Sounding Spaces


“The radical illusion is that of the original crime, by which the world is altered from the
beginning, and is never identical to itself, never real. The world exists only through this
definitive illusion which is that of the play of appearances – the very site of the unceasing
disappearance of all meaning and all finality. And this is not merely metaphysical: in the physical
order, too, from its origin – whatever that may be – the world has been forever appearing and
disappearing.”

J. Baudrillard, Le crime parfait (1995)


“Between the materiality of the image and the ideology of perception, and vice versa: the margin of
entropy, noise, irreducibility, ambiviolence (as Joyce said). Entropy as motive force, noise as
contentless information, irreducibility as the perpetual non-normalisable element, ambiviolence as
counter-reduction.”

                                                                               L. Armand, Videology


International symposium on the ways sounds and spaces, natural and artificial ones, intersect,
melt, and fuse, rival and collide in media art and culture of the 20^th and 21^st century.


Dates:

13 - 15 November 2017


13 November

Praha. Fórum pro architekturu a média, Husova 18

05.30-08.30 p.m.

Louis ARMAND: VIDEOLOGY_1


08.30-09.30 p.m.

Jozef CSERES: Sounding Spices


14 November

Faculty of Arts, Masaryk University, Janackovo nám. 2a, room N21

09.00-12.00 a.m.

Louis ARMAND: VIDEOLOGY_2


01.0-05.00 p.m.

Louis ARMAND: VIDEOLOGY_3


Praha. Fórum pro architekturu a media, Husova 18

07.00-08.00 p.m. Skupina - performance


15 November

Faculty of Arts, Masaryk University, Janackovo nám. 2a, room N21

09.00-12.00 a.m.

Louis ARMAND: VIDEOLOGY_4


01.00-05.30 p.m.

Martin FLAŠAR: Zahájení / Welcome and opening speech

01:00 p.m. Miloš VOJTĚCHOVSKÝ: LO-FI/HI-FI a šarivari / LO-FI/HI-FI and Charivari

01:30 p.m. Slavomír HOŘÍNKA: Kompoziční strategie instrumentální hudby ve světle prostorové
poslechové zkušenosti / The Compositional Strategies of Instrumental Music in the Perspective of
the Spatial Listening Experience

02:00 p.m. Filip CENEK: Zvukové autopsie. Příklady intervencí v městě Rijeka / Sound Autopsies.
Interventions in the City of Fiume

02:30 p.m. Jakub JUHÁS: Dislocating Sound: Počúvanie ako proces deteritorializácie / Dislocating
Sound: Listening as the process of deterritorialization

03:00 p.m. Jan SŮSA: Tetsuo Kogawa a hudebnost mikrovysílání / Tetsuo Kogawa and Musicality of
Microbroadcasting

03:30 p.m. Adéla PROCHÁZKOVÁ: Polyfonie města: Rytmická analýza Henriho Lefebvra / Urban Polyphony:
Henri Lefebvre’s Rhythmanalysis

04:00 p.m. Michal KINDERNAY: Walking sounds - Dunai Hangtérképe

04:30 p.m. Julia GRYBOŚ a BARBORA ZENTKOVÁ: Sonické události v kontextu současného umění / Sonic
Events in the Context of Contemporary Art

05:00 p.m. SKUPINA: Východiska a motivace: rezonance / Starting Points and Motivations: Resonancies



Organization:

Jana Horakova: horakova@phil.muni.cz

Martin Flasar: flasar@phil.muni.cz

Filip Johanek: dolby@mail.muni.cz

Jozef Cseres: 114731@mail.muni.cz