CiiAPTEP. 12 Ethnography Anthony Kwame Harrison Abstract Embracing the trope of ethnography as narrative, this chapter uses the mythic story of Bronislaw Malinowski's early career and fieldwork as a vehicle through which to explore key aspects of ethnography's history and development into a distinct form of qualitative research.The reputed "founding father" of the ethnographic approach,Malinowski was a brilliant social scientist, dynamic writer, conceited colonialist,and, above all else, pathetically human.Through a series of intervallic steps-in and out of Malinowski's path from Poland to the "Cambridge School" and eventually to the western Pacific-I trace the legacy of ethnography to its current position as a critical, historically informed,and unfailingly evolving research endeavor.As a research methodology that has continually reflected on and revised its practices and modes of presentation, ethnography is boundless.Yet minus its political, ethical, and historical moorings, Iargue, the complexities of twenty-first-century society render its future uncertain. Key Words: anthropology. colonialism,epistemology, the field, intersubjectivity, Malinowski, methodology, writing culture During my final weeks working on this chapter, I happened to watch the documentary The Black PowerMixtape 1967-1975-a contemporary collage ofrarely seen Swedish television footage of the Black Power cultural revolution ofthe 1960s and 1970s. In the 1973 chapter of the DVD, there is a brief scene from inside a Swedish tour bus traveling around New York City. .fu the bus passes through Harlem, the tour guide-speaking in Swedish but translated as subtitles-describes the upper Manhattan neighborhood as "undoubtedly the Black man's ghetto" where "large amounts of narcotics are circulating"; he goes on to remind the tourists of how their "welcome letter" had instructed them that the tour company did "not want anyone to visit Harlem for personalstudies... because [Harlem] is only for Black people" (Olsson, 2011-emphasis added). This human desire for personal studies, the traveler's yearning to get off the tour bus, the curiosity to move beyond the pretense of staged representations oflife and to discover what it is really all about, underlies the post-Enlightenment project of apprehending the world though physical force, cognitive classifications and containments, and, at times, empathetic pretensions. The same impulses anticipated among Swedes in 1970s New York inspired a generation of European explorers to penetrate the dark continent ofAfrica (Thornton, 1983) and continue to compel turn of the (twenty-first) century visitors to Chicago to sift and sort through a sliding scale of authentic venues in search of "the real" Chicago blues experience. But, as David Grazian (2003) has effectively shown, even the most seemingly authentic of these late modern cultural products are fabricated commodifications, banking on the city's global popularity as a blues destination. Such realizations have implications for how we think about the history, current state, and future of ethnography. More than merely embracing Erving Goffman's (1959) mid-twentieth-century declaration that "all life is a stage"-though its connotation are perhaps more profound r:han some recognize-the sraging of the crhnograph.ic project is acutely linked to an inva ive mix of privilege and inquisition that sprouted io the garden ofWestern modernity and spread throughout the colonial hinterland. To make sense of thi · deep history one must begin with qu rions like: what does it mean to srudy rhe life ofsomeone else? Whac give anyone the right to initiate research on another community (even when rhey sincerely and passionat Ly believe ir is for the communicy' berterrnent)? And, pressing beyond the expected, pedestrian answers, what larger goals are we working towards or working in the service of when we undertake qualitative social fieldwork? I can imagine our Swedish tourist being just as curious about the dealings of Wall Street investment bankers (Ho, 2009) but less inclined to consider going there, not necessarily out of a conscious awareness ofWall Street's inaccessibility, but due to a doxic (Bourdieu, 1977) inability to even acknowledge it as a possibility. Then again, social researchers and cultural commentators from W E. B. DuBois (1903/ 1996) to Norman Mailer (1957) to Jon cイオセ@ ( l999) have observed rhe racially loaded fascinations rhar people of European descent have abouc chose they (a) have had unproblematized access ro and (b) view as most di tiller from chem elves, either physically, culrurally, or both. Explanation for chis range from the allure of rhe exotic and preumed primal drives cowards straighrnway sari faction and survival char govern tho e at the other end of the civilization spectrum (here Mailer and perhaps Malinowski) to empathy with the romanticized innocence that such closeness to nature and freedom from civilization's repressive shackles offers (here Margarcc Mead and perhaps Malinowski). Anthropology-the discipline to which ethnography is most hi torically bound-came of age as a legirimace academic field through rhese Western impulses while simulcaneou ly fueliDg rheir popular interest (Thornton, 1983). Like the threat of Swedish tourists undertaking personal studies, ethnography as a research practice is, in many respects, renegade. That is, it refuses to follow strict conventions and achieves virtue and vitality through its lack of prescription. Ethnography straddles structured research design and improvised inquisitive adventure, constantly moving betwixt and between theory, data, and 224 I ETHNOGRAPHY analysis (O'Dell & Willim, 2011). Although it is non-linear, it is profoundly narrative. ** * This chapter introduces ethnography, as a specific type of qualitative research methodology, through an historically conscious narrative of its principal and principled approaches. Much has changed in ethnography since the classic era when researchers such as Alfred R. Radcliffe-Brown (I 922) and E. E. Evans-Pritchard (1940/1969) traveled to faraway places with names like the Andaman Islands and Nuerland. Their charge was to plot the topography of human cultural difference and to identify, via conditions of isolation and theories of unified wholes, the systems and processes through which social life successfully functioned. Today, most observers regard ethnography as fitting within a more sophisticated project ofmaking sense ofsocial life through the ways of knowing that are most meaningful and potentially most consequential to social actors themselves. Yet I caution against the tendency for each coming-of-age generation to selectively disconnect itself from those that came before.1 Ethnographers trained in fields such as anthropology, sociology, cultural studies, and folklore recognize the importance-or have experienced the rite-of-passage mandate-of knowing their history. Still, mere knowledge ofpast right- and wrongdoings combined with a critical disposition neither empowers contemporary ethnographers to make the most of their approach's unique virtues nor alleviates them from its most primordial problematics. Moreover, as ethnography has propagated into such fields as organizational studies, planning, management, and industrial engineering (to name just three) concerns over research efficiency and tangible outcomes tend to eclipse the historically informed and critical perspectives that have defined its fundamental modes of understanding. What is called for, then, is an accounting of ethnography that situates it contemporarily while simultaneously integrating historical actors and the social forces they at times conformed to and at others contended with. One of the more damaging consequences of ethnography's spreading popularity has been the propensity to view it as a method rather than a meth- odology.2 This difference is significant. A method is simply a technique or tool used to collect data. Ethnographers often utilize a variety of tools and techniques during the course of their research, including but not limited to: establishing rapport; selecting informants; using a range of interview and focus group forms; ュ。Nォゥョセ@ .observarions-bo.rh ardcipacory and non-pamc1pacory-and wnrf g field nores based on them; conducting surveys QQ セ QQ 」。ャッァゥ・@ , and domain analyses; mapping fields; granscribing texts; and coding data.3 In conrrasc, セ@ 'rnechodology is a rheoretical, ethical, political, and at rimes moral orientation co research, which auidcs che decisions one makes including choices =bout research methods. This distinction between merhod and methodology ls crucial co my effort co dlffurenciate ethnography from qualitative field research more generally. Much of what is included in this chapter will be useful to qualkarivc researchers on the whole. However, my primary purpose is co describe and delineate ethnography as a communally engaged and historically informed early rwenty-first-century research practice. Much like culture, ethnography is one of those social scientific abstractions that is readily deployed co mark out what we-as anthropologists, sociologists, and an increasing range of researchers in other fields-do as unique, yet is difficult to capture in a single precise and thoroughgoing definition.4 Part of the difficulty is that the term refers to both a research process and the written product of those research activities. While not losing sight of the important revisions to come out ofits "crisis of representation" that have pushed scholars to acknowledge, and in fact prioritize its ultimate textual character (Clifford & Marcus, 1986; Marcus & Fischer, 1986), in this chapter, I mostly treat ethnography as a processual approach to doing a particular kind of qualitative research. To begin, I present a few basic definitions of ethnography. Carol A. Bailey (2007) quite simply explains it as "a type of field research that requires longterm engagement in a natural setting" (p. 206). In a more detailed description, Martyn Hammersley and Paul Atkinson outline the ethnographic project as: participating, overtly or covertly in people's daily lives for an extended period of time, watching what happens, listening to what is said, asking question ... [and] collecting whatever [other] data are available to throw light on the issues that are the focus of the research. [1995, p. 1] Lastly, Clifford Geertz (1973), in his classic treatment, defines ethnography as "an elaborate venture in ... 'thick description'" (p. 6). Etymologically, ethnography combines ethno, meaning "culture (or race)," and graphy, meaning "to write, record, and describe."5 Thus ethnography, which Barbara Tedlock (2000) refers to as an "inscription practice" (p. 455), can be thought of as the process and product ofwriting, recording, and describing culture. Building offofthese different understandings, my treatment of ethnography is simultaneously broad and narrow. During the late twentieth century and now into the twenty-first, ethnography moved from the confined ranges of anthropology and sociology to a tremendous number of disciplines and fields, including (in addition to those listed earlier) psychology, geography, women's studies, history, criminology, education, political science, communications, leisure studies, counseling, nursing, psychiatry, medicine, social work, and law (seeTedlock, 2000; Denzin & Lincoln, 2008; Jones &Watt, 2010), just to name a few. Attempts to put narrow disciplinary restraints on ethnography are, in my view, shortsighted and possibly even disciplinarily egocentric. Similarly, the variety of practices involved with ethnography is expansive and continually expanding. These include several traditional qualitative research methods (such as those listed earlier) as well as more recent innovations that cross into visual and sensory studies (Pink, 2006, 2009), the arts (Leavy, 2009; Schneider & Wright, 2010), action-oriented research (Kemmis & McTaggart, 2000), autoethnography (Ellis, 2004; S. H. Jones, 2008), and collaborative ethnography (Lassiter, 2005). This is not the place to explicate the multifaceted dimensions ofthese varied approaches, but I want to be clear in stating that all cohere (or have the potential to) with the understanding of ethnography that I put forward. At the same time, there has been a tendency among some scholars to define almost any qualitative research project-and particularly projects involving traveling to a field site-as ethnographic. On this matter I am more stringent in explaining that ethnography involves more than just going somewhere to conduct research on or within a community. It involves a certain frame of mind, or, I will even say, historically aware sensibiliry that is very much its own. Ethnography is often equated with the practice of (or practices surrounding) participant observation. I agree to the extent that ethnography fits within a participant-observation framework, yet to highlight what I see as a key difference, let me return to the definition from Geertz, which is premised on his notion of thick description. In his classic illustration ofthick description, Geertz (1973) discusses Gilbert Ryle's (1971) distinction between the involuntary contracting of the eyelid associated with a twitch and winking. While as a physical description of action the two are the same, HARRISON properly contextualized-in the case of the wink, involving such things as impetus, intention, and success in communication-they are drastically different. Ethnography, as I am defining it (as a methodology), involves degrees of impetus, intention, and conviction that are different from simply having a participant-observatory perspective and standpoint. Although many of its characteristics have changed since the days when Margaret Mead first traveled to Samoa, like the origins of ethnography itself, these changes have been as much a gradual, reflective, and historically mediated evolution as a radical shift. Thus, a solid grounding in the history of ethnography is important to understanding how current ethnographic research differs from what we might broadly call qualitative field research. My approach involves reviving, interrogating, and embarking on a narrative journey via ethnography's most pervasive origin story. That is the chronicle of Bronislaw Malinowski's pioneering field research in the Trobriand Islands, which, within the core fields listed earlier, is commonly held up as the ethnographic archetype (Strathern, 1987). In doing this, I attend to the multiple trajectories of development and enlightenment that follow from these mythic origins. This is complex terrain since, as most researchers now recognize, ethnography was birthed out of colonialist impetuses that included "territorial expansion, the pursuit ofmilitary power, commercial greed ... the need to find raw materials and investment opportunities for accumulated capital, [as well as] an emerging 'media industry' in search of stories to sell" (Fabian, 2000, p. 4; see also Thornton, 1983). Retrospectively, the history of ethnography is comprised of hardly heroic heroes (see Sontag, 1966/1978). While I do not shy away from the intellectual temptation of unpacking the possible fictions surrounding Malinowski as a mythic figure, I ultimately treat representations as real-meaning, they are products of contested political processes that have real consequences (Hall, 1996). Thus these historical trajectories are shaped as much by what is represented and remembered, which is never fixed, as by what actually might have been. Building on the trope of ethnography-asnarrative-journey, this chapter uses the narratives of Malinowski's early life and career as vehicles through which to present important aspects of and issues facing contemporary ethnography. This involves a series of intervallic, temporal steps our of the early twentieth century into broader historical and present-day contexts. I begin by discussing ETHNOGRAPHY Malinowski's mythic status in relation to some of his ideas regarding the social functioning of myths I next review his early life experiences and ・、オ」。エゥッセ@ in Poland and Germany as a means to introduce key paradigmatic and epistemological underpinnings of the ethnographic enterprise. Malinowski's travels to England and association with the Cambridge School provide an opportunity to present the tran_ sition in social research practices during the late nineteenth and early twentieth centuries, which the myth of his methodological revolution belies. Bis initial research experiences on the island of Mailu illustrate the colonial legacy of the ethnographic project as well as the interpersonal dynamics of its research practices, and his transition from Mailu to the Trobriand Islands offers an opportunity to contemplate the changing notion of the ethnographic "field." The 1922 publication of Argonauts of the Western Pacific marks a watershed moment in the history of ethnography and Malinowski's career. It was here where he first presented his "modern sociological method of fieldwork" (Stocking, 1983b, p. 111). My reflections on the impact of this book segue into some important considerations surrounding what has been referred to as (among other things) ethnography's "literary turn." Finally, a consideration of Malinowski's reputation gives rise to some conclusionary remarks regarding ethnography's historical legacy and fucure. Journeying through the life of the man whose idealized image, more than anyone else, came to epitomize ethnography and whose divulged human frailties contributed to its reorientation highlights a degree ofsophistication that is frequently omitted in deference to (too often self-congratulatory) how-far-we-have-come framings of histmy. Malinowski's Myth The history ofethnography is replete with its own myths, superstitions, and survivals. As the countless ethnographers who have studied these topics over the last century-plus have taught us, such aspects of culture should not be dismissed lightly but rather interrogated for the important purposes, both functional and symbolic, they serve. In ethnography's most prominent origin story, Polish-born, British-educated6 Bronislaw Malinowski is cast as its progenitor. Though the "Malinowski myth" has been discussed in several anthropology-specific treatments of methods, theory, and the history of the field,7 as ethnographic research has diffused into other areas, Malinowski the man, the myth, and rhe heuristic value of both have become dispensable. 1hi chapce ·-as much for a non-anthropological readership as fo.r a distinctly anthropological oneiiit11S ro correct rhis. Viewed through the lens of some of his own cheorecical findings, Malinowski's early life and career, char is, his circuicous journey co "inventing" rite edinographic method, becomes an in cruccive hagiography- part cravelogue, part founding fable. Jn developing his own version of (psychological) funcdonalism MaUnow ki did groundbreaking work on chc to(JiCS of myth, magic, and uperstidon. Contrasting early views rhar incerpreted myrhs as "idle rhapsody" or "aimless outpourings of vain imaginings" (Malinowski, 1926/1948 p. 97). he forcefully pur forward the position char myrhs actively affect the conduct of members ofa community by exercising "a living reality, believed to have once happened in primeval times, and continuing ever since to influence the world and human destinies" (p. 100). Through myths individual reputations are made and sustained and important lessons and understandings of cultural practices are carried over time. According to Malinowski's myth, the young Pole first became fascinated with cross-cultural study when, during a period of illness, his mother read him sections ofSir James Frazier's The Golden Bough (1900). After receiving his doctorate in physics and mathematics in Poland, Malinowski, as the story goes, traveled to England in pursuit of education and romance. Once there, he converted to the budding science of anthropology and in 1914 set off to do field research in the southwest Pacific where, as a consequence of the outbreak of war in Europe,8 he found himself stranded for several years. During this time-after realizing the importance of the anthropologist getting "off the verandah" (Singer & Dakowski, 1986b) and, instead, living among the natives-he established what he claimed was "an entirely new academic discipline" (Leach, 1957/2000b, p. 49), now known as ethnography. Foundations ofa Man and His Methodology Like an onion, the layers of Malinowski's myth can be peeled back to reveal numerous inconsistencies, resulting from selective embellishments, missing details, lacks of contextualization, and perhaps just plain concoctions. Adopting a weighty ethnographic tag popularized by James Clifford (1986), the various versions ofMalinowski's story are at best Partial truths. Although divining the correct version of this story is not my goal, interrogating some of its factual bases opens a didactic narrative pathway along which to contextualize the famed "father of fieldwork" (Thornton, 1985, p. 8). Both Malinowski's class background and the role of his mother in introducing him to the work of Frazier have been scrutinized.9 The question of class is notable if for no other reason because early ethnography-with its demands of traveling to faraway places and associated reprieve from everyday economic necessities-was thought to be an elite profession (Nash & Wintrob, 1972; Tedlock, 2000). By the early years ofhis post-secondary education, Malinowski was undoubtedly familiar with The Golden Bough. The book's focus on the worship of Diana at Nerni in southern Italy in all likelihood resonated with Malinowski, who as a sickly youngster, upon the orders of his doctors, had traveled throughout the Mediterranean with his mother (Wayne, 1985);10 and reading Frazier's cross-cultural comparisons with "exotic" customs from around the worfd most certainly nourished the exceedingly ambitious Malinowski's desire to conduct his own personal studies. Malinowski's journey to England was preceded by two years at Leipzig University in Germany where he was directed toward Volkerpsychologie through the work of the university rector and future "father of experimental psychology," (Kess, 1981, p. 126) Wilhelm Wundt. As with his earlier path to Jagiellonian University in Poland-where his father was "a renowned professor of Slavic philology... [with] a lively interest in Polish ethnography and folklore" (Pulman, 2004/5, p. 126)Malinowski's decision to study at Leipzig was quite literally following paternal footsteps. While at Leipzig in the 1860s, Lucjan Malinowski had "broke[n] new ground in methodology" with his doctoral dissertation in Silesian dialectics (M. W Young, 2004, p. 12). Yet the younger Malinowski, who by all reports was never close to his father (Kubica, 1988, p. 89; Wayne, 1985, p. 529), apparently also chose Leipzig because of its reputable program in thermodynamics (M. W Young, p. 128). The decision to travel to England was indeed motivated by romantic interests. Shortly after arriving in Leipzig, Malinowski met the widowed South African pianist Annie Brunton-described by his daughter as a woman "considerably older than him" (Wayne, 1985, p. 531)-and the two began a stormy affair. In December 1909, when Brunton moved to London, Malinowski soon followed. He once said that "if [he] hadn't met Mrs. Brunton [he] would never have taken up sociology" HARRISON (Wayne, p. 532). Though likely an example of his characteristic hyperbole and flare for the dramatic, Brunton undoubtedly influenced the much younger "Bronius's" intellectual growth in at least two ways. First, by pulling him from Leipzig-an institution that "represented the best of German science" (M. W Young, 2004, p. 130) where he had the opportunity to work with a venerable master in the field11 -to Britain, which by 1910 was a hotbed for ethnology and home to prominent figures like Edward Burnett Tylor, William H. R. Rivers, Charles Seligman, and Malinowski's old friend Frazier. The second influence came through Brunton's role in (re-)exposing Malinowski to music, and, by extension, to the arts in general. One oft-cited tension in Malinowski's psyche was the opposition between the scientist and the artist, reason and intuition, rationality and emotion (Thornton, 1985; M. W Young, 2004). The productive off-play of these two temperaments would serve him well-in terms of both methodological process and written product-as an ethnographer.12 Upon arriving in Leipzig, with the intention to study the thermodynamics of liquids and gasses at "the renowned centre in Europe" for such study (M. W Young, p. 128), one could surmise that Malinowski's pendulum had swung sharply towards science. Annie Brunton's greatest influence on the aspiring young scholar may have been to bring him back into balance-as turbulent as a Malinowskian balance would have been-and to open his eyes to the possibilities beyond the "best of science" that had so intrigued him years before.13 Ethnographic Science, BtlmtJgmphic Httmanity Ethnography can rake many forms and guises. De ·pire some commonalides in practices and politics, ethnographers adhere to multiple epistemologies and paradigmatic understandings of what constitutes good research. This creates a troublesome tension: whereas different researchers and research activities may appear the same, and may be guided by similar politics and sensibilities, they nevertheless may be foundationally grounded in different philosophies of knowledge. Malinowski, fittingly perhaps, straddled ethnography's prime epistemic divide. Anthropology has been referred to as the social science that is closest to the humanities (Redfield, 1953; Aunger, 1995). Ethnography, as its chief mode of research, is firmly situated at these crossroads. Yet this position is never fixed. 228 I ETHNOGRAPHY As ethnographic practices have spread into ッセ」イ@ disciplines, the potential outcomes and misundcr. randing resulting from epistemological differ. ence , although nor always discussed, have becolll.c more pronounced. When people undertake erhno. graphic research in the fields of, for instance, archi. tecture, marketing, and/or women's studies, what are their goals and what are considered legitimate means of attaining these goals? Thomas Schwandt (2000) highlights three areas of concern surround. ing qualitative inquiry, which are instructive for a discussion of ethnography in particular. I adapt them here: 1. Cognitive concerns surrounding how to define, justify, and legitimize claims to understanding, which might or definitively might not include questions ofvalidity, transferability, and generalizability. 2. Social concerns regarding (in this case) the goals ofethnography: should they be emancipatory and transformative? Should ethnographers seek solutions/answers to problems/questions that are of direct interest to their own academic communities and/or to the communities they study? Or should they seek to understand the situations in which, and the social processes through which, human actions take place in the ultimate interest of working towards a better understanding of sociality in general as well as in the particular? Questions such as these are neither all encompassing nor mutually exclusive but they do point towards potentially stark divergences in the ethnographic enterprise. 3. Moral concerns as to how to "envision and occupy the ethical space" between ethnographers and those they research in responsible, obligatorily aware, and status conscious ways. (see Schwandt, 2000, p. 200) The first of the three areas-specifically ethnographers' epistemological embeddedness and paradigmatic adhesions-is of mo t immediate concern here. Nonetheless, for rhe ethnographer, cognitive concerns are not neacly eparared from social and moral. ones. Although r save discussion of social responsibility and ethics until later in the chapter, an awareness ofboth their impact on, and how they are impacted by, foundations of knowledge and understandings oflegitimate research are important. Before briefly outlining the guiding paradigms surrounding ethnography, I offer a few additional caveats.Whereas defining and labeling these various epistemological and methodological frameworks . useful, it would be a mistake ro give too much d . fi ·u1 hctention to trymg to r a paruc ar researc r or 3 ven an insrance of ethnographic research neatly JntO 0 ne category. Ethnographic experience is pererually ephemeral, meaning char at rimes ethnogセーィ・イウ@ are prone to move, transform, and shape shlfr between different paradigmatic classifications. j\cternpts to categorize also tend to highlight differences over time and disciplinary space. While differences do exist, the need to place individuals or projects in particular boxes closes down the possibility ofalso seeing commonalities and furthermore belies the nuanced nature of ethnographic inquiry. Nonetheless, in what follows, I label some of the traditions that ethnographers might move between and draw on variably as paradigmatic resources. I begin, quite straightforwardly, by separating inclinations towards science and inclinations towards the arts and humanities. This can, by and large, be cast as a binary between positivism and what I will broadly call interpretivism. Although few ifany contemporary ethnographers would define themselves as strict positivists, it is nonetheless necessary to discuss positivism as foundational to any social scientific enterprise. To some extent, outlining the tenets of strict positivism may be useful in explaining what most ethnographers are not. However, before dismissing it too quickly, I should point out that, particularly with regard to the mandates of certain gatekeepers ofcredible research reporting, ethnography is not as fur removed &om its positivist principles as some of i.ts practitioners would like to think. Furthermore, there is an important post-positivist paradigm that continues to carry weight. POSITIVISM Positivism is premised on a belief in what is referred to as nai've realism-that is, the notion that there is a real.icy "out there" that can be grasped through sensory perception. As such, it holds empirical data-that which is produced though direct observations-as definitive evidence through which to construct claims to truth. In doing so, positivism prioritizes objectivity, assuming that it is possible for a researcher to detach his or herself from values, interests, or the clouding contamination ofbias and prejudice. Following this formula, good research is achieved through conventional rigor-that Is, dutifiilly following a prescribed, systematic, series of steps surrounding data accumulation and analysis. With this being the most scientific frame of reference that ethnography potentially occupies, standards ofhypothesis testing and deductive reasoning are principal to its practices. In that positivism recognizes a fundamental (capital "T") Truth, which it is believed researchers can apprehend, ethnographers anchored in this tradition are more prone to concern themselves with questions oftransferability (i.e., can the findings from one setting be applied to another?) and generalizability (i.e., can the findings from a particular context be generalized on to the whole?) on the assumption that such Truth has potential relevance for a broad range of social circumstances and cultural contexts. Today all ethnographic researchers recognize the role of culture and socialization in shaping social realities; thus, strict positivism has fallen out of favor. However, post-positivist orientations towards valuing empirical evidence, making efforts toward detached objectivism, and deductive reason continue, even if researchers are less confident about the conclusions. INTERPRETIVISM If the positivist epistemological branch, with its post-positivist paradigmatic inclinations, supports Malinowski the scientist, Malinowski the artist is perched on the interpretivist (or constructionist) alternative. This position, which issues from an acknowledgement of the constructed nature of all social reality, recognizes no single all-encompassing Truth, but rather multiple (small "t") truths that are the products of human subjectivities. As such, cultural and contextual specifics are critical to undemanding, and inductive reasoning becomes the privileged path to making ense of unwieldy ocial realities. ReaUty, which i haped by experience, thus becomes something to be interpreted. uch interpretivism sees human action as inherently meaningful with meanings being processual, temporal, and historically unfinished. 14 The subjectivity ofthe ethnographer is quite consequential here. Under any form of incetpretivism, the outcomes of researcher bias are acknowledged . Sometimes efforts are made co mitigate researchers' subjectivities. Such techniques might involve reflexive journaling, inventorying subjectivities, and other attemprs co manage and crack bias (Schwandt, 2000, p. 207 n. 11). Yet increasingly interpretivist approaches accept that within ethnography the human is the research instrument and as such, cultural, social, and personal frames of reference are inescapable. *** To repeat myself, I do not think particular researchers or specific research projects should HARRISON necessarily being categorized along the broad epistemological strokes that I am painting. Although I acknowledge that many are, I think it is important to appreciate how both positivist and interpretivist foundations impact all ethnography. Indeed, I would question if a researcher with inclinations and sensibilities fully saturated in post-positivism would even fit into my rather scrupulous definition of ethnography-a confirmatory approach to assessing one's hypothesis via the accumulation of empirical data through long-term fieldwork living as a member of a community strikes me more as a non-ethnographic form of participant observation. Nonetheless, it would be limiting to not recognize how the significance ofpositivist and post-positivist tenets impact ethnography. Since Malinowski's early-twentieth-century articulation of ethnography as a proper research method, there have been two general movements, which have overshadowed an assortment ofcountercurrents and inter/intra-disciplinary variations. The earlier of the two, which dominated anthropology up until the Second World War, was the movement towards legitimizing ethnography as a rigorous scientific method on par with those practiced in the supposed "harder" natural sciences. The latter part ofthe twentieth century witnessed the rise ofa more humanistic acceptance of ethnographic research. Dennison Nash and Ronald Wintrob (1972) have suggested this may have more to do with what is institutionally accepted as legitimate research and how that shapes what aspects ofthe research process the researcher is willing to disclose than with what researchers themselves believe. As evidenced in his early ethnographic writings and actualized through the posthumous publishing of his field diaries (see "Malinowski's literary (re)turn"), Malinowski, although very much a researcher of this earlier era, personified this crucial ethnographic binary. In concluding what has been outlined, I think it is useful to highlight two pervading (non-exclusive) sets of questions that are at the core of these paradigmatic tensions: one surrounds the basis of truth, and the second is concerned with the positioning of the researcher in respect to the research endeavor. 1. Is truth something that exists independently to be discovered by researchers? Are truths the products of subjectively authored realities to be grasped by researchers? Or are these subjective "truthful realities" to be engaged with the researcher as part of the truth-making process? ETHNOGRAPHY 2. Ethnography is defined in part by its participant-ob ervation mandate of researcher involvement. Yer hould chi conscirure taking up an inside/involved standpoint from which to make detached observations? Should it be based on a deeply engaged experiential understanding? Or should researchers understand themselves as active participants in shaping the social world the conduct research in? y The answers to such questions may look very different depending on the disciplinary, institu. tiona.l, and personal groundings of the researcher· the standards of the outlets where they are seekin ' to publish, publicize, or apply their work; 。ョ、Oッセ@ the specific uses to which the findings of a particu. lar project will be put. For example, commercial ethnographers working under the dual pressures of time and a need to communicate applicable find. ings, both customary in the business world (Ehn & Lofgren, 2009), will feel compelled to adopt a more scientifically precise mode of inquiry and reporting that steers clear of the theoretical complexities and deliberations commonly found within academia. Malinowski Encounters the Cambridge School In addition to his pursuit of Annie Brunton, Malinowski had a second romantic interest in England. Since a childhood visit with his mother, young Bronius had cultivated an intense attachment to anything having to do with Britain. While crossing the English Channel by ferry, he wrote an essay-letter to a Polish &icnd in which he confessed to having "a highly developed Anglomania" and "an almost mystic cult of British culture" (Wayne, 1985, p. 532). It appears that his interests in anthropology were firmly set while making this journey, for once in England, he wasted little time traveling to Cambridge and introducing himself to Rivers and Alfred Cort Haddon-two men who had brought ethnological acclaim to the school by way of rheir 1898 Expedition to the Torre Straits (see Kuper, l996; Stocking, 1983b; Urry. 1972). Either through rhese men or his own ini· riarive, Malinowski soon goc to know the ocher members of England's leading cirde of ethnolo· ァゥウエウ Q セ@ who collectively came ro be called the "Cambridge School."16 He arrived in March 1910 and by that ummcr, presumably on Haddon's advice (M. W. Young, 2004, p. 68), Malinowski wa register d for classes at the London School of Economics. There he would study under Charles 5eligman, who became both mentor and something of a supportive older brother to him (M. <\fl. Young, p. 160). The first two decades of the twentieth century have been described as a period of re-orientation away from "the Tylorian domination of anthropology," with its focus on culture and custom,17 and towards a serious investment in ways of going about collecting and using data (Urry, 1972, p. 48). This was a time when, on both sides of the Atlantic, the field of social/cultural anthropology formally crystallized around specific sets of prescribed methods and the conferring of degrees. Malinowski entered the world of British anthropology soon after embarking on his Pacific islands research, at precisely the moment when the decades-long clamorings for a definitive method were reaching a cusp. In a 1909 meeting of the principals from Oxford, Cambridge, and the London School of Economics, it had been decided that "ethnography" would be the term used for "descriptive accounts of non-literate peoples"-as distinct from the historical and comparative-based ethnology (Radcliffe-Brown, 1952, p. 276; see also note 15). The cutting-edge movements of the day were toward "intensive work," which had been outlined thoroughly (against the older standard of survey work) by Rivers in 1913: A typical piece of intensive work is one in which the worker lives for a year or more among a community of perhaps four or five hundred people and studies every detail of their life and culture; in which he comes to know every member ofthe community personally; in which he is not content with generalized information, but studies every feature of life and custom in concrete derail and by means of the vernacular language. Ir is only by such work that one can realize the immense extent of the knowledge which is now awaiting the inquirer, even in places where the culture has already suffered much change. It is only by such work that it is possible to discover rhe incomplete and even misleading character of much of the vast mass ofsurvey work which forms the existing material ofanthropology. (quoted in Kuper, 1996, p. 7] This passage is significant in demonstrating the extent to which Malinowski's "research revolution" Was already in the thoughrs and minds-ifnor practices-of many of the Cambridge School scholars who mentored him (see Urry, 1972; Langham, 1981). Since returning from the Torres Straits expedition in 1899, Haddon had "busily propagandized" the need for "fresh investigations in the field" conducted by trained anthropologists (Stocking, 1983b, p. 80; see also Haddon, 1903). Writing in 1912, Robert Marett had stressed that a "conscious method" was needed in anthropology and sociology. Described by Adam Kuper (1996) as "one of the last of the armchair anthropologists" (p. 7), even Marett recognized the merits of intensive work and intimate research. Indeed, Marett could have been dictating to his future "secretary Malinowski" (see the following section), just weeks before the latter embarked on his own field research, when he wrote: [It is] most important at the present juncture that some anthropologist should undertake the supplementary work ofshowing how, even where the regime of custom is most absolute, the individual constantly adapts himself to its injunctions, or rather adapts these to his own purpose, with more or less conscious and intelligent discrimination. The immobility of custom, I believe, is largely the effect ofdistance. Look more closely and you will see perpetual modification in process. (quoted in Wallis, 1957, p. 790-emphasis added] As with many myths, Malinowski's serves the euhemeristic function of deification (see Stocking, 1983b), whereas a thorough examination of the intellectual environment in which he came of age strongly suggests that his pioneering work was more straightforwardly a produce of the social forces and prevailing ideas on how to best research, document, and understand (and in many instances ultimately manage) human difference. This minimization of his agency and foresight gets magnified through the facts of how he came to New Guinea and eventually the Trobriand Islands, yet in surprisingly different ways from how the well-rehearsed myth of ethnography's origins represents it. What is perhaps most telling is the extent to which, although he may have strived to, Malinowski was never successful in separating himself from the colonial impulses that characterized his upbringing and training. Malinowski's Journey to the Western Pacific Even at its most scientific, ethnography is resolutely a human science conducted in a real-world laboratory. As such, the ethnographic enterprise is saturated with circumstances, situations, and personalities that are less anticipated and controllable HARRISON than its research reporting typically presents. Tedlock elaborates: No matter how much care the ethnographer devotes to the project, its success depends upon more than individual effort. It is tied to outside forces, including local, national, and sometimes even international relationships that make research possible as well as ro a readership that accepts the endeavor as meaningful. (2000, p. 466] Often the messiness involved when one (or more) human beings commits to long-term research living among a community of human beings, who ideally and inevitably are continuing along the unforeseeable journeys that are their lives, is either managed through a series of entertaining, at times instructive, but usually incidental anecdotes or kept completely out of the research report. Again, this probably has more to do with accepted conventions of academic legitimacy than it does with parricular ethnographers' lack of sophistication in recognizing the variability of their research subjects' live . everthcless, conceived of in thl way: the ethnographic project with its unwieldiness and unanticipated turns, has some notable parallels to the tradition of nineteenth-century travelogue reporting that the Cambridge School had been so interested in moving away from. One of the first great episodes along this adventure involves the miscellaneous twists and turns that lead ethnographers to their chosen field sites. 18 In many respects, Malinowski would play the role of "bemused bystander" (M. W. Young, 2004, p. 245) in the sequence of events that led to the start of his 1914 western Pacific fieldwork. He had expressed to Seligman that he was willing to spend up to two years in the field, and, perhaps more diplomatically than intellectually, seemed content to let his various academic patrons-among them Haddon, Rivers, Seligman, and Marett-wrangle over his ultimate destination. It appears that Seligman, with the backing of Haddon, did the legwork of securing two years' worth of funding. The combination of Haddon's inRuence and Seligman's initiative held sway, and Malinowski's fieldwork was designed as a follow-up study of Seligman's earlier expedition to British New Guinea. Marett is widely credited with securing Malinowski's passage to the Pacific by enlisting him as secretary to the anthropology section of the British Association for the Advancement of Science meeting, which took place in Melbourne that year (Kuper, 1996, 232 I ETHNOGRAPHY pp. 11-12)-a position that brought with it travel funding.1, Stocking (1992, p. 242) has outlined the pre. carious position that Malinowski found himself iit following the ou.tbreak of war in Europe. 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