The Buildings and the Images of the Imperial Cult VII The Flavian cult The Flavian Cult changes: a) Arval rituals b) Genius of the princeps c) Divi Arval rituals - the calendar of events marked with the imperial cult and the pantheon of deities - differed under the Julio - Claudians and Domitian Julio-Claudians - anniversaries of the days on which the princeps received important powers: imperium, Pater Patriae, Pontifex Maximus - imperial birthdays, first entering the city as princeps,… Flavians -almost all these occasions ceased: birthdays, assumption of power (the imeprium and tribunicia potestas), the only annual imperial cult from the Julio-Claudian which continued was Januray 3rdpotestas), the only annual imperial cult from the Julio-Claudian which continued was Januray 3rd vota Votum: the people assembled on January 3rd to offer collective vows for the salus ("health, safety, wellbeing") of the emperor Pantheon Julio-Claudians - Capitoline Triad, Salus, divi, Genius of the princeps (responsible for the prosperity and continuation of the Julio-Claudian household, emphasized the dynastic source of imperial power Domitian - divi and Genius absent, new imperial cult ritual – January 22nd vota, focused on the importance of the Principate as an institution in the state rather than on the individual incumbent princeps Sources: Galba, Otho, Vitellius – quite complete records - the same cultic calendar as under Nero Vespasian - no evidence from Arvals celebrating anniversaries (also Titus), only 70 AD adventus - only 12 entries of Arval Brothers from his ten-year-long reign, 4 related to the imperial cult (the rest Dea Dia) Titus – a clear decrease of annual rites in the imperial cult and pantheon reduction Domitian - 91 AD – Salus Augusta introduced for the first time, changes official - but it is hard to say for sure that Genius of the princeps was removed - only with Arval Acta- but it is hard to say for sure that Genius of the princeps was removed - only with Arval Acta Genius Censorinus (grammarian): “A genius is a god under whose protection each person lives from birth” Modern scholars: “Life force or guardian spirit” Julio-Claudians - gradually incorporated into the state imperial cult Augustus - introduced into the state imperial cult – street guardians – then identified with the guardians of Augustus’ domus – became known as the Lares Augusti (at this time Genius of the princepsof Augustus’ domus – became known as the Lares Augusti (at this time Genius of the princeps was included in the compita alongside Lares Augusti mimicking Augustus’ domestic cult) - oaths taken by the Genius (Tiberius refused it) Nero -Arval Brothers sacrificed to his Genius in 55 AD, throughout his reign important part of pantheon - receiving sacrifices on emperor’s birthday, dies imperii, Pontifex Maximus - the earliest written note, but probably incorporated during Caligula’s reign - genius Augusti on the coinage with the same iconography as Genius of the Roman People Galba, Otho, Vitellus -Genii important Vespasian - change in the role of Genius Domitian - Genius completely absent - instead to represent the state: People, Senate, Rome - an autocratic ruler, Genius was largely suppressed – not included into pantheon (dramatic decrease) - Pliny – Panegyricus – praises Trajan for not allowing gratitude for his benefactions to be delivered to his Genius (implying that Domitian had done the opposite)delivered to his Genius (implying that Domitian had done the opposite) - Domitian’s genius present in compita – inscriptions from compital altars Iconographic evidence: a) The Arch of Titus b) Cancelleria A and B c) The Temple of Domus Flaviae Genius absent - each relief includes Genius Populi Romani and Senatus, together with Roma - personification of the Roman state - all these reliefs – princeps alongside 3 deities The Arch of Titus - the arch dedicated to Divus Titus by the Senate and Roman People, inscription and apotheosis of Titus – after death - dedicated by Domitian or Trajan - 1st theory: Domitian hated his brother - Trajan - 2nd theory: the Booty relief (opposite the Triumphator relief) – men carrying spoils taken from Judea in the triumphal procession of 71 AD passing under a triumphal arch - the arch at the far right: two men in quadrigae flanking a man on horseback and a larger thanflanking a man on horseback and a larger than life female figure - the arch: a temporary structure erected for the day of the Judean triumph, later replaced with a permanent structure - the two men – triumphatores Vespasian and Titus, the equestrian Domitian, unidentified goddess - because Domitian appears on the arch supports the suggestion that the relief image completed during his reign - Trajan – damnation memoriae on Domitian The Arch of Titus – the Triumphator relief -the protagonists: both human and divine – the first monumental state relief in which the two coexist - the scene not a specific historical event: a) the triumph was voted for Titus and Vespasian b) Domitian was an active participant in the triumph too The vaultThe vault - coffers with central rosettes - A square panel: framed with garlands held in the corners by four Erotes, Titus wears a tunic and toga, he is being carried to heaven by an eagle (apotheosis) - Apotheosis scene – the first in the monumental Roman art (previously only gem) The Cancelleria Reliefs - discovered in 1937 and 1939, under the Palazzo della Cancelleria in Rome - controversy: date, identity of the protagonists, appearance of the building for which they were fashioned - style: classicizing, high relief and relatively low, no background, heads always in profile or three quarters Panel B - Vespasian’s return to Rome (adventus) – 70 AD after his victory in the Civil War, Domitian is greeting him with Roma, Genius Senatus and Genius Populi Romani. Roma – seated on a throne raised on a pedestral (maybe one of the Rome’s seven hills?), around Roma – Vestal Virgins, virgins followed by lictors, Domitian, Vespasian Domitian – identification – protruding upper lip, hairstyle, slight beard on the cheeks and chin – a young man before the first shave at the age of 20 Vespasian – short, receding hair at the temples, lined forehead, cheeks and chin, remains of laurel wreath about his head, probably flying Victory (latest theories – Domitian reworked to Vespasian) Genius Senatus, Genius Populi Romani Domitian – protruding upper lip, hairstyle, slight beard on the cheeks and chin – a young man before the first shave at the age of 20 Vespasian – short, receding hair at the temples, lined forehead, cheeks and chin, remains of laurel wreath about his head, probably flying Victory Panel A - 23 years later, Domitian an emperor - Domitian’s departure (profectio) for his Sarmatian War in 92 – 93 AD - he is lead by Victory, lictor, Mars, Minerva (Domitian’s divine patroness), Roma (or Virtus), Genius Senatus, Genius Populi Romani, roman soldiers Domitian – reworked to Nerva Placement: the Temple of Fortuna Redux, Porticus Divorum, Porta Triumphalis… -the hairstyle – clearly Neronian coma in gradus formata that he favoured, but the head is too small - facial characteristics: slanting forehead, thin lips, hooked nose - Nerva Divus - more similarities between the Julio - Claudians and Domitian The Julio-Claudians - used divi to bolster their own position on the basis of their dynastic connections - central role in the Arval pantheon of deities to receive sacrifices - guardians of the princeps, emphasized the dynastic source of imperial power Beginning of Vespasian’s rule -divi removed from the pantheon (both Julio-Claudian and Flavian) - no need in deifying ancestors (divi were not his ancestors) Titus - deified Vespasian – Divus Vespasianus DomitianDomitian - used Flavian divi to bolster his claim to power through dynasty – promoting all Flavian divi as a collective – shared temples and priests - idea of a distinctive Flavian heaven from which princeps drew power (not only in Rome but also in all provinces) - Ephesos – provincial cult of the Flavians – cult dedicated to Sebastoi (divi, the princeps and the members of the imperial family), - deified many members of his family Flavians – two groups of divi: divi principles and divi minors, Hadrian canceled this division Flavian deification 5 members deified: Vespasian, Titus, Julia Titi, Caesar Domitiani filius, Domitilla (4 deified under Domitianus) Vespasian - died 24th June, 79 AD, divus in September 79 AD (delay) – 2 military diplomas dating to the summer of 79 AD – referring to Titus as Augusti filius rather than divi filius – indicating that Vespasian hadn’t been yet deified - but an inscription from 79 AD – Phrygia, Aqua Marcia – Titus as divi filius – must have been deified before the end of 79 ADof 79 AD Coins – title officially changed in 80 AD, deification in 79 or early 80 AD Titus - even more difficult to determine, phrase “brother of the God” not normally included in Domitian’s title - died 13th September 81 AD and his daughter Julia Titi still “filia Augusta”on 1st October (not deified yet) -but later only as Julia Augusta (no titles) – hard to determine - divi filia on coins and other inscriptions – can’t be dated precisely Julia Titi - died 89 AD – must have been deified within a few months of her death -appears as diva on coins between 90 – 94 AD, also titled diva in 90 AD in a book Epigrammata Others – must have been deified much longer after their deaths Domitian’s son -deified early in Domitian’s reign – on the coins 82 - 84 AD Diva Domitilla - wife or daughter of Vespasian Deification under the reign of Titus (numismatic evidence) Cult Apparatus - shared temples and shared priests - Divae – shared a temple with the Divi – coin – installment of the image in the temple of Gentis Flaviae (all 5 divi had a place there) 3 temples: a) Divus Vespasianus and Divus Titus (Forum Romanum) b) Porticus Divorum (Campus Martius) c) Templum Gentis Flaviae (to all the divi as well as important family deities – penates) (Quirinal hill) The temple of Divus Vespasianus and Divus Titus Forum Romanum - North of the Porticus Dei Consonentes and south of the Temple of Concord - The temple closed off the entrance to the Tabularium Identification: the inscription on the architrave visible in the 8th century AD Dedicated to: Vespasian and Titus (started during Titus’ reign, completed by Domitian) - 33 x 22 m, prostyle, hexastyle porticus with a spacious cella (two story, vaulted room) - statues of the two deified emperors - only the 3 columns survive, supporting a fragment of the architrave – a frieze with sacrificial implements - Severan restoration Poticus Divorum, Divorum, Temlum Divorum Campus Martius - coins of Domitian (94-96 AD) - the image of a tetrastyle temple - a stairway, a triangular pediment with an eagle holding a wreath in its beak, a sitting statue identified with a copy of the Bryaxis’ statue for the Serapeum in Alexandria Identification: a) the Temple of Sarapis flanking that of Isis inside the temenos, where yet it never was b) Domitianic building in the central Campus Martius: the Porticus Divorum, built in honour of father Vespasian and brother Titus, both deified. The building had a great importance in the religious policy of Domitian, having as final goal the legitimization of the princeps’ power. - well known from the Forma Urbis Marmorea (eleven fragments represent the porticus) : it is a great temenos in the open air (200 x 77 m ca.), porches on three sides and a magnificent propylaeum on the northern side as an entrance. - between the Saepta and the baths of Agrippa The porticus - rectangular, about 200 metres long and 55 wide - over thirty columns on the long sides and sixteen on the short side. - extended: from the present Piazza Grazioli nearly to the Via di San Marco The Propylaeum - a triple arch on the north side - flanked by two rooms, oriented toward the inside of the complex, toward the two temples (A and B) The Temples - both prostyle tetrastyle with stairway on the front, built in the inside corners of the front side of the temenos - facing each other, and- facing each other, and dedicated to Vespasian and Titus (aedes divi Vespasiani and aedes divi Titi). - the coin represents one of them: the eagle with the wreath is a symbol of divinization, while the quadriga on the top of the pediment refers to the triumph and Sarapis is a deity linked to the Judaic victory. A B - after the fourth century there is no mention of the structure, but its name is preserved in the Diburi or Diburo of several mediaeval documents in connection with the monastery of S. Ciriaco in Camiliano - many architectural remains have been found on the site of the building, but not such as to permit of a reconstruction. - Porticus Divorum belongs to the sanctuary in Rome dedicated to the Egyptian gods, which consist of three complexes:consist of three complexes: a) the Temple of Minerva Chalcidica b) the Iseum Campense/Serapeum c) the Porticus Divorum - the two temples inside - dedicated to Egyptian gods, in an ideological frame in which the deceased Vespasian and Titus were assimilated to gods. - one of the Egyptian gods was Sarapis, the second must have been Anubis.