The Buildings and the Images of the Imperial Cult X The Antonines Antoninus Pius (86 – 161) - married Faustina the Elder, had 4 children, 3 died, Faustina the Younger survived - adopted Marcus Aurelius and Lucius Verus Cult: - deified Hadrian - difficult - own cult – not expressed - after his death – deified Lucius Verus (130 – 169 AD) -a co-ruler with Marcus Aurelius (adopted by Antoninus Pius) -much time abroad - married Lucilla - deified by the Roman Senate after death Marcus Aurelius (121 – 180) - married Faustina the Younger (his adopted sister) - at least 13 children, one of them Commodus - not interested in the cult - a little about Marcus’ cult in his writings Commodus (161 – 192) - married Bruttia Crispina, no children - Saoterus, Cleander - a sole ruler - Roman Hercules - wanted to show his “divine powers” in the amphitheatre Funeral and apotheosis - two funerals: a) private b) public - what caused this change? Death Private burial (cremation or inhumation) Divine honors awarded by the Senate (cremation or inhumation) Public burial Symbolic apotheosis – eagle released from the pyre ROMEROME The Column of Antoninus Pius - Marcus Aurelius and Lucius Verus for Antoninus Pius and Faustina - red granite column and a marble base - location - two panels – decursio - dedicatory inscription The Column of Antoninus Pius - apotheosis - classicizing style The temple of Antoninus and Faustina - north of the Regia - an inscription: Divo Antonino et / Divae Faustinae ex S(enatus) c(onsulto) - the temple - the cella - statues - grooves - the central column on the left Commodus as Hercules - on the Esquiline (1874) - a portrait type known from about 12 other copies – 191 – 192 AD - bare chest including arms and hands - an Amazon pelta, cornucopiae and an orb - kneeling Amazon - Herculanean subject - meaning – victory - the bust originally flanked by 2 tritons - original position – not known PROVINCESPROVINCES Characteristics: - about 35 cities – neokoroi for the temples of emperors (11 temples known from its ruins) Temples Statues Koinon - association of cities - several koina within one province - an association to govern the cult of emperors - concilia- concilia Officials: - chief priest – agonothetes, hierophantes, or “the chief priest of ….” - hymmodoi - theologoi - thesmodoi - grammateis - neopoioi Laodikeia Sagalassos Sardis, Lydia Laodikeia, Phrygia (Lydia or Caria?) Amaseia, Pontus Sagalassos, Pisidia Nikomedia, Bithynia Sardis – The temple of Artemis -Antoninus Pius - in the the temple of Artemis - 3 male and 3 female colossal statues - Artemis and the Antonines The temple The statues: Antoninus Pius Faustina the Elder Marcus Aurelius Faustina the Younger Lucius Verus (or Commodus?) organization: - scale differs, seated and standing 1. male statues and female statues – separated 2. male and female statues in pairs Lucilla Sagalassos (Pisidia) - excavation campaigns 2003-2004, Belgium, Turkey - the temple of divine Hadrian and Antoninus Pius - the temple, a large temenos, propylon - paved courtyard - pronaos almost as deep as the cella Amaseia (Pontus) - Marcus Aurelius and Lucius Verus - concord - capital of Pontic kingdom Laodikeia (Phrygia) - Commodus made Laodikeia neokoros- inscriptions -the same reason as Nikomedia – but through Cleander Nikomedia (Bithynia) - Saoteros of Nikomedia (180 – 182), Commodus’ chamberlain – very influential - Saoteros (officially Commodus and the Senate) gave the right to build a temple of Commodus (Cassius Dio), withdrew at Saoteros’ fall - citizens asked for festival and the temple (soon cancelled) - no sign it was ever celebrated, the temple was built but later used as the temple of the imperial cult, not the temple of Commodus through Cleander - early in his reign, but damnatio memoraie - rehabilitated by Septimius Severus (festivals) and Caracalla (neokoria) - 1993 – 1999 – a survey – large colonnaded temenos near the city’s eastern gate - low podium at the back wall – monumental building - probably a temple with spiral-fluted columns set on square bases (no excavations done there) - only measures – the temple 30 x 65 m, mid. 2nd c. AD (unsure until the excavations) - how many times neokoros? – Commodus, Caracalla, Elagabalus The Great Antonine Altar at Ephesus - location: ancient Ephesus - now in Vienna - date: highly controversial 140 – to glorify Hadrian 169 – death of Lucius Verus - U-shaped altar based on Hellenistic prototypes - slabs - the order – numbers, chronology - styles: motionless, active - two decorated podia Topics: 1. Lucius Verus – adoption 2. Campaign in Parthia in 163 – 166 AD 3. Apotheosis of Lucius Verus 4. Divine sphere 1. Lucius Verus – adoption - Sabina, Faustina the Elder - near the adoption scene – sacrifice 2. Parthian campaign personifications of cities of the empire 3. Apotheosis 4. Divine sphere