| | |
|
|
|
|
trolley through the desert followed by the locomotive-plaything driven by Seraffimo; play situation |
|
|
|
|
| |
|
|
|
|
Bond defeats Seraffimo, who crashes into the mountain on the locomotive |
|
|
|
| |
| | |
|
|
|
|
Rest with his friend Leiter, departure by ship, long amorous convalescence with Tiffany, exchanges of coded telegrams |
|
|
|
|
| |
|
|
|
|
Bond finally possesses Tiffany |
|
|
|
| |
| |
|
|
|
|
Villain reappears in the form of Winter |
|
|
|
| |
| | |
|
|
|
|
Play situation on board ship; mortal gamble played by infinitesimal moves between the two killers and Bond; play situation becomes symbolized on reduced scale in the lottery on the course of the ship; the two killers capture Tiffany; acrobatic action by Bond to reach the cabin and kill the killers |
|
|
|
|
| |
|
|
|
|
Bond overcomes vicarious Villains finally |
|
|
|
| |
| | |
|
|
|
|
Meditations on death in the presence of the two corpses; return home |
|
|
|
|
| |
|
|
|
|
Bond knows he can enjoy well-earned repose with Tiffany, and yet. . . |
|
|
|
| |
| | |
|
|
|
|
. . . deviations of the plot in South Africa, where Bond destroys the last link of the chain |
|
|
|
|
| |
|
|
|
|
Bond defeats for the third time the Villain in the person of Jack Spang |
|
|
|
| |