De Certeau By Andy Doro and Nick Hasty Walking in the City * Voyeur God / Solar Eye * Immense texturology of concept city * A viewpoint and nothing more Voyeur * Panoptic/Disciplinary/Power and Architecture * Cartographic * Urban Planning/Management * Objective/Visual * Reading, not writing * Legible City-City as Text * Geometrical/Geographical * Theoretical/Utopian * * * Walker * Wandersmänner * Write, not read. Blind * Subjective * Mythic / poetic / anthropological * Walking as Speech Act * Understood as the “subject” in technocratic society * Consumer reappropriating space of product system * * “City” as Operational Concept * transformation of urban “fact” into “concept” * (re)production of its own space, metabolism * nowhen, synchronic system * universal and anonymous subject * administration and waste products * privileges time over space (space as blind spot) * machinery/hero modernity Decay of concept city * Misfortunes of theory into theories of misfortunes * Bewilderment into catastrophes/panic * Other paths: illegitimate systems * Rise of the suppressed/ waste/ “surreptitious creativities” * Reciprocal of structures of power Strategies * Strategies-operations of systems of power * Long term in nature-overarching plan * Focus on gain, profit, * Military commander * Creates distinctions and force relationships- “self” vs. “other” / interior vs exterior * Model for political, economic, and scientific rationality * Proper uses, meanings, and names Tactics * Used by individual in everyday experience/practice * Creation of personal space within strategized space * Tricks, Maneuvers & “ways of operating”utilizing what’s immediate and at hand - opportunity based * Unreadable/ Invisible/ Untraceable/Poetic * Brownian motion/way to “produce” (space) within society of consumption / creation of opportunities * Spatial practice that manipulates discipline, strategy, proper use * Secretly structure social life Walking as Speech Act * appropriation - topographical system / language * acting out/walking as enunciation * relational - between spaces / interlocutors * style and rhetoric of walking * way of being and operating, subversions of meaning * Language and architecture Names & Symbols * Discourse of power creates own lack/void-production of free play * “Proper” names become detached by spatial practices-open into liberated spaces to be occupied * These detached meanings direct and decorate, create non-sanctioned meanings-superstitions * play within defined places, crack in system- semantic/poetic overlays and excesses / anti-text * Totalitarians seek to suppress overlay with numbered streets and street numbers * “Metaphoric city” = memories, stories, and personal relationships to space invert panoptic Spatial Stories * Stories create links, relationships and organize places * Narrative structures are like spatial syntaxes * Every story is a spatial practice involving everyday tactics * stories, news reports, legends, history, memories- narrated journeys/walks * movement, traveling through space creates a narrative * arises from examining spatial order, just as speech acts arose after the examination of linguistic systems * s Place vs. Space * PLACE: point, defines location, two things cannot occupy same place, proper relationships, geometrical * SPACE: vector, direction, velocity, time, intersections, dimensions, word when spoken, practiced place, anthropological, existential, Descriptive operations * Itineraries vs Maps-story/narrative vs symbolic representation-rise of map with scientific discourse Stories, Space, and Boundaries bbBoundairesFrontiersBoundaries * Stories as operations to mark out boundaries, contracts-culturally creative act-founds spaces * Authorize/establish. set oppositions. * Differentiation of space creates structure between legitimate space and alien exteriority * paradoxically creates points of contact/communication * Descriptive variations of the story * Place = being-there , Space = operations * * * Frontiers vs. Bridges * FRONTIER: point of contact between known/inside/self and the beyond/alien/other-an in-between-without specific ownership * BRIDGE: ambiguous. welds together and opposes insularities. liberates from enclosure and destroys autonomy. the diabolical, betrayal of order. Site of transgression Delinquent Stories * * Narrative = topological vs topical-deforms figures rather than defines place, Describes movement * Exists in interstices of code -disrupts boundaries * Privilege “tour” type descriptions over stating of locations * Inscription of the body in the order’s text-spatial stories, spoken language, practiced place * Liquifies boundaries, become metaphors * Nomadism, pirate kingdoms, illegitimate spaces