From Warsaw to Mostar: The World Heritage Committee and Authenticity Author(s): Christina Cameron Source: APT Bulletin, Vol. 39, No. 2/3 (2008), pp. 19-24 Published by: Association for Preservation Technology International (APT) Stable URL: http://www.jstor.org/stable/25433947 . Accessed: 15/10/2014 04:24 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. . Association for Preservation Technology International (APT) is collaborating with JSTOR to digitize, preserve and extend access to APT Bulletin. http://www.jstor.org This content downloaded from 193.225.122.113 on Wed, 15 Oct 2014 04:24:48 AM All use subject to JSTOR Terms and Conditions From Warsaw to Mostar: The World Heritage Committee and Authenticity CHRISTINACAMERON How authentic are reconstructed heritage sites reborn out of the ashes of war? The Convention concerning the Protec tion of theWorld Cultural and Natural Heritage, known as theWorld Heritage Convention, is perhaps themost widely recognized and effective international conservation instrument, mobilizing a global effort to protect the shared her itage of humanity. Since its adoption in 1972, this UNESCO international treaty has encouraged intercultural dia logue on heritage matters and brought about unprecedented levels of interna tional co-operation. The 21-member World Heritage Committee, which makes decisions about listing and con servation matters, is elected from repre sentatives of the now-185 countries that have ratified the treaty. The committee receives professional and technical Fig. 1. Reconstruction of the historic center ofWarsaw. Photograph by Murat Ayranci, courtesy of Superstock. advice from international advisory bodies, including the International Council onMonuments and Sites (ICO MOS). This article documents how the World Heritage Committee has defined and applied the concept of authenticity to the evaluation and inscription of two reconstructed European sites. Inscription of a site on theWorld Heritage List requires that a property satisfy one or more of 10 criteria as well as other qualifying conditions, including authenticity for cultural sites. Between 1978, when the nomination of the his toric city center of Warsaw, Poland, was first considered, and 2005, when the Old Bridge Area ofMostar, Bosnia Herzegovina, was listed, the committee's approach to authenticity has evolved. The committee itself has changed over this same period, moving from an initial composition of professionals and ex perts to having a strong diplomatic component. This paper follows the debates within the committee as its membership has expanded and become truly global.1 Concept of Authenticity The word authenticity is not found in the 1972 convention. Rather, it appears in the first version of the committee's main procedural document, known as the Operational Guidelines for the Implementation of theWorld Heritage Convention (1977). It is important to note that these guidelines are adjusted periodically by the committee in re sponse to evolving perceptions of her itage and other needs. In the first version of the Operational Guidelines (1977), authenticity is one of the qualities a cultural property must have in order to qualify as aWorld Heritage Site. The so-called "test of authenticity" defines the concept as 19 This content downloaded from 193.225.122.113 on Wed, 15 Oct 2014 04:24:48 AM All use subject to JSTOR Terms and Conditions 20 APT BULLETIN: JOURNAL OF PRESERVATION TECHNOLOGY / 39:2-3, 2008 "authenticity in design, materials, work manship and setting; authenticity does not limit consideration to original form and structure, but includes all subse quent modifications and additions, over the course of time, which in themselves possess artistic or historical values."2 In other words, authenticity refers to the truthfulness of a cultural place and is defined through physical attributes found in various historical layers. The World Heritage Committee was immediately challenged by the proposed nomination of the historic center of Warsaw submitted by Poland in 1978. This site was essentially a reconstruc tion, since approximately 85 percent of the historic center had been destroyed during World War II (Fig. 1). Each committee meeting is preceded by a preparatory Bureau of the Committee, an executive group elected from its membership. Just before the first bureau meeting in June 1978, ICOMOS cau tioned that "there is a question as to whether theHistoric Centre ofWarsaw meets the general rule of authenticity, and it is accordingly believed that fur ther expert opinion is required on this nomination."3 At the bureau meeting itself, ICOMOS stated that theWarsaw proposal "needed further expert study to see if itmet the criterion of authentic ity."4 A year later, at the second bureau meeting inMay 1979, ICOMOS took a clear position, recommending inscrip tion on the list because "the documenta tion is excellent and the centre of War saw is an exceptional example of reconstruction ... [and] has been made into a symbol by the patriotic feeling of the Polish people."5 But bureau mem bers were not so sure. "Opinion was divided in the Bureau, since the site did not meet the criteria of authenticity, and the Bureau deferred its decision so that the questions raised in this respect could be thoroughly studied."6 The third bureau session, held inEgypt inOctober 1979, recommended deferral.7 At that same meeting the third bu reau examined general policy documents of exceptional importance to the future implementation of theWorld Heritage Convention. These came from two working groups (nature and culture) set up to propose amendments to the crite ria and guidelines for the evaluation of nominations. The committee even at this early date was concerned about consis tency and credibility of theWorld Her itage List, insisting that the overriding consideration be the threshold of out standing universal value.8 Policies on inventories, typologies, comparative analysis, and transboundary nomina tions, still in effect today, originated in these reports. The cultural-heritage report, entitled "A Comparative Study of Nominations and Criteria forWorld Cultural Her itage," was prepared byMichel Parent, Inspecteur g?n?ral des monuments historiques in France and Rapporteur for the 1979 committee meeting.9 Faced with a flood of proposed nominations for cultural properties, he saw his report as the basis for committee discussion and fundamental choices about the future implementation of theWorld Heritage Convention. "Its purpose was to identify the dilemmas which face us today ? today, while theweight of precedent is not too heavy to be over turned, forcing us into irremediable anomalies," he wrote.10 With regard to heritage policy, Michel Parent could draw on the Athens Charter (1931) and theVenice Charter (1964). The Athens Charter for the Restoration of Historic Monuments focuses on tangible elements and respect for existing materials, calling for mini mal intervention in the built fabric to prevent a "loss of character and histori cal values to the structures" and for the reburial of archaeological resources. It does not use the word authenticity, nor does itoffer much guidance in cases of wholesale urban reconstruction.11 The International Charter for the Conserva tion and Restoration of Monuments and Sites, known as the Venice Charter, uses theword authenticity in the preamble, pointing to the duty to conserve historic monuments "in the full richness of their authenticity." Like the Athens Charter, it generally focuses on the preservation of existing fabric and specifically rules out reconstruction work for archaeological sites, while remaining silent on the question of large urban reconstruction.12 In his advice on authenticity, Parent began by noting that "the Committee having laid down that authenticity is a sine qua non, at first sight theWHList should not include a town or part of a town which has been entirely destroyed and reconstructed, whatever the quality of the reconstruction." He then won dered whether Warsaw "could neverthe less be placed on the List because of the exceptional historical circumstances surrounding its resurrection." Parent remarks that "authenticity is relative and depends on the nature of the prop erty involved," illustrating his argument with examples of wooden Japanese temples and European stained-glass windows. He noted that a situation can arise where a restoration, however well done, consists of a reconstruction of a property that has in fact completely disappeared, as is the case with Warsaw. While acknowledging theVenice Char ter's emphasis on historical fabric, Par ent referred to the dilemma ofWarsaw and asked the question, can "a system atic 20th century reconstruction be justified for inclusion on grounds, not of Art but of History?"13 Parent's line of argument, suggesting inscription on associative values alone, implies the use of criterion (vi). This criterion, accord ing to the guidelines in effect at that time, required that the property "be most importantly associated with ideas or beliefs, with events or with persons, of outstanding historical importance or significance."14 The committee's response to the Parent report shows its reluctance to proceed with the inscription of sites on the basis of associative value alone. It began by affirming that "the authentic ity of a cultural property remains an essential criterion."15 It then pondered the pitfalls of using criterion (vi) alone: Particular attention should be given to cases which fall under criterion (vi) so that the net result would not be a reduction in the value of the List, due to the large potential number of nominations as well as to political difficulties. Nominations concerning, in particular, historical events or famous people could be strongly influenced by nationalism or other particu larisms in contradiction with the objectives of theWorld Heritage Convention.16 The following year, at the fourth bu reau, inMay 1980, ICOMOS repeated its positive advice onWarsaw. Calling it an exceptional example of a global reconstruction, ICOMOS stated that Warsaw "illustrates, in an exemplary fashion, the efficiency of the restoration techniques of the second half of the 20th century" and advised that "its This content downloaded from 193.225.122.113 on Wed, 15 Oct 2014 04:24:48 AM All use subject to JSTOR Terms and Conditions FROM WARSAW TO MOSTAR 21 authenticity is associated with this unique realization of the years 1945 to 1966."17 The fourth bureau accepted this advice and recommended its in scription "as a symbol of the exception ally successful and identical reconstruc tion of a cultural property which is associated with events of considerable historical significance." That the bureau was concerned with setting an inappro priate precedent is evident from the next sentence, which reads, "There can be no question of inscribing in the future other cultural properties that have been reconstructed."18 The com mittee accepted the bureau's recommen dation and inscribed the property on theWorld Heritage List without com ment.19 Despite that decision, the committee clearly did not want to deal with a rash of reconstructions. They therefore tight ened up their brand-new guidelines, in part as a result of the Warsaw decision. In the 1980 revision of the Operational Guidelines they directed that criterion (vi) should be used only in exceptional circumstances or in conjunction with other criteria. As to the definition of authenticity, the concept of layering over time was dropped and a new proviso added, echoing article nine of theVenice Charter, "that reconstruction is only acceptable if it is carried out on the basis of complete and detailed documentation on the original and to no extent on conjecture."20 One might observe that, from a professional perspective, this condition is technically impossible to meet. Evolution of the Concept of Authenticity The definition of authenticity remained unchanged in the Operational Guide lines from 1980 until 1994. During that period the committee applied the term inconsistently, as documented by French archaeologist L?on Pressouyre, who presented the ICOMOS evaluations for most of that time.21 For the 1983 nomi nation of Rila Monastery, Bulgaria, the committee disregarded ICOMOS's recommendation that the inscription be deferred because the property was nearly entirely reconstructed and "does not answer the criterion of authentic ity. " Instead the committee inscribed Rila "not ...as a testimony of mediaeval civilisation but rather as a symbol of the 19th Century Bulgarian Renaissance which imparted slavic cultural values upon Rila in trying to re-establish an uninterrupted historical continuity."22 In contrast the 1985 French proposal to inscribe the historic city of Carcassonne was deferred on the grounds that the ramparts had "undergone important modifications in the 19th century which impinge upon the authenticity of the site."23Yet in 1988 the medieval city of Rhodes was accepted, despite a negative evaluation from ICOMOS on the "pseudo-medieval monuments" and "grandiose pastiches ... devoid of ar chaeological rigor" that had been re constructed in the first half of the twen tieth century.24 In 1990 the proposed nomination of Dresden's reconstructed historic center was not recommended by the bureau and was withdrawn at the committee meeting by the German Democratic Republic.25 In 1994 the Operational Guidelines were modified following the committee discussion on the definition and eligibil ity of cultural landscapes. The 1994 text required properties to "meet the test of authenticity in design, material, work manship, or setting and in the case of cultural landscapes their distinctive character and components" (italics added for emphasis). The existing pro viso concerning reconstruction was retained: "the Committee stressed that reconstruction is only acceptable if it is carried out on the basis of complete and detailed documentation on the original and to no extent on conjecture."26 While ideas about the limitations of a materials-bound approach to authentic ity were circulating among experts, the formal debate began inNorway and culminated in an expert meeting in Nara, Japan, inNovember 1994, with the preparation of theNara Document on Authenticity.27 This document pro poses a doctrinal shift towards a greater recognition of regional and cultural diversity, as well as of the associative values of heritage sites. The World Heritage Committee was slow to react, despite the fact that it had encouraged the debate among experts. In the years that followed, World Heritage Commit tee records reveal a schism between those who continued to support a mate rials-based approach rooted in the Venice Charter and those who promoted a vision of authenticity as more intangi ble, relative, and culturally diverse. As sponsors of the conference, ICO MOS and the Japanese government worked hard to place theNara Docu ment on the agenda of theWorld Her itage Committee. A month after Nara the Japanese delegate obtained commit tee support to study modifications that could be made to the Operational Guidelines to take into account the conclusions of the Nara meeting.28 Two years later the committee was still dis cussing what to do, suggesting that the Nara Document could be annexed to the nomination form as explanatory notes.29 Once again the delegate of Japan asked that a document be pre pared for discussion at the 1997 com mittee meeting "on how the principles of theNara Document could be applied in the implementation of theWorld Heritage Convention."30 The 1997 committee debate on au thenticity was sparked by the renomina tion and inscription of the fortified city of Carcassonne. Having been deferred in 1985 on the question of authenticity, Carcassonne was inscribed in 1997 in recognition of itsmedieval fortifications, as well as for its "exceptional impor tance by virtue of the restoration work carried out in the second half of the 19th century by Viollet-le-Duc, which had a profound influence on subsequent developments in conservation principles and practice."31 Concerns were raised by the Greek delegate and others on the implications of theNara approach to conservation. These delegations spoke to "the validity of the principles contained in theVenice Charter of 1964, in partic ular on authenticity which presently serves as a reference text for all heritage specialists." Following debate the com mittee adopted a resolution asking ICOMOS to reexamine the approach to authenticity in light of the "differenti ated cultural approach" of Nara.32 At the 1998 committee session the Japanese chairman, Ambassador Koi'chiro Matsuura, opened the meeting by emphasizing the importance of un derstanding authenticity and pointing out regional differences, saying, "The question of authenticity for cultural heritage is very important. The challenge This content downloaded from 193.225.122.113 on Wed, 15 Oct 2014 04:24:48 AM All use subject to JSTOR Terms and Conditions 22 APT BULLETIN: JOURNAL OF PRESERVATION TECHNOLOGY / 39:2-3, 2008 ?* Fig. 2. The Old Bridge at Mostar in 1974, before its destruction in 1993. Courtesy of alangellerphotography.com. ?iipfillllJj^^^^H Fig. 3. The reconstructed bridge at Mostar. Photograph by Sinisa Sesum and UNESCO World Heritage Centre. lies in finding a balance between 'a cul ture of stone,' which is easier to transmit to future generations, with 'a culture of wood,' which requires restoration for its conservation."33 The Greek delegation expressed concern, arguing that no ancient monument is absolutely authen tic, given alterations over time, and that the current ambiguity in the use of the word authenticity could have negative impacts on proper conservation policy.34 The Australian delegation, reporting on the Amsterdam expert meeting of 1998, "stressed the need for more rigour to deter o ver-restoration" and "the need to understand the link between authenticity and cultural value ... [in] geo-cultural contexts."35 Itwas only in 1999 that the commit tee formally endorsed theNara Docu ment on Authenticity. ICOMOS, having long held the view that such a formal adoption was necessary, informed the committee that the ICOMOS 1999 General Assembly had approved the Nara Document as an official doctrinal text. ICOMOS emphasized its impor tant features, including the acknowl edgement of different regional contexts, cultural diversity, and the spiritual as pects of heritage.36 The committee re ferred theNara Document to the experts working on the revision of the Opera tional Guidelines. In 2003 the committee held an ex traordinary session to resolve any out standing policy issues, in order to final ize the revision of the Operational Guidelines. A proposal to include the Nara Document as an annex was dis cussed briefly and approved, with rec ommendations to add references to the Nara preparatory meetings and a bibli ography.37 These changes appeared in the 2005 Operational Guidelines, in cluding a revised list of attributes for authenticity: form, substance, use, func tion, traditions, techniques, management systems, location, language, forms of intangible heritage, spirit, feeling, and other factors.38 These revisions indicate a shift towards a greater recognition of intangible values as part of a property's authenticity. The 2003 policy session also ap proved new wording for the text on reconstructions. The drafting group proposed adding a sentence to the exist ing text stating that reconstruction is acceptable only on the basis of complete documentation and to no extent on conjecture. The additional text, stating that reconstruction "is justifiable only in exceptional circumstances," might be understood as encouraging the commit tee to look more favorably on such properties.39 Old Bridge Area of Mostar As a measure of these policy changes, it is illuminating to follow the discussion at the 2005 committee during the in scription of the Old Bridge Area of the Old City ofMostar in Bosnia-Herzo govina. This was the first session to use the revised Operational Guidelines (2005). Mostar had been heavily im pacted by the 1990s war, which de stroyed its celebrated bridge and in flicted severe damage on the historic center, with its pre-Ottoman, eastern Ottoman, Mediterranean, and western European architectural features. The property had previously been deferred by the committee in 1999, 2000, and 2003, due to lack of clarity about boundaries, management, and criteria. In its 2003 evaluation ICOMOS ex pressed doubts about the quality of the reconstruction work at Mostar and also recalled the 1980 committee directive that the listing of reconstructed Warsaw was not to be taken as a precedent. The committee deferred the proposal to allow completion of the reconstruction work, redefinition of significance using relevant criteria, and clarification of the boundaries.40 In 2005 the revised proposal for the Bridge Area ofMostar had significantly reduced boundaries and contained many reconstructed buildings, including the medieval bridge, which was rebuilt through the efforts of an international team of experts under the auspices of UNESCO and theWorld Bank. Debate focused on two intertwined issues ? authenticity and appropriate criteria. In itswritten evaluation ICOMOS attempted to balance the committee's policy on reconstruction with the new attributes of authenticity. On the one hand, ICOMOS had "considerable reservations about the authenticity of Mostar. Much of the urban fabric was destroyed in 1992-1995, and has been This content downloaded from 193.225.122.113 on Wed, 15 Oct 2014 04:24:48 AM All use subject to JSTOR Terms and Conditions FROM WARSAW TO MOSTAR 23 the subject of major reconstruction activity or is still under reconstruction ...The proportion of reconstructed buildings is very high, and much new material has also been used."41 On the other hand, ICOMOS recognized that the attributes of authenticity had changed, advising that, in light of the changes inOperational Guidelines (2005) the result of a test of authenticity is rather more positive. Looking as an example at the recon struction of the Old Bridge, this is based on in depth and detailed, multi-faceted analyses, relying on high quality documentation, and almost every required condition has been ful filled. The authenticity of form, use of authentic materials and techniques are fully recognizable. The result is not a kind of invented or manipu lated presentation of an architectural feature which never before existed in that form, rather the reconstructed bridge has a kind of truthful ness, even though in strictly material terms a considerable portion is not of identical or original pieces.42 ICOMOS went on to propose the idea of an overall authenticity with strong intangible dimensions. "Evaluating this reconstruction on a larger scale, namely as a key element of urban and natural landscape there is no doubt of a special kind of 'overall' authenticity...this reconstruction of fabric should be seen as being in the background compared with restoration of the intangible di mensions of this property, which are certainly the main issue concerning the Outstanding Universal Value of this site."43 The committee was divided on the question of authenticity. While certain delegations believed that the exceptional quality of the reconstruction complied with policy, the delegate of St. Lucia expressed doubts about the site's overall authenticity following her review of the nomination files. While acknowledging the scientific reconstruction of the bridge, which had been the focus of the ICOMOS evaluation, the delegate stated that the rest of the site had been inap propriately rebuilt without reference to historical documentation.44 It is note worthy that an independent external evaluation supports St. Lucia's point, contrasting the high quality of the bridge reconstruction with the less successful, ad hoc development of the surrounding area which "does not complement the completed bridge" (Figs. 2 and 3).45 ICOMOS had argued in favor of using criterion (iv) because themethods and material used in the reconstruction had been thoroughly researched and that research had been applied. Crite rion (iv) requires the property to "be an outstanding example of a type of build ing, architectural or technological en semble or landscape which illustrates (a) significant stage(s) in human history."46 Some committee members supported this argument, in particular the Leba nese delegate, who insisted that using criterion (iv)would effectively recognize the quality of the reconstruction work by those architects, historians, and archaeologists involved in the project. The United Kingdom disagreed on the grounds that the bridge and buildings were replicas dating from 2003-2004 and hence not historical.47 ICOMOS had also recommended the use of criterion (vi) on the grounds that theMostar site isprincipally "a place of memory, in the same manner as the Historic Centre ofWarsaw."48 In 2005 criterion (vi) required a property to "be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literary works of outstanding universal signifi cance."49 Various delegations spoke to the value of the bridge as a symbol of hope and reconciliation among different cultural groups. In the end the site was listed under criterion (vi) alone. The inscription citation underlines its intan gible values: With the "renaissance" of the Old Bridge and its surroundings, the symbolic power and meaning of the City of Mostar ? as an exceptional and universal symbol of coexistence of communities from diverse cultural, ethnic, and religious backgrounds ? has been reinforced and strengthened, underlining the unlimited efforts of human solidarity for peace and powerful cooperation in the face of overwhelming catas trophes.50 Conclusion From 1978 to 2005, the period span ning the nominations of Warsaw and Mostar, theWorld Heritage Committee modified its policy stance on reconstruc tions and their authenticity. This change reflects a tendency in the international heritage field to place greater emphasis on associative and intangible values. This new perspective was explored in the expert meetings leading up to the Nara Conference and enshrined in the Nara Document on Authenticity. It took theWorld Heritage Committee more than a decade to debate the impli cations of Nara and to integrate these ideas into itsOperational Guidelines. Further evidence of a shift towards associative values may be found in the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage, where cultural practices are of prime importance, secondarily sup ported by the physical cultural spaces they inhabit.51 For professionals trained in the con servation disciplines, this evolution, along with the current emphasis on values-based management of historic places, raises questions about what priority to place on conserving existing fabric. Is meticulous conservation neces sary, or are reconstructions acceptable, sometimes or in all circumstances? Should these two examples ofWarsaw andMostar be considered as special cases, given the deliberate destruction of cultural resources through war and the deep-seated desire to resurrect identity? What does thismean for the practice of conservation and preservation technol ogy? Does this give a blank check for reconstruction? At this time, one could argue that the question remains open. CHRISTINA CAMERON studied art and architectural history and worked for 36 years with Parks Canada, where she was responsible for the National Historic Sites and World Heritage programs. Since 2005 she has held the Canada Research Chair on Built Heritage at the University of Montreal. Notes 1. In 1978 there were 40 countries that had joined theWorld Heritage Convention; in 2005 there were 180 countries. 2. Operational Guidelines for the Implementa tion of theWorld Heritage Convention, CC-77/ CONF.001/8 Rev. 3, para. 9. See http://whc .unesco.org/archive/opguide77a.pdf. This requirement is rooted in the doctrine of the Venice Charter, which calls for respect for the valid contributions of all periods, in art. 11. See http://www.icomos.org/venice_charter.html. 3. Letter from Ernest Allen Connally, Secretary General of ICOMOS, to Committee Chairman Firouz Bagerzadeh, June 7, 1978, Advisory Body Evaluation (1980), http://whc.unesco.org/ en/list/30/documents. 4. Report of the Rapporteur on the first meet ing of the Bureau of the Intergovernmental Committee for the Protection of the World Cultural and Natural Heritage in Paris, 8-9 This content downloaded from 193.225.122.113 on Wed, 15 Oct 2014 04:24:48 AM All use subject to JSTOR Terms and Conditions 24 APT BULLETIN: JOURNAL OF PRESERVATION TECHNOLOGY / 39:2-3, 2008 June 1978 (Paris, 1978): CC-78/CONF.010/3, 4. para. 14. See http://whc.unesco.org/archive/ repbur78.htm. 5. Report of the Rapporteur on the second meeting of the Bureau of the Intergovernmental Committee for the Protection of the World Cultural and Natural Heritage in Paris, 28-30 May 1979 (Paris,20 July 1979):CC-79/CONF .005/6, Annex II/3. See http://whc.unesco.org/ archive/repbur79.htm. 6. Ibid. 7. Report of the Rapporteur on the third session of the Bureau of the World Heritage Committee in Cairo, 21 October 1979 (Paris, 30November 1979):CC-79/CONF.003/12 Rev. 3, para. 13B. See http://whc.unesco.org/ archive/repbur79.htm. 8. Report of the Rapporteur on the third session of the World Heritage Committee in Cairo and Luxor, 22-26 October 1979 (Paris, 30 November 1979): CC-79/CONE003/13, 8, para. 32. See http://whc.unesco.org/archive/ repcom79.htm. 9.Michel Parent, "Comparative Study of Nominations and Criteria forWorld Cultural Heritage," in Third session of the World Heritage Committee, CC-79/CONF.003/11 Annex. 10. Ibid., 26. 11. The Athens Charter for the Restoration of Historic Monuments, adopted at the First International Congress of Architects and Technicians of Historic Monuments, n.p. 12. The International Charter for the Conserva tion and Restoration of Monuments and Sites (The Venice Charter), n.p. 13. Parent, 19-20. 14. Operational Guidelines 1977, CC-77/ CONF.001/8 Rev., 3, para. 7. 15. Report of the Rapporteur on the third session of the World Heritage Committee, CC-79/CONE003/13, 9, para. 35. 16. Ibid. 17. ICOMOS Evaluation of the Historic Center of Warsaw, May 1980, 1-2, http://whc.unesco .org/archive/advisory_body_evaluation/030.pdf 18. Report of the Rapporteur on the fourth session of the Bureau of the World Heritage Committee in Paris, 19-22 May 1980 (Paris, 28 May 1980): CC-80/CONE017/4,4. See http:// whc.unesco.org/archive/repbur80.htm. 19. Report of the Rapporteur on the fourth session of the World Heritage Committee in Paris, 1-5 September 1980 (Paris, 29 September 1980):CC-80/CONE016/10, 4. Seehttp:// whc .unesco. org/archi ve/repcom 80. htm. 20. Ibid., 8. 21. L?on Pressouyre, The World Heritage Convention, Twenty Years Later (Paris: UNESCO Publishing, 1996), 11-14. 22. Report of the Rapporteur on the seventh session of the World Heritage Committee in Florence, 5-9 December 1983 (Paris, January 1984): SC-83/CONF.009/8, 6. See http://whc .unesco.org/archive/repcom83.htm. ICOMOS Evaluation of Rila Monastery, 29 April 1982, http ://whc. unesco. org/archi ve/ad visory_body _evaluation/216.pdf. 23. Report of the Rapporteur on the ninth session of the Bureau of the World Heritage Committee in Paris, 3-5 June 1985 (Paris, 12 August 1985): SC-85/CONE007/9, 11. See http://whc.unesco.org/archive/repbur85.htm. 24. Report of the Rapporteur on the twelfth session of the World Heritage Committee in Brasilia, 5-9 December 1988 (Paris, 23 Decem ber 1988): SC-88/CONE001/13, 17. See http://whc.unesco.org/archive/repcom88.htm. ICOMOS Evaluation of theMediaeval City of Rhodes, September 1988, http://whc.unesco .org/archive/advisory_body_evaluation/493.pdf, accessed 6March 2008. 25. Report of the Rapporteur on the fourteenth session of the Bureau of the World Heritage Committee in Paris, 11-14 June 1990 (Paris, 7 September 1990): CC-90/CONF.003/12, 13B. See http://whc.unesco.org/archive/repbur90 .htm. Report of the Rapporteur on the four teenth session of the World Heritage Commit tee in Banff, 7-12 December 1990 (Paris, 12 December 1990):CLT-90/CONE004/13, 4, para. 16. See http://whc.unesco.org/archive/ repcom90.htm. 26. Operational Guidelines for the Implementa tion of theWorld Heritage Convention, WHC/ 2/Rev., para. 24 (b). 27. For a reference on the Norway meeting, see Knut Einar Larsen, ed. "Nara Document on Authenticity," inNara Conference on Authen ticity (Paris: UNESCO, 1995), xxi-xxiii. 28. Report of the Rapporteur on the eighteenth session of the World Heritage Committee in Phuket, 12-17 December 1994 (Paris, 31 January 1995):WHC-94/CONE003/16, 66, para. XIV.4. See http://whc.unesco.org/archive/ repcom94.htm. 29. Report of the Rapporteur on the twentieth session of the World Heritage Committee in Merida, 2-7 December 1996 (Paris, 10March 1997): WHC-96/CONF.201/21, 12, para. VII.8. See http://whc.unesco.org/archive/ repcom96.htm. 30. Ibid., 13,para.VII.12. 31. Report of the Rapporteur on the twenty first session of the World Heritage Committee inNaples, 1-6 December 1997 (Paris, 27 Feb ruary 1998): WHC-97/CONE208/17, 43. See http://whc.unesco.org/archive/repcom97.htm. 32. Ibid., 49-50, para.VIII.il. 33. Report of the Rapporteur on the twenty second session of theWorld Heritage Commit tee in Kyoto, 30 November-5 December 1998 (Paris, 29 January 1999): WHC-98/CONF .203/Annex II.6. See http://whc.unesco.org/ archive/repcom98.htm. Original French text: "La question du crit?re d' 'authenticit?' du patrimoine culturel est tr?s importante. Il s'agit de savoir comment harmoniser la diff?rence entre la 'culture de la pierre', plus facile ? l?guer aux g?n?rations futures, et la 'culture du bois' qui n?cessite des restaurations pour sa conservation." 34. Ibid., Annex VIII. 35. Ibid., 32, para. IX.8. 36. Report of the Rapporteur on the twenty third session of the World Heritage Committee inMarrakesh, 29 November-4 December 1999 (Paris, 2March 2000): WHC-99/CONF.209/ 22.para. XIII.6. See http://whc.unesco.org/ archi ve/repcom 9 9. htm. 37. Summary Record of the sixth extraordinary session of the World Heritage Committee in Paris, 17-22 March 2003 (Paris, 1 June 2004): WHC-03/6 EXT.COM/INE8, 69-70. See http://whc.unesco.org/archive/6extcom.htm. 38. "Operational Guidelines for the Implemen tation of theWorld Heritage Convention," Basic Texts of the 1972 World Heritage Con vention (Paris, UNESCO World Heritage Cen ter, 2005), 54, para. 82, 129-134, Annex 4. 39. Third Draft Annotated Revised Opera tional Guidelines for the Implementation of the World Heritage Convention prepared by the March 2002 Drafting Group (Paris, 3 Decem ber 2002): WHC-03/6 EXT.COM/INF.5B, 29, U.C. 10. See http://whc.unesco.org/archive/ 6extcom.htm. 40. "Nominations of Properties to theWorld Heritage List," in Twenty-seventh session of the World Heritage Committee in Paris, 30 June-5 July 2003 (Paris,26 June2003):WHC-03/27 .COM/8C, 23-24. See http://whc.unesco.org/ archive/decrec03.htm. 41. ICOMOS Evaluation Reports for World Heritage Nominations (Paris, 2005), 181. 42. Ibid. 43. Ibid. 44. Summary Record of the twenty-ninth session of the World Heritage Committee in Durban, 10-17 July 2005 (Paris, 25 April 2006): WHC-05/29.COM/INF.22, 183-187. See http://whc.unesco.org/archive/2005/whc 05-29com-22e.pdf. 45. Brian Goodey and Werner Desimpelaere, External Evaluation of UNESCO's Action in the Preservation of Cultural Heritage Damaged by Conflict: Bosnia-Herzogovina 1996-2003 (Paris: UNESCO, 2003): IOS/EVS/PI/24, 11-14. 46. Operational Guidelines 2005, 54, para. 77. 47. Summary Record of the twenty-ninth session of the World Heritage Committee, WHC-05/29.COM/INF.22, 183-187. 48. Ibid. 49. Operational Guidelines 2005, 54, para. 77. 50. Report of the Rapporteur on the Decisions of the twenty-ninth session of the World Heritage Committee inDurban, 10-17 July 2005 (Paris, 9 September 2005): WHC-05/ 29.COM/22, 141. See http://whc.unesco.org/ archive/2005/whc05-29com-22e.pdf. 51. Convention for the Safeguarding of the Intangible Cultural Heritage (Paris: UNESCO, 2003). It is available at http://www.unesco.org/ culture/ich/index.php ?pg=00006. This content downloaded from 193.225.122.113 on Wed, 15 Oct 2014 04:24:48 AM All use subject to JSTOR Terms and Conditions