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Page 295
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13
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text semiotics, 213
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of the theater, 110.
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See also Sign: performance as
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Serial. See Repetition
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Sextus Empiricus, 112
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Sign:
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intentional vs. unintentional, 105-107, 115, 116
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natural, 105
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performance as, 102-105, 109-10
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signa data, 117-18
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signa naturalia, 117
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and symbol, 113-14
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and words, 112-13
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Similarity:
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criteria for, 25-26
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doubles, 177-78
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pseudo doubles, 178-79
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Smith, John E., 40
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S-necessary properties, 132
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Spinoza, Baruch, 156, 160
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Stoicism, 13, 112, 116-18, 119
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Strawson, P., 208, 223, 229
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Structuralism, 44, 48
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Symbol:
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and allegory, 8-9, 11-12, 17
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and the Hermetic tradition, 18-20
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and interpretation within texts, 20-21
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and Neoplatonism, 9-11
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and scriptural interpretation, 11-18
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and truth, 138-39
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universal, 14
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Symbolism, universal, 14
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Synechism, principle of, 37
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Syntactics, 204, 206
T
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Tacitus, 123-24, 127-28
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Tesauro, Emanuele, 146-47
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Test, negation, 222, 230, 239
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Text. See Interpretation: and the text
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Thurot, C., 196
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Todorov, Tsvetan, 46
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Truth, 278
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analytic vs. synthetic, 268
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and encyclopedia, 269
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and Falsity, 175-76, 201, 280 (see also Forgery)
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Typology, 21-22n
U
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Unlimited semiosis, 6
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boundaries of, 38-41, 148-49
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and deconstruction, 32-37
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and Hermetic drift, 27-32
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and literary texts, 45
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and pretextual reading, 62
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and the pun, 140-43
V
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Vagueness, 43n
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Valesio, Paolo, 107
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Valla, Lorenzo, 196, 197
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Van Dijk, Theun, 238
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Virgil, 17
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Von Phul, Ruth, 149-50
W
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Wilkins, John, 1-2
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Worlds:
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empty vs. furnished, 65-67
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epistemic, 129, 134
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fictional, 64-65, 74-75, 80-82
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impossible, 77-79
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possible, 274 (see also Model Theory of Possible Worlds)
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small, 67, 74-79
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Third, 265

 
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