Week 2 Exoticism and National Stereotypes in Baroque Music George Frideric Handel: Giulio Cesare in Egitto (1725) •Exoticism or Orientalism? •Romans vs. Egyptians? Giulio Cesare (German Subtitles) Ellen T. Harris, “With Eyes on the East and Ears in the West: Handel’s Orientalist Operas,” Journal of Interdisciplinary History 2006 •Many Italian operas in London of the 1720s had exotic/orientalist plots •Handel’s operas: 2/3=Eastern settings •Opera companies in eighteenth-century London=commercial enterprise supported by venture capitalists who invest in East Indian trade •Operas support colonial expansion by depicting the “Orient” in stereotypical ways •Ralph Locke: Music and the Exotic from Renaissance to Mozart (Cambridge University Press, 2015), 261–262: these were complex works and probably meant many different things to many different people in eighteenth-century London… Exoticism in Serse (Xerxes), 1738 XERXES 'Ombra mai fu' Handel - Deutsche Oper am Rhein Exoticism in Serse (Xerxes), 1738 •Ralph Locke: Music and the Exotic from Renaissance to Mozart (Cambridge University Press, 2015), 252. •Xerxes is presented as both tyrannical and effeminate + ridiculous in his initial love for tree •Sarabande features: slow triple meter (supposed origin: Latin America) •ITAL. TEXT: Ombra mai fu / Di vegetabile, / Cara ed amabile, / Soave più •18c English TRANS.: “No, never vegetable made / A dearer and a lovelier shade.” Molière/Jean-Baptiste Lully: Le bourgeois gentilhomme (1670), comédie-ballet Exoticism, esp. 2:30 La cérémonie turque (Le Bourgeois Gentilhomme, de Molière e Lully) Molière/Jean-Baptiste Lully: Le bourgeois gentilhomme (1670), comédie-ballet National Stereotypes: Spanish, Italians, French Di rigori armato il seno - J.B.Lully (1632 -1687) Lully - LWV 43 - Le bourgeois gentilhomme - Ballet des Français - Finale Ay qué locura... (Entrée des Espagnoles) - J.B. Lully (1632 -1687) Jean-Philippe Rameau: Les Indes galantes, 1729 Act IV, “Les Sauvages:” Paris National Opera, 2006 Les Indes galantes. Les Sauvages [Sokolov] Rameau Les Sauvages for Piano Jean-Philippe Rameau: Les Indes galantes, 1729 Act IV, “Les Sauvages:” Paris National Opera, 2019 Rameau Cogitore - Les sauvages (Opéra de Paris, 2019)