|
 |
|
|
|
|
1972. Signature, événement, contexte. In Marges de la Philosophie. Paris: Minuit (Eng. tr., Signature, event, context. Glyph 1 [1977]). |
|
|
|
 |
|
|
|
|
1977. Limited Inc. Glyph 2. |
|
|
|
 |
|
|
|
|
1980. Le facteur de la verité. In La carte postale. Paris: Flammarion. |
|
|
|
 |
|
|
|
|
Dijk, Theun van |
|
|
|
 |
|
|
|
|
1972. Beiträge zur generative Poetik. Munich: Bayerischer Schulbuch Verlag. |
|
|
|
 |
|
|
|
|
1977. Text and Context. London: Longman. |
|
|
|
 |
|
|
|
|
Dijk, Theun van, ed. |
|
|
|
 |
|
|
|
|
1976. Pragmatics of Language and Literature. Amsterdam-Oxford: North Holland-American Elsevier. |
|
|
|
 |
|
|
|
|
Dinsmore, J. |
|
|
|
 |
|
|
|
|
1981a. Pragmatics, Formal Theory, and the Analysis of Presupposition. Bloomington: Indiana U. Linguistic Club. |
|
|
|
 |
|
|
|
|
1981b. The Inheritance of Presupposition. Amsterdam: Benjamins. |
|
|
|
 |
|
|
|
|
Dolezel
*, Lubomir |
|
|
|
 |
|
|
|
|
1989. Possible Worlds and Literary Fiction. In Allen 1989. |
|
|
|
 |
|
|
|
|
Donnellan, K. S. |
|
|
|
 |
|
|
|
|
1966. Reference and Definite Description. Philosophical Review 75. |
|
|
|
 |
|
|
|
|
Ducrot, Charles |
|
|
|
 |
|
|
|
|
1972. Dire et ne pas dire. Paris: Hermann. |
|
|
|
 |
|
|
|
|
Dummett, Michael |
|
|
|
 |
|
|
|
|
1973. Frege: Philosophy of Language. London: Duckworth (2d ed., 1981). |
|
|
|
 |
|
|
|
|
Durand, Gilbert |
|
|
|
 |
|
|
|
|
1979. Sciences de l'homme et tradition. Paris: Berg. |
|
|
|
 |
|
|
|
|
Eco, Umberto |
|
|
|
 |
|
|
|
|
1956. Il Problema Estetico in San Tommaso. Turin: Filosofia (2d ed., Il Problema Estetico in Tommaso d'Aquino. Milan: Bompiani, 1970 [Eng. tr., The Aesthetics of Thomas Aquinas. Cambridge: Harvard U.P., 1988]). |
|
|
|
 |
|
|
|
|
1962a. Opera aperta. Milan: Bompiani (partial Eng. tr., The Open Work. Cambridge: Harvard U.P., 1989). |
|
|
|
 |
|
|
|
|
1962b. Le poetiche di Joyce. In Eco 1962a (Eng. tr., The Aesthetics of Chaosmos: The Middle Ages of James Joyce. Cambridge: Harvard U.P., 1989). |
|
|
|
 |
|
|
|
|
1968. La struttura assente. Milan: Bompiani. |
|
|
|
 |
|
|
|
|
1976. A Theory of Semiotics. Bloomington: Indiana U.P. |
|
|
|
 |
|
|
|
|
1979a. The Role of the Reader. Bloomington: Indiana U.P. |
|
|
|
 |
|
|
|
|
1979b. Text and Encyclopedia. In J. S. Petöfi, ed. Text vs. Sentence. Hamburg: Buske. |
|
|
|
 |
|
|
|
|
1984. Semiotics and the Philosophy of Language. Bloomington: Indiana U.P. |
|
|
|
 |
|
|
|
|
1985. Sugli specchi e altri saggi. Milan: Bompiani. |
|
|
|
 |
|
|
|
|
1986a. Art and Beauty in the Middle Ages. New Haven: Yale U.P. |
|
|
|
 |
|
|
|
|
1986b. Travels in Hyperreality. New York: Harcourt Brace Jovanovich. |
|
|
|
 |
|
|
|
|
1987. Streit der Interpretationen. Konstanz: Universitätverlag. |
|
|
|
 |
|
|
|
|
Eco U., Fabbri, P., et al. |
|
|
|
 |
|
|
|
|
1965. Prima proposta per un modello di ricerca interdisciplinare sul rapporto televisione pubblico. Mimeo. Perugia (now as Towards a Semiotic Inquiry into the Television Message. Cultural Studies 3). |
|
|
|
 |
|
|
|
|
Eco, U., Santambrogio, M., and Violi, P., eds. |
|
|
|
 |
|
|
|
|
1988. Meaning and Mental Representations. Bloomington: Indiana U.P. |
|
|
|
|
|