is found at the frontiers of the sciences, where the professors are at each other's throats, as Goethe put it (though he did so less politely), h is generally in these ill-demarcated domains that the urgent problems lie. However, these uncleared lands arc marked In the natural sciences, at present, there is always one obnoxious rubric. There is always a moment when, the science of certain facts not yet being reduced to concepts, the facts not even being grouped together organically, these masses of facts receive that signpost of ignorance: "miscellaneous." This is where we have to penetrate. We can be certain that this is where there are truths to be discovered: first, because we know that we are ignorant, and second, because we have a lively sense 5 of the quantity of the facts. For many years in mv course in descriptive ethnology, ™ I have had to teach in the shadow of the disgrace and opprobrium of the "miscella- 5 neous," in a matter in which, in ethnography, this rubric was truly heteroclite. I was .a well aware that walking or swimming, for example, and all sorts of things of the same tvpe are specific to determinate societies; that the Polynesians do not swim as we do, that mv generation did not swim as the present generation does. But what zone 455 social phenomena did these represent? They were "miscellaneous" social phenomena, and, since *his rubric is such a horrible one, I have often thought about this "miscellaneous" — at least as often as i have beer, obliged to disc-uss it, and-otten in between. Forgive me if, in order to give shape to this notion of boc\ techniques for you, I tell vou about the occasions on which I pursued this nenera! problem and how I managed to pose it clearly. It w-as a series of steps taken consciously and unconsciously. First, in 1895, I came into contact with someone whose initials I still know, but whose name I can no longer remember (1 have been too lazy to look it up), k was the man who wrote an excellent article on swimming for the 1902 edition of the Encyclopaedia Bruannico, then in preparation.' (The articles on swimming in the rwo later editions are not so good.) He revealed to me the historical and ethnographic interest of the question. It w-as a starting point, an observational framework. Subsequently — 1 noticed it myself — we have seen swimming techniques undergo a change in our generation's lifetime. An example will put us in the picture straightaway: us, the psychologists, as well as the biologists and sociologists. Previously, we were taught to dive after having learned to swim. And when we were learning to dive, we were taught to close our eyes and then to open them underwater. Todav the technique is the other way around. The whole training begins by-getting the children accustomed to keeping their eyes open underwater. Thus, even before thev can swim, particular care is taken to get the children to control their dangerous but instinctive ocular reflexes; before all else they are familiarized with the water, their fears are suppressed, a certain confidence is created, suspensions and movements are selected. Hence, there is a technique of diving and a technique of education in diving that have been discovered in my day. And you can see that it really is a technical education and, as in every technique, there is an apprenticeship in swimming. On the other hand, our generation has witnessed a complete change in technique: we have seen the breaststroke with the head out of the water replaced by the different sorts of crawl. Moreovervthehabit of'swallowing water and'spitting it out again has gone. In my day, swimmers thought of themselves as a kind of steamboat. It was stupid, but in fact I Still do this: I cannot get rid of my technique. Here, then, we have a specific technique of the body, a gymnastic art perfected in our own dav. 4^6 But this specificity is characteristic of all techniques. For example, during the war I was able to make many observations on this specificity of techniques, i.n particular, the technique of digging. The English troops I was with did not know, how ia use French spades, which forced us to change eight thousand spades per division when we relieved a French division, and vice versa. This plainly shows that a manual knack can only be learned slowly. Even- technique, properly so called, has its own form. But the same is true of every attitude of the body. Each society has its own special habits. In the same period, I had many opportunities to note the differences between the various armies. An anecdote about marching: You all know that the British infantry marches with a step different from the French — with a different frequency and a different stride. For the moment, I am not talking about the English swing or the action of the knees and so on. The Worcester Regiment, having achieved considerable glory alongside French infantry in the Battle of the Aisne, requested royal permission to have French trumpets and drums, a band of French buglers and drummers. The result was not very encouraging. For nearly six months, in the streets of Bailleul, long after the Battle of the Aisne, 1 often saw the following sight: the regiment had preserved its English march but had set it to a French rhythm. It even had at the head of its band a little French light infantry regimental sergeant major who could blow the bugle and sound the march even better than his men. The unfortunate regiment of tall Englishmen could not march. Their gait was completely at odds. When they tried to march in step, the music would be out of step, with the result that the Worcester Regiment was forced to give up its French buglers. In fact, the bugle calls adopted earlier, army bv army, in the Crimean War, were the calls "at ease" and "retreat." Thus, 1 often saw, in a very precise fashion, not only in the ordinary march, but also in the double and so on, the differences in elementary as well as sporting techniques between the English and the French, Professor Cure Sachs, who is living here in France at present, made the same observation. He has discussed it in several of his lectures. He could recognize the gait of an Englishman and a Frenchman from a long distance-But these were only approaches to the subject- A kind of revelation came to me in the hospital- I was ill in New York. I wondered where I had seen girls walking the w'sv mv nurses walked. I had the time to think z o n e about it. At last I realized that it was in movies. Returning to France, 1 noticed how common this gait was, especially in Paris; the girls were French and they too were walking in this way, In fact, American walking fashions had begun to arrive over here, (hanks to the movies. This was an idea 1 could generalize. The positions of the arms and hands while walking form a social idiosyncrasy— they are not simply a product of some pureh individual, almost completely psychic, arrangements and mechanisms. For example, ! think 1 can also recognize a gir! who has been raised in a convent. In °enerat, she will walk with her fists closed. And I can still remember mv third-form o teacher shouting at me: "Idiot! Why do you walk around the whole time with your hands flapping wide open?" Thus, there exists an education in walking, too. Another example: There are polite and impolite positions jot iht hands at rest. Thus, you can be certain that if a child at table keeps his elbows in when he is not eating, he is English. A young Frenchman has no idea how to sit up straight; his elbows stick out sideways; he puts them on the table and so on. Finally, in running, too, I have seen, you all have seen, the change in technique. Imagine, my gymnastics teacher, one of the top graduates of Joinville around I860, taught me to run with my fists close to my chest — a movement completely contradictory to all running movements. I had to see the professional runners of 1890 before I realized the necessity of running in a different fashion. Hence, I have had this notion of the social nature of the habitus for many years. Please note that ! use the Latin wore — it should be understood in France — "habitus" The word translates infinitely better than "habitude" (habit or custom), the "eijj," the "acquired ability" and "faculty" of Aristotle (who was a psychologist). It does not designate those metaphvsical habitudes, that mysterious memorv, the subjects of volumes or short and famous theses. These "habits" do not vary just with individuals and their imitations; they vary especially between societies, educations, proprieties and fashions, rypes of prestige. In them, we should see the techniques and work of collective and individual practical reason rather than, in the ordinary wav, merely the soul and its repetitive faculties. Thus, everything tended toward the position that we in this society arc amons those who have adopted, following Auguste Comte's example: the position of Georges Dumas, for example, who, in the constant shuttlin^s between the biological and the 453 sociological, leaves but little room Far the psychological mediator. And I concluded thai it was not possible to have a clear idea of all these facts about running, swimming and so on, unless one introduced a triple consideration instead of a single consideration — be it mechanical and physical, like an anatomical and physiological theory of walking, or on the contrary psychological or sociological. It is the triple viewpoint, that of the total man, that is needed. Finally, another series of tacts impressed itself upon me. In all these elements of the art of using the human body, the facts of education are dominant. The notion of education could be superimposed on that of imitation. For there are particular children with very strong imitative faculties, others with very weak ones, but all of them go through the same education, such that we can understand the continuity of the concatenations. What takes place is a prestigious imitation. The child, the adult, imitates actions that have succeeded, which he has seen successfullv performed bv people in whom he has confidence and who have authority over him. The action is imposed from without, from above, even if it is an exclusively biological action, involving his bodv. The individual borrows the series of movements of which he is composed from the action executed in front of him, or with him, bv others. It is precisely this notion of the prestige of the person who performs the ordered, authorized, tested action vis-a-vis the imitating individual, that contains all the social element. The imitative action that follows contains the psvchoLogica: element and the biological element. The whole, the ensemble, though, is conditioned by the three elements indissoluble mixed together. All this is easily linked to a number of other facts. In a book by Elsdon Best that reached here in 1925, there is a remarkable document on the way Maori women in New Zealand walk. {Do not say that they are primitives, for in some ways I think they are superior to the Cells and Germans.) Native women adopted a peculiar gait [the English word is delightful] that was acquired in youth, a loose-jointed swinging of the h:ps chat looks ungainly to us, but was admirsrd bv the Maori. Mothers drilled their daughters in :hii accamplishmern, termed omom. zone 4;9 and I have heard i mother sav to her gir!. "Ha' Kaort kcx e onion;" ("vou arc not doing the antoni") when the young one was neglecting to practise the gait 3 This was an acquired, not a natural way of walking To sum up, there is perhaps no "natural way" for the adult. A fortiori when other technical facts intervene: to take ourselves, the fact that we wear shoes to walk transforms the positions of our feef we certainly feel it when \\e walk without them. On the other hand, this same basic question arose for me in a different region, vis-a-vis all the notions concerning magical power, beliefs in the not onlv phvsica! but also moral, magical and ritual effectiveness of certain actions. Here I am perhaps even more on my own terrain than on the adventurous terrain of the psycho-physiology of modes of walking, which is a risky one for me in this company. Here is a more "primitive" fact, Australian this time: a ritual formula for both hunting and running As you well know, the Australian manages to outrun kangaroos, emus and wild dogs. He manages to catch the opossum at the top of its tree, even though the animal puts up a remarkable resistance. One of these running rituals, observed a hundred years ago, is that of the hunt for the dingo, or wild dog, among the tribes near Adelaide The hunter constantly shouts the following formula: Strike [him, i.e., the dingo] with the tuft of eagle feathers [used in initiation, etc.] Strike [him] with the girdle Strike [him] with the string round the head Strike [him] with the blood of circumcision Strike [him] with'the blood of the arm Strike [him] with menstrua] blood. Send [him] to sleep, etc.* In another ceremony, that of the opossum hunt, the individual carries in his mouth a piece of rock crvstal (kaucmukkc), a particularly magical stone, and chants a formula of the sameiind, and it is with this support that he is able to dislodge the opossum, that he climbs the tree and can stay hanging on to it by his belt, that he can outlast and catch and kill this difficult prey. The relations between magical procedure and hunting techniques are clear, too universal to need to be stressed. The psychological phenomenon I am reporting at this moment is clearly only too 460 easy to grasp and understand from the normal viewpoint of the sociologist. But what I wan: to get at now is the confidence, the psychological momentum that can be linked to an action that is primarily a fact of biological resistance, obtained thanks to some works and a magical object. Technical action, physical action, rr.agicoreligious action arc confused for the actor. These are the elements I had at mv disposal. Ail this did not satisfy me. I saw how everything could be described but not how it could be organized; I did not know what name, what titJe, to give it all. It was very simple, I had just to refer to the division of traditional actions into techniques and rites, which I believe to be well founded. All these modes of action were techniques, the techniques of the body. I made, and went on making for several years, the fundamental mistake of thinking that there is technique orilv when there is an instrument, I had to go back to ancient notions, to the platonic position on technique, for Plato spoke of a technique of music and in particular of a technique of dance, and I had to extend these notions. I call "technique" an action that is effective and traditional (and you will sec that in this it is no different from a magical, religious or symbolic action). It has to be effective and traditional. There is no technique and no transmission in the absence of tradition,This, above all, is what distinguishes man from the animals: the transmission of his techniques, and very probably their oral transmission. Allow me, therefore, to assume that you accept my definitions. But what is the difference between the effective traditional action of religion, the symbolic or juridical effective traditional action, the actions of life in common, moral actions on the one hand; and the traditional actions of technique, on the other' It is that the latter are felt bv the author as actions of a mechanical, physical or phpicochemicai order and that they are pursued with that aim in view In this case, all thai need be said is quite simply that we are dealing with technic-aes of the bodv. The body is man's first and most natural instrument. Or more accurately, not to speak of instruments, man's first and most natural technical object, and at the same time his first technical means, is his body. Immediately, this whole broad category of what 1 classified, in descriptive sociology as "miscellaneous" disappeared from that rubric and look shape and bodv: we now know where to file it. Before instrumental techniques there is the ensemble of techniques of the body. I am not exaggerating the importance of this kind of work, the work of psvehoso-ciologica! taxonomv. But it is something: order imposed on ideas where there was none before. Even inside this grouping of facts, the principle made possible a precise classification. The constant adaptation to a physical, mechanical or chemical aim (for example, when we drink) is pursued in a series of assembled actions, and assembled for the individual not by himself alone but by all his education, by the whole society to which he belongs, in the place he occupies. Moreover, all these techniques were easilv arranged in a system that is common to us, the notion basic to psychologists, particularly Rivers and Head, of the symbolic life of the mind; the notion we have of the activity of the consciousness as being, above all, a system of symbolic assemblages. I would never stop if I tried to demonstrate to vou all the facts that might be listed to make visible this concourse of the body and moral or intellectual symbols. Here let us look for a moment at ourselves. Everything in us all is under command. I am a lecturer for you; you can tell it from my sitting posture and my voice, and vou are listening to mc seated and in silence. We have a set of permissible or impermissible, natural or unnatural attitudes. Thus, we should attribute different values to the act of staring fixedly: a symbol of politeness in the army, and of rudeness in everyday life. Principles of the Classification of Body Techniques Two things were immediately apparent given the notion of techniques of.the body: they are divided and vary by sex and by age. Sexual division of body techniques (and not just sexual division of labor). Th is is a fairlv broad subject. The observations of Robert Mearns Yerkes and Wolfgang Köhler on the position of objects with respect to the body (and especially to the groin) in monkeys provide inspiration for a general disquisition on the differ- 462 ent attitudes of the moving body in the two sexes with respect to moving objects. Besides, there are classical observations of man himself on this point. Thev need to be supplemented. Allow me to suggest this series of investigations to mv psychologist friends, as I am not very competent in this field and also mv time is otherwise engaged. Take the wav of dosing the fist. A man normally closes his fist with the thumb outside, a woman with Her thumb inside; perhaps because she has not been taught to do it, but I am sure that if she were taught, it would prove difficult. Her punching, her delivery of a punch, are weak. And everyone knows that a woman's throwing, of a stone for example, is not just weak but always different from that of a man: in a vertical instead of a horizontal plane. Perhaps this is a case of rwo instructions. For there is a society of men and a society- of women. However, 1 believe that there are biological and psychological things involved as well. But there again, the psychologist alone will be able to give onh- dubious explanations, and he will need the collaboration of two neighboring sciences: phvsiolopv and sociology- variation of bodv techniques with age. The child normally squats. We no longer know how1 to. 1 be!ieve that this is an absurdity and an inferiority o: out races, civilizations, societies. An example: I lived at the front with Australians (whites). Thev had one considerable advantage over me. When we made a stop in mud or water, thev could sit down on their heels to rest, and the "jlocie" as it was called, staved below their heels, I was forced to stay standing up in my boots with my whole foot in the water. The squatting position is, in my opinion, an interesting one that could be preserved in a child. It is a very stupid mistake to take it away from him. .Ail mankind, excepting only our societies, has so preserved it, II seems, besides, that in the series of ages of the human race this posture has also changed in importance. You will remember that curvature of the lower limbs was once regarded as a sign of degeneration. A physiological explanation has been given for this racial characteristic. What even Rudolf Virchow still regarded as an unfortunate degenerate, and is in fact simply what is now called "Neanderthal" man, had curved iegs. This is because he normally lived in a squatting position. Hence, there are things that we believe to be hereditary, but which are in reality physiological, one psychological or sociological in kind. A certain form of the tendons and even of the bones is simply the result of certain forms of posture and repose. This is clear enough By this procedure it is possible to classify- not onlv techniques, but also to classify their variations b\- a^e and sex. Having established this classification, which cuts across ali classes ol society, we can now glimpse a third one. Classification of body techniques according to efficiency. Bodv techniques can be classiiied according to their efficiency, that is, according to the results of training. Training, like the assembly of a machine, is the search for, the acquisition of, an efficiency. Here it is a human efficiency. These techniques are thus human norms of human training. These procedures that we appk to animals men voluntarily apply to themselves and to their children. The latter are probably the first beings to have been trained in this wav, before all the animals, which first had to be tamed. As a result, J could to a certain extent compare these techniques, them and their transmission, to training systems and rank them in the order of their effectiveness. This is the place for the notion of dexterity, so important in psychology as we!) as in sociology. But in French we have onlv the poor term "hobile" a bad translation of the Latin word "hcbilis™ which far better designates those people with a sense ot the adaptation of all their well-coordinated movements to a goal, who are practiced, who "kjiow what they are up to." The English notions of crafc or cleverness, (skill, presence of mind and habit combined) implv competence at something. Once again we are clearly in the technical domain. Transmission of the form of the techniques. One last viewpoint: The teaching of techniques being essential, we can classify them according to the nature of this education and training Here is a new field of studies; masses of details that have not been observed, but should be, constitute the physical education of ali ages and both sexes. The child's education is full of so-called details, which are really essential. Take the problem of ambidextrousness, for example: our observations of the movements of the right hand and of the left hand are poor. and wc do not know to what extent thev are acquired. A tjious Muslim car, easiK be recognized: even when he has a knife and fork (which is rare}, he will go to an\ lengths to avoid usir.£ anything but his right hand. He must never touch his food with h:s left hand, or certain parti of his bodv with his right. To know whv he does not make a certain gesture and does make a certain other gesture, neither the phvsioiogv nor the psychology of motor asvmmetry in man is enough; it is also necessarv to know the traditions that impose it. Robert Hertz has posed this problem cor recti v.J But reflections of this and other kinds can be applied whenever there is a social choice of the principle of movements. There are grounds for studying all the modes of training, imitation and especiallv those fundamental fashums that car ia!'ed the "modes of life." thr ~3 — thani ] 4 Christian Goedieb Teichdmann md Clamor VvLlheim Schurmann, OuiJr.iej p-fj Grammar. feaDufary, and Phraseology, ofikc AbengmaJ Language of South Australia, ipoten iy iht Naiiits jji and fir .SarBt Dsitaner aroundAoeJaidf (Adelaide- published bv the authors at the native Iticatmnj, itrographj; facsimile. South Australian Facsimile Editions no. 39, 1962, p. 7 J, quoted in Edward John Eyrc/ourncii of Esptd-.nans dJ Du.-uvrrv into Ctatrat Australia ana QrtAandjion Adtleidr to Kate Ccargr'i Sound to zht titan . 2 vo!». ("London. T and W Boone, ims), vol. J, p J41. 5. Robert Hera, "La Preeminence de la main droite: Etude liar la polirv.i reUgieuse" rtrnje phjJojapbjqui dtta Fronrr rt 4c 1'{imager 66 (]9Q°)L pp. Sj3—80 [Hera. "The Pie-eminence of Lie Right Kind. A Study in Religious PolarirV in Dcsjt and tbt Rjj/i; Head, cram, pjsdnrv and Claudia Ncedham (London. Cohen and West, I960), pp. 87-1 Si, IS'—S0J. 6 Even the latest edmaru uf Hermann Heinnch Pioss, Dai Wcib (Benel's editions, etc.! leave something to be desired on this question. (See Hermann Heiru-icfc Ploss, Das Wtib in da Seitit- und VoHtrkundt, ,Vn:Aitjjw(ojfucne 5iudjrn, 2 vols. (Leipzig: Gneben. 1S84), Floss and Ma* Barrels, Dnd Wab >» dir N'arur- und Volltttiunde, I voli (flth ed, Leipzig' Grieben. 190S); and Floss. Ban els and Paul Bands, ^ewnun As, timofical, Gynecological and AninrQiwlogrcal Cempendivai. Jvols..ed and trans- Erie John Dingwall (Lender: Hcmemarm, !?35)—trans] 7. Waiter Edmund Roth, Ethnological Htudici among trie Von.S-IV'rTr-Ctfncrflj Qutensland .'.kot\gmcs (Brisbane. Government Primer, 1897), pp, 182—S3, idem, "An Introductory Studv of the Arts, Crafts, and Customs of the Guiana Indiana," TJiirry-ej^htii ,jjwlo/ Report of the Bureau of American fianoJooj to iht Smiiiiioiinjii imsjtuijcn. 1916-17 (Washington, D.C., 19;*), pp. 693-94. 9. Observations axe br|mning :a be published on this point. 9. Floss's large collection of facta, supplemented bv Banels, is iat ufactory on this point. [See Ploss, Bands and Barrels, H'oawn, vol. 3, p. 181 —tkamj J 10. Erin Graebner. Elhoologu io aae tailtur der Ccocnmri, ed. Paul Hirjieberj" (LespBg: Teubncr, t9231,pt. 3, sec J. 11. This is one of the useful observations in Graebner. Ettmologu rn die JoJiur. 12. -Gun 5achi. WcrJa' Humrr ef-Jir Dan«, erani. fiessie Schonberg (London; Allen and Unwin, 19351. 13. Curt Siibj u«a the term "cioie dance" and "riparwled dance* — trans. 476 14. SiChv Wotld HľLoj-i cJlÁt Dunce, pp. }-»—6i li. [ Havr |u*i »rer. it tr. u»e it iut Ispring ;93;j 16 Loun dt Rougerrtorr. jpieudBr.v-m Jot Henr--Lnu:i Gnr.j, ľľir .'.ďrasure: ^' Ljľíj if Fuivacapr.t at Toié í\ H.siitlj(Lnr.úan N'e-w.-ne». 1899j, p 86 17. Roben šuy-.rrUncJ RiTTfiT...^.íient.'(Onforč Cir-ndan Preši, I92J), pp 01—63, Up IS—16 IS Fraru Reuleam. Tile KjDrno-tľĽ uf.ifc^iine.t Duďjiifj o:'o Theorv oj Mczhir.?: i'L-cndn-MacTTulUn. IBT6). p- +3 "The lunrtic ciemrnĽ. aľ j micrunr ire employed iirtglv, but iJv.í^t in pur?, or in o'.hii worcLi.. trie mir.hjnr omnrjl in weil br üjd to caiuitt of elements n °r pun ol cJtTncnta \EJemenicnpaare] Tfiii jiiriLirulir manner ctí" ionium Lie r. tomu a disting^isning eiiar-irirnitie ní tiie micrune." 19, W J. McGce, "The- Sen lr.diani," St'enieenljl AnT.ua! A/port Ol" if* íjrwu nf.UrJixír.c.l EiAnnissv lir ijnjĽijanjo.i JniĽime jot u;* liar i'SPÍ-96 i^'uiunpon, D C-, 189S), p Iii jln íic-_. the Sen Irvr un uSe tiJind of Tiburor. ind the idjicent rruuriiir.d oľ Sonora Province, Mexico, □r. the Gu]f aŕ ClUfbrrul — TlkANS ] 20 Friedrich Siloman íu-ausi. ed Anskropophrxtto Jabrbüzicr jur jolíiorisuicat Lrhtbwt«n und FersnuBgtn lui Ei\