PV113 Production of Audiovisual Artefacts

Faculty of Informatics
Spring 2025
Extent and Intensity
0/3/2. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
In-person direct teaching
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
Mgr. Magdaléna Blažková (assistant)
Bc. Lukáš Caletka (assistant)
Roman Dvořák (assistant)
Mgr. Dominik Hanák (assistant)
Mgr. Erik Hirner (assistant)
Lukáš Gorazd Hrodek (assistant)
Mgr. Dalibor Jelínek (assistant)
Ondřej Kocar (assistant)
Bc. Adam Král (assistant)
Bc. Tatiana Pavolková (assistant)
Bc. Šárka Portešová (assistant)
Mgr. Michal Románek (assistant)
Mgr. Jonáš Rosecký (assistant)
Mgr. Adam Štěpánek (assistant)
Patrik Trachtulec (assistant)
Sára Vašičková (assistant)
Guaranteed by
doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Prerequisites
(APPROVAL)
Enrollment in the course is possible in the following way (indicated in the application for consent to enrollment):

A) Film production (direction). The student has an approved technical scenario that he created within PV110 Basics of Film Narratives the previous semester or did not complete PV110 in the previous semester, but has his own technical scenario that he wants to have approved and subsequently implemented. Closing with a colloquium (P).
B) Creative involvement in the production of the film. The student wants to participate in the production of a student film produced in A). Completion as a credt (zápočet, Z).
The prerequisite is a passion for creative activity, specifically for multimedia communication through the creation of audiovisual works. More information on enrollment, detailed requirements, and rules can be found at https://is.muni.cz/auth/el/1433/jaro2024/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 45 student(s).
Current registration and enrolment status: enrolled: 0/45, only registered: 7/45, only registered with preference (fields directly associated with the programme): 2/45
fields of study / plans the course is directly associated with
there are 37 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work, and present it at the Film Festival FI MU at the end of the semester.
A secondary goal is to acquire soft skills for working in a production team on a joint work.
Learning outcomes
Student will be able to:
- Film theme, literary and technical scenario,
- Produce a short-distance team in the team,
- Know the roles and communicate in groups representing the film crew.
Syllabus
  • Production according to the approved technical scenario, finalizing the technical scenario into the production one: production team, production schedule, list of shooting days, selection of locations, actors, casting, and camera tests.
  • Filming, sound direction, and sound plan. Preparation and implementation of the entire production chain. Presentation of the filmed scene and testing in D3. Preparation of plan B. Quality control. Preparation of metadata for the video archive. Preparation of multilingual subtitles.
  • Filming and realization of own movies and images, quality control. Film presentation and marketing (trailer and social media).
Literature
    recommended literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Seminární práce a filmové festivaly LEMMA 2000--2023
Teaching methods
Students regularly present and discuss the current status of the production of their multimedia projects at each lesson—usage of agile, constructivist methods of active learning.
Assessment methods
The final evaluation is done based on the successful realization of their own movie. For more information visit https://is.muni.cz/el/1433/jaro2024/PV113/index.qwarp.
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is taught: every week.
Teacher's information
https://is.muni.cz/auth/el/1433/jaro2024/PV113/index.qwarp
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024.

PV113 Production of Audiovisual Artefacts

Faculty of Informatics
Spring 2024
Extent and Intensity
0/3/2. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
Bc. Tatiana Pavolková (seminar tutor)
Mgr. Magdaléna Blažková (assistant)
Bc. Lukáš Caletka (assistant)
Roman Dvořák (assistant)
Mgr. Dominik Hanák (assistant)
Mgr. Erik Hirner (assistant)
Lukáš Gorazd Hrodek (assistant)
Mgr. Dalibor Jelínek (assistant)
Ondřej Kocar (assistant)
Bc. Adam Král (assistant)
Bc. Šárka Portešová (assistant)
Mgr. Michal Románek (assistant)
Mgr. Jonáš Rosecký (assistant)
Mgr. Adam Štěpánek (assistant)
Patrik Trachtulec (assistant)
Sára Vašičková (assistant)
Guaranteed by
doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Wed 18:00–19:50 D3
Prerequisites
(APPROVAL)
Enrollment in the course is possible in the following way (indicated in the application for consent to enrollment):

A) Film production (direction). The student has an approved technical scenario that he created within PV110 Basics of Film Narratives the previous semester or did not complete PV110 in the previous semester, but has his own technical scenario that he wants to have approved and subsequently implemented. Closing with a colloquium (P).
B) Creative involvement in the production of the film. The student wants to participate in the production of a student film produced in A). Completion as a credt (zápočet, Z).
The prerequisite is a passion for creative activity, specifically for multimedia communication through the creation of audiovisual works. More information on enrollment, detailed requirements, and rules can be found at https://is.muni.cz/auth/el/1433/jaro2024/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 45 student(s).
Current registration and enrolment status: enrolled: 10/45, only registered: 0/45, only registered with preference (fields directly associated with the programme): 0/45
fields of study / plans the course is directly associated with
there are 77 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work, and present it at the Film Festival FI MU at the end of the semester.
A secondary goal is to acquire soft skills for working in a production team on a joint work.
Learning outcomes
Student will be able to:
- Film theme, literary and technical scenario,
- Produce a short-distance team in the team,
- Know the roles and communicate in groups representing the film crew.
Syllabus
  • Production according to the approved technical scenario, finalizing the technical scenario into the production one: production team, production schedule, list of shooting days, selection of locations, actors, casting, and camera tests.
  • Filming, sound direction, and sound plan. Preparation and implementation of the entire production chain. Presentation of the filmed scene and testing in D3. Preparation of plan B. Quality control. Preparation of metadata for the video archive. Preparation of multilingual subtitles.
  • Filming and realization of own movies and images, quality control. Film presentation and marketing (trailer and social media).
Literature
    recommended literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Seminární práce a filmové festivaly LEMMA 2000--2023
Teaching methods
Students regularly present and discuss the current status of the production of their multimedia projects at each lesson—usage of agile, constructivist methods of active learning.
Assessment methods
The final evaluation is done based on the successful realization of their own movie. For more information visit https://is.muni.cz/el/1433/jaro2024/PV113/index.qwarp.
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
https://is.muni.cz/auth/el/1433/jaro2024/PV113/index.qwarp
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2025.

PV113 Production of Audiovisual Artefacts

Faculty of Informatics
Spring 2023
Extent and Intensity
0/3/2. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
Bc. Lukáš Caletka (assistant)
Mgr. Katarína Gočová (assistant)
Mgr. Erik Hirner (assistant)
Lukáš Gorazd Hrodek (assistant)
Mgr. Adam Ivora (assistant)
Mgr. Dalibor Jelínek (assistant)
Bc. Nikola Karaffová (assistant)
Ondřej Kocar (assistant)
Bc. Adam Král (assistant)
Mgr. Matúš Kropuch (assistant)
Mgr. Eva Kuhejdová (assistant)
Iryna Lazouskaya (assistant)
Mgr. Šimon Mačejovský (assistant)
Bc. Tatiana Pavolková (assistant)
Bc. Šárka Portešová (assistant)
Mgr. Jonáš Rosecký (assistant)
Mgr. Patrik Smolnický (assistant)
Mgr. Adam Štěpánek (assistant)
Mgr. Hana Tokárová (assistant)
Patrik Trachtulec (assistant)
Bc. Matej Turek (assistant)
Bc. Juraj Ulbrich (assistant)
Sára Vašičková (assistant)
Guaranteed by
doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Wed 15. 2. to Wed 10. 5. Wed 18:00–19:50 D3
  • Timetable of Seminar Groups:
PV113/01: Wed 15. 2. to Wed 10. 5. Wed 17:00–17:50 D3, R. Král, P. Sojka
Prerequisites
(APPROVAL)
Registering the course is possible in these scenarios:

A) the student has his/her technical scenario that s/he created within course PV110 Basics of Film Narratives previous semester approved OR did not complete PV110 in the previous semester, but has his/her own technical scenario that s/he wants to have approved and then shoot it OR participate in the process of making,
B) the student wants to participate in organizing the festival,
C) the student wants to pass the course in the form of a colloquium, and therefore wants a combination of A) and B).

A prerequisite is a passion for creative activity, specifically for multimedia communication via newly created audiovisual works. For more information about approval, detailed requirements or rules visit page https://is.muni.cz/auth/el/1433/jaro2022/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 45 student(s).
Current registration and enrolment status: enrolled: 15/45, only registered: 0/45, only registered with preference (fields directly associated with the programme): 0/45
fields of study / plans the course is directly associated with
there are 77 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work and present it at the Film Festival FI MU at the end of the semester. In the case of the festival organization, the students improve their communication, teamwork and generally the organization or compliance with deadlines.
Learning outcomes
Student will be able to:
- Film theme, literary and technical scenario,
- Produce a short-distance team in the team,
- Know the roles and communicate in groups representing the film crew,
- Know the roles and communicate in groups preparing the student movie festival.
Syllabus
  • Production and preparation of the film festival.
  • Filming and realization of their own shots.
  • Excursion to the TV studio.
  • Film Festival.
Literature
    recommended literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Radim Urbášek: www.bitgoo.cz/zvuk-v-amaterskem-filmu.php
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Students are regularly presenting and discussing the current status of production of their multimedia projects at each lesson. Discussion, review and assigning tasks on the organization of the festival. Usage of agile, constructivistic methods of active learning.
Assessment methods
The final evaluation is done based on the successful realization of their own image, based on responsible and productive work on the preparation of the festival or in the colloquium option on a combination of both. For more information visit https://is.muni.cz/auth/el/1433/jaro2022/PV113/index.qwarp.
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
https://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2024, Spring 2025.

PV113 Production of Audiovisual Artefacts

Faculty of Informatics
Spring 2022
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
Bc. Jakub Galanda (assistant)
Mgr. Radek Gomola (assistant)
Bc. Lukáš Caletka (assistant)
Bc. Peter Gamboš (assistant)
Mgr. Veronika Helánová (assistant)
Mgr. Erik Hirner (assistant)
Lukáš Gorazd Hrodek (assistant)
Mgr. Adam Ivora (assistant)
Mgr. Dalibor Jelínek (assistant)
Ondřej Kocar (assistant)
Mgr. Matúš Kropuch (assistant)
Mgr. Nikola Kunzová (assistant)
Mgr. Šimon Mačejovský (assistant)
Katarína Ráczová (assistant)
Mgr. Patrik Smolnický (assistant)
Mgr. Adam Štěpánek (assistant)
Bc. Matej Turek (assistant)
Bc. Juraj Ulbrich (assistant)
Bc. Katarína Urbánková (assistant)
Guaranteed by
doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Wed 16. 2. to Wed 11. 5. Wed 18:00–19:50 D3
  • Timetable of Seminar Groups:
PV113/01: Wed 16. 2. to Wed 11. 5. Wed 17:00–17:50 D3, R. Král, P. Sojka
Prerequisites
(APPROVAL)
Registering the course is possible in these scenarios:

A) the student has his/her technical scenario that s/he created within course PV110 Basics of Film Narratives previous semester approved OR did not complete PV110 in the previous semester, but has his/her own technical scenario that s/he wants to have approved and then shoot it OR participate in the process of making,
B) the student wants to participate in organizing the festival,
C) the student wants to pass the course in the form of a colloquium, and therefore wants a combination of A) and B).

A prerequisite is a passion for creative activity, specifically for multimedia communication via newly created audiovisual works. For more information about approval, detailed requirements or rules visit page https://is.muni.cz/auth/el/1433/jaro2022/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 45 student(s).
Current registration and enrolment status: enrolled: 3/45, only registered: 0/45, only registered with preference (fields directly associated with the programme): 0/45
fields of study / plans the course is directly associated with
there are 77 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work and present it at the Film Festival FI MU at the end of the semester. In the case of the festival organization, the students improve their communication, teamwork and generally the organization or compliance with deadlines.
Learning outcomes
Student will be able to:
- Film theme, literary and technical scenario,
- Produce a short-distance team in the team,
- Know the roles and communicate in groups representing the film crew,
- Know the roles and communicate in groups preparing the student movie festival.
Syllabus
  • Production and preparation of the film festival.
  • Filming and realization of their own shots.
  • Excursion to the TV studio.
  • Film Festival.
Literature
    recommended literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Radim Urbášek: www.bitgoo.cz/zvuk-v-amaterskem-filmu.php
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Students are regularly presenting and discussing the current status of production of their multimedia projects at each lesson. Discussion, review and assigning tasks on the organization of the festival. Usage of agile, constructivistic methods of active learning.
Assessment methods
The final evaluation is done based on the successful realization of their own image, based on responsible and productive work on the preparation of the festival or in the colloquium option on a combination of both. For more information visit https://is.muni.cz/auth/el/1433/jaro2022/PV113/index.qwarp.
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
https://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of Audiovisual Artefacts

Faculty of Informatics
Spring 2021
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
Bc. Jakub Galanda (assistant)
Mgr. Radek Gomola (assistant)
Bc. Peter Gamboš (assistant)
Mgr. Matúš Kropuch (assistant)
Mgr. Šimon Mačejovský (assistant)
Bc. Matej Turek (assistant)
Mgr. Adam Štěpánek (assistant)
Katarína Ráczová (assistant)
Ondřej Kocar (assistant)
Jakub Antonín (assistant)
Mgr. Patrik Smolnický (assistant)
Mgr. Ivana Papcunová (assistant)
Bc. Mária Kocúreková (assistant)
Bc. Terézia Mária Dujavová (assistant)
Bc. Lukáš Caletka (assistant)
Mgr. Erik Hirner (assistant)
Mgr. Katarína Gočová (assistant)
Guaranteed by
doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Wed 18:00–19:50 Virtuální místnost
  • Timetable of Seminar Groups:
PV113/01: Wed 17:00–17:50 Virtuální místnost, R. Král, P. Sojka
Prerequisites
(APPROVAL)
Registering the course is possible in these scenarios:

A) the student has his/her technical scenario that s/he created within course PV110 Basics of Film Narratives previous semester approved OR did not complete PV110 in the previous semester, but has his/her own technical scenario that s/he wants to have approved and then shoot it OR participate in the process of making,
B) the student wants to participate in organizing the festival,
C) the student wants to pass the course in the form of a colloquium, and therefore wants a combination of A) and B).

A prerequisite is a passion for creative activity, specifically for multimedia communication via audiovisual works, or is interested in participating in the organization of the festival. For more information about approval, detailed requirements or rules visit page https://is.muni.cz/auth/el/1433/jaro2021/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 45 student(s).
Current registration and enrolment status: enrolled: 0/45, only registered: 0/45, only registered with preference (fields directly associated with the programme): 0/45
fields of study / plans the course is directly associated with
there are 77 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work and present it at the Film Festival FI MU at the end of the semester. In the case of the festival organization, the students improve their communication, teamwork and generally the organization or compliance with deadlines.
Learning outcomes
Student will be able to:
- Film theme, literary and technical scenario,
- Produce a short-distance team in the team,
- Know the roles and communicate in groups representing the film crew.
Syllabus
  • Production and preparation of the film festival.
  • Filming and realization of their own shots.
  • Excursion to the TV studio.
  • Film Festival.
Literature
    recommended literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Radim Urbášek: www.bitgoo.cz/zvuk-v-amaterskem-filmu.php
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Students are regularly presenting and discussing the current status of production of their multimedia projects at each lesson. Discussion, review and assigning tasks on the organization of the festival. Usage of agile, constructivistic methods of active learning.
Assessment methods
The final evaluation is done based on the successful realization of their own image, based on responsible and productive work on the preparation of the festival or in the colloquium option on a combination of both. For more information visit https://is.muni.cz/auth/el/1433/jaro2021/PV113/index.qwarp.
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
https://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of Audiovisual Artefacts

Faculty of Informatics
Spring 2020
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
Bc. Jakub Galanda (assistant)
Mgr. Radek Gomola (assistant)
Bc. Peter Gamboš (assistant)
Mgr. Martin Kacvinský (assistant)
Mgr. Šimon Mačejovský (assistant)
Mgr. Michaela Martišová (assistant)
Guaranteed by
doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Mon 17. 2. to Fri 15. 5. Wed 18:00–19:50 D3
  • Timetable of Seminar Groups:
PV113/01: Mon 17. 2. to Fri 15. 5. Wed 17:00–17:50 D3, R. Král, P. Sojka
Prerequisites
SOUHLAS
(APPROVAL)
Asking for approval is possible in these cases:

A) the student has his/her technical scenario that s/he created within course PV110 Basics of Film Narratives previous semester approved OR did not complete PV110 in the previous semester, but has his/her own technical scenario that s/he wants to have approved and then shoot it OR participate in the process of making,
B) the student wants to participate in organizing the festival,
C) the student wants to pass the course in the form of a colloquium, and therefore wants a combination of A) and B).

A prerequisite is a passion for creative activity, specifically for multimedia communication via audiovisual works, or is interested in participating in organization of the festival. For more information about approval, detailed requirements or rules visit page https://is.muni.cz/auth/el/1433/jaro2020/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 45 student(s).
Current registration and enrolment status: enrolled: 1/45, only registered: 0/45, only registered with preference (fields directly associated with the programme): 0/45
fields of study / plans the course is directly associated with
there are 77 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work and present it at the Film Festival FI MU at the end of the semester. In the case of the festival organization, the students improve their communication, teamwork and generally the organization or compliance with deadlines.
Learning outcomes
Student will be able to:
- Film theme, literary and technical scenario,
- Produce a short-distance team in the team,
- Know the roles and communicate in groups representing the film crew.
Syllabus
  • Production and preparation of the film festival.
  • Filming and realization of their own shots.
  • Excursion to the TV studio.
  • Film Festival.
Literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Radim Urbášek: www.bitgoo.cz/zvuk-v-amaterskem-filmu.php
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Students are regularly presenting and discussing the current status of production of their multimedia projects at each lesson. Discussion, review and assigning tasks on the organization of the festival. Usage of agile, constructivistic methods of active learning.
Assessment methods
The final evaluation is done based on the successful realization of their own image, based on responsible and productive work on the preparation of the festival or in the colloquium option on a combination of both. For more information visit https://is.muni.cz/auth/el/1433/jaro2020/PV113/index.qwarp.
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
https://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of Audiovisual Artefacts

Faculty of Informatics
Spring 2019
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
MgA. Radovan Hakl (seminar tutor)
Mgr. Radek Gomola (assistant)
Mgr. Michaela Martišová (assistant)
MgA. Marcel Otruba (assistant)
Mgr. Jozef Bátrna (assistant)
Mgr. Kristýna Rudolfová (assistant)
Bc. Juraj Ulbrich (assistant)
Bc. Lýdie Palečková (assistant)
Bc. Peter Gamboš (assistant)
Bc. Roman Pelikán (assistant)
Petra Kastlerová (assistant)
Bc. Bronislav Musil (assistant)
Mgr. Ivana Papcunová (assistant)
Anna Hana Pilková (assistant)
Jan Tesařík (assistant)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Wed 18:00–19:50 D3
  • Timetable of Seminar Groups:
PV113/01: Wed 17:00–17:50 D3, R. Král, P. Sojka
Prerequisites
SOUHLAS
(APPROVAL)
Asking for approval is possible in these cases:

A) the student has his/her technical scenario that s/he created within course PV110 Basics of Film Narratives previous semester approved OR did not complete PV110 in the previous semester, but has his/her own technical scenario that s/he wants to have approved and then shoot it OR participate in the process of making,
B) the student wants to participate in organizing the festival,
C) the student wants to pass the course in the form of a colloquium, and therefore wants a combination of A) and B).

A prerequisite is a passion for creative activity, specifically for multimedia communication via audiovisual works, or is interested in participating in organization of the festival. For more information about approval, detailed requirements or rules visit page https://is.muni.cz/auth/el/1433/jaro2018/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 45 student(s).
Current registration and enrolment status: enrolled: 0/45, only registered: 0/45, only registered with preference (fields directly associated with the programme): 0/45
fields of study / plans the course is directly associated with
there are 40 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work and present it at the Film Festival FI MU at the end of the semester. In the case of the festival organization, the students improve their communication, teamwork and generally the organization or compliance with deadlines.
Learning outcomes
Student will be able to:
- Film theme, literary and technical scenario,
- Produce a short-distance team in the team,
- Know the roles and communicate in groups representing the film crew.
Syllabus
  • Production and preparation of the film festival.
  • Filming and realization of their own shots.
  • Excursion to the TV studio.
  • Film Festival.
Literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Radim Urbášek: www.bitgoo.cz/zvuk-v-amaterskem-filmu.php
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Students are regularly presenting and discussing the current status of production of their multimedia projects at each lesson. Discussion, review and assigning tasks on the organization of the festival. Usage of agile, constructivistic methods of active learning.
Assessment methods
The final evaluation is done based on the successful realization of their own image, based on responsible and productive work on the preparation of the festival or in the colloquium option on a combination of both. For more information visit https://is.muni.cz/auth/el/1433/jaro2018/PV113/index.qwarp.
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of Audiovisual Artefacts

Faculty of Informatics
Spring 2018
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
MgA. Radovan Hakl (seminar tutor)
Mgr. Radek Gomola (assistant)
Mgr. Michaela Martišová (assistant)
Mgr. Lucie Bartoňková (assistant)
Mgr. Michal Románek (assistant)
Mgr. Jozef Bátrna (assistant)
Dominika Vančová (assistant)
Bc. Juraj Ulbrich (assistant)
Mgr. Martin Kacvinský (assistant)
Bc. Lýdie Palečková (assistant)
Bc. Peter Gamboš (assistant)
Mgr. Barbora Valtarová (assistant)
Mgr. Pavel Doležal (assistant)
Anna Zapletalová (assistant)
Klára Hurtlová (assistant)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Wed 18:00–19:50 D3, except Wed 16. 5.
  • Timetable of Seminar Groups:
PV113/01: Wed 17:00–17:50 D3, except Wed 16. 5., L. Bartoňková, M. Martišová, P. Sojka
Prerequisites
SOUHLAS
(APPROVAL)
Asking for approval is possible in these cases:

A) the student has his/her technical scenario that s/he created within course PV110 Basics of Film Narratives previous semester approved OR did not complete PV110 in the previous semester, but has his/her own technical scenario that s/he wants to have approved and then shoot it OR participate in the process of making,
B) the student wants to participate in organizing the festival,
C) the student wants to pass the course in the form of a colloquium, and therefore wants a combination of A) and B).

A prerequisite is a passion for creative activity, specifically for multimedia communication via audiovisual works, or is interested in participating in organization of the festival. For more information about approval, detailed requirements or rules visit page https://is.muni.cz/auth/el/1433/jaro2018/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 45 student(s).
Current registration and enrolment status: enrolled: 0/45, only registered: 0/45, only registered with preference (fields directly associated with the programme): 0/45
fields of study / plans the course is directly associated with
there are 40 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work and present it at the Film Festival FI MU at the end of the semester. In the case of the festival organization, the students improve their communication, teamwork and generally the organization or compliance with deadlines.
Learning outcomes
Student will be able to:
- Film theme, literary and technical scenario,
- Produce a short-distance team in the team,
- Know the roles and communicate in groups representing the film crew.
Syllabus
  • Production and preparation of the film festival.
  • Filming and realization of their own shots.
  • Excursion to the TV studio.
  • Film Festival.
Literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Radim Urbášek: www.bitgoo.cz/zvuk-v-amaterskem-filmu.php
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Students are regularly presenting and discussing the current status of production of their multimedia projects at each lesson. Discussion, review and assigning tasks on the organization of the festival. Usage of agile, constructivistic methods of active learning.
Assessment methods
The final evaluation is done based on the successful realization of their own image, based on responsible and productive work on the preparation of the festival or in the colloquium option on a combination of both. For more information visit https://is.muni.cz/auth/el/1433/jaro2018/PV113/index.qwarp.
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of Audiovisual Artefacts

Faculty of Informatics
Spring 2017
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
MgA. Radovan Hakl (seminar tutor)
MgA. Josef Víšek (seminar tutor)
Mgr. Michal Románek (assistant)
Martin Štěrba (assistant)
Mgr. Radek Gomola (assistant)
Mgr. Jozef Bátrna (assistant)
Mgr. et Mgr. Elena Kubalíková (assistant)
RNDr. Daša Kušniráková (assistant)
Bc. Samuel Antol (assistant)
Bc. Tomáš Schmidl (assistant)
Mgr. Michaela Martišová (assistant)
Bc. Monika Mráziková (assistant)
Jan Křenek (assistant)
Bc. Juraj Ulbrich (assistant)
Mgr. Jakub Bohoš (assistant)
Kristýna Bartošová (seminar tutor)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Wed 18:00–19:50 D3, except Wed 17. 5.
  • Timetable of Seminar Groups:
PV113/01: Wed 16:00–17:50 D3, P. Sojka
Prerequisites
SOUHLAS
(APPROVAL)
Asking for approval is possible in these cases:

A) the student has his/her technical scenario that s/he created within course PV110 Basics of Film Narratives previous semester approved OR did not complete PV110 in the previous semester, but has his/her own technical scenario that s/he wants to have approved and then shoot it OR participate in the process of making,
B) the student wants to participate in organizing the festival,
C) the student wants to pass the course in the form of a colloquium, and therefore wants a combination of A) and B).

A prerequisite is a passion for creative activity, specifically for multimedia communication via audiovisual works, or is interested in participating in organization of the festival. For more information about approval, detailed requirements or rules visit page https://is.muni.cz/auth/el/1433/jaro2017/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 45 student(s).
Current registration and enrolment status: enrolled: 0/45, only registered: 0/45, only registered with preference (fields directly associated with the programme): 0/45
fields of study / plans the course is directly associated with
there are 40 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work and present it at the Film Festival FI MU at the end of the semester. In the case of the festival organization, the students improve their communication, teamwork and generally the organization or compliance with deadlines.
Syllabus
  • Production and preparation of the film festival.
  • Filming and realization of their own shots.
  • Excursion to the TV studio.
  • Film Festival.
Literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Radim Urbášek: www.bitgoo.cz/zvuk-v-amaterskem-filmu.php
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Students are regularly presenting and discussing the current status of production of their multimedia projects at each lesson. Discussion, review and assigning tasks on the organization of the festival. Usage of agile, constructivistic methods of active learning.
Assessment methods
The final evaluation is done based on the successful realization of their own image, based on responsible and productive work on the preparation of the festival or in the colloquium option on a combination of both. For more information visit https://is.muni.cz/auth/el/1433/jaro2017/PV113/index.qwarp.
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of Audiovisual Artefacts

Faculty of Informatics
Spring 2016
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
MgA. Radovan Hakl (seminar tutor)
MgA. Josef Víšek (seminar tutor)
Mgr. Michal Románek (assistant)
Martin Štěrba (assistant)
Mgr. Radek Gomola (assistant)
Mgr. Daniel Poľan (assistant)
Mgr. et Mgr. Elena Kubalíková (assistant)
Mgr. Antonín Holík (assistant)
Mgr. Jana Čecháčková (assistant)
Mgr. Jan Szlauer (assistant)
Bc. Tomáš Schmidl (assistant)
Bc. Kryštof Zvolánek (seminar tutor)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Wed 18:00–19:50 D3
  • Timetable of Seminar Groups:
PV113/01: Wed 17:00–17:50 C525, R. Král, P. Sojka
Prerequisites
SOUHLAS
(APPROVAL)
Asking for approval is possible in these cases:

A) the student has his/her technical scenario that s/he created within course PV110 Basics of Film Narratives previous semester approved OR did not complete PV110 in the previous semester, but has his/her own technical scenario that s/he wants to have approved and then shoot it OR participate in the process of making,
B) the student wants to participate in organizing the festival,
C) the student wants to pass the course in the form of a colloquium, and therefore wants a combination of A) and B).

A prerequisite is a passion for creative activity, specifically for multimedia communication via audiovisual works, or is interested in participating in organization of the festival. For more information about approval, detailed requirements or rules visit page https://is.muni.cz/auth/el/1433/jaro2016/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 40 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work and present it at the Film Festival FI MU at the end of the semester. In the case of the festival organization, the students improve their communication, teamwork and generally the organization or compliance with deadlines.
Syllabus
  • Production and preparation of the film festival.
  • Filming and realization of their own shots.
  • Excursion to the TV studio.
  • Film Festival.
Literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Radim Urbášek: www.bitgoo.cz/zvuk-v-amaterskem-filmu.php
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Students are regularly presenting and discussing the current status of production of their multimedia projects at each lesson. Discussion, review and assigning tasks on the organization of the festival.
Assessment methods
The final evaluation is done based on the successful realization of their own image, based on responsible and productive work on the preparation of the festival or in the colloquium option on a combination of both. For more information visit https://is.muni.cz/auth/el/1433/jaro2016/PV113/index.qwarp.
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of audiovisual artefacts

Faculty of Informatics
Spring 2015
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
MgA. Radovan Hakl (seminar tutor)
MgA. Josef Víšek (seminar tutor)
Bc. Kryštof Zvolánek (assistant)
Mgr. Jakub Špiřík (assistant)
Mgr. Radek Gomola (assistant)
Mgr. Daniel Poľan (assistant)
Mgr. et Mgr. Elena Kubalíková (assistant)
Mgr. Antonín Holík (assistant)
Mgr. Peter Strieška (assistant)
Jana Ludvikova (assistant), Bc. Jana Ludvíková (deputy)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Wed 17:00–17:50 D3, Wed 18:00–19:50 D3
Prerequisites
SOUHLAS
(APPROVAL)
Asking for approval is possible in these cases:

A) the student has his/her technical scenario that s/he created within course PV110 Basics of Film Narratives previous semester approved OR did not complete PV110 in the previous semester, but has his/her own technical scenario that s/he wants to have approved and then shoot it OR participate in the process of making,
B) the student wants to participate in organizing the festival,
C) the student wants to pass the course in the form of a colloquium, and therefore wants a combination of A) and B).

A prerequisite is a passion for creative activity, specifically for multimedia communication via audiovisual works, or is interested in participating in organization of the festival. For more information about approval, detailed requirements or rules visit page https://is.muni.cz/auth/el/1433/jaro2012/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 39 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work and present it at the Film Festival FI MU at the end of the semester. In the case of the festival organization, the students improve their communication, teamwork and generally the organization or compliance with deadlines.
Syllabus
  • Production and preparation of the film festival
  • Filming and realization of their own shots
  • Excursion to the TV studio
  • Film Festival
Literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Radim Urbášek: www.bitgoo.cz/zvuk-v-amaterskem-filmu.php
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Students are presenting and discussing the current status of their works at each lesson. Discussion, review and assigning tasks on the organization of the festival.
Assessment methods
The final evaluation is done based on the successful realization of their own image, based on responsible and productive work on the preparation of the festival or in the colloquium option on a combination of both. For more information visit https://is.muni.cz/auth/el/1433/jaro2012/PV113/index.qwarp.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of audiovisual artefacts

Faculty of Informatics
Spring 2014
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
MgA. Radovan Hakl (seminar tutor)
Bc. Nikola Linhartová (assistant)
Bc. Kryštof Zvolánek (assistant)
Bc. Tomáš Kotlant, DiS. (assistant)
Mgr. Radek Gomola (assistant)
Mgr. Daniel Poľan (assistant)
Mgr. Milan Doležal (assistant)
Bc. Antonín Hojný (assistant)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Wed 16:00–17:50 D3, Wed 18:00–19:50 D3
Prerequisites
SOUHLAS
(APPROVAL)
Asking for approval is possible in these cases:

A) the student has his/her technical scenario that s/he created within course PV110 Basics of Film Narratives previous semester approved OR did not complete PV110 in the previous semester, but has his/her own technical scenario that s/he wants to have approved and then shoot it OR participate in the process of making,
B) the student wants to participate in organizing the festival,
C) the student wants to pass the course in the form of a colloquium, and therefore wants a combination of A) and B).

A prerequisite is a passion for creative activity, specifically for multimedia communication via audiovisual works, or is interested in participating in organization of the festival. For more information about approval, detailed requirements or rules visit page https://is.muni.cz/auth/el/1433/jaro2012/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 39 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work and present it at the Film Festival FI MU at the end of the semester. In the case of the festival organization, the students improve their communication, teamwork and generally the organization or compliance with deadlines.
Syllabus
  • Production and preparation of the film festival
  • Filming and realization of their own shots
  • Excursion to the TV studio
  • Film Festival
Literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Radim Urbášek: www.bitgoo.cz/zvuk-v-amaterskem-filmu.php
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Students are presenting and discussing the current status of their works at each lesson. Discussion, review and assigning tasks on the organization of the festival.
Assessment methods
The final evaluation is done based on the successful realization of their own image, based on responsible and productive work on the preparation of the festival or in the colloquium option on a combination of both. For more information visit https://is.muni.cz/auth/el/1433/jaro2012/PV113/index.qwarp.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of audiovisual artefacts

Faculty of Informatics
Spring 2013
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
MgA. Radovan Hakl (seminar tutor)
Mgr. Miroslava Jarešová (assistant)
Tomáš Knězek (assistant)
Bc. Tomáš Kotlant, DiS. (assistant)
Mgr. Radek Gomola (assistant)
Tomáš Vymazal (assistant)
Ondřej Kotas (assistant)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Wed 16:00–17:50 B116, Wed 18:00–19:50 D3
Prerequisites
SOUHLAS
(APPROVAL)
Asking for approval is possible in these cases:

A) the student has his/her technical scenario that s/he created within course PV110 Basics of Film Narratives previous semester approved OR did not complete PV110 in the previous semester, but has his/her own technical scenario that s/he wants to have approved and then shoot it OR participate in the process of making,
B) the student wants to participate in organizing the festival,
C) the student wants to pass the course in the form of a colloquium, and therefore wants a combination of A) and B).

A prerequisite is a passion for creative activity, specifically for multimedia communication via audiovisual works, or is interested in participating in organization of the festival. For more information about approval, detailed requirements or rules visit page https://is.muni.cz/auth/el/1433/jaro2012/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 39 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work and present it at the Film Festival FI MU at the end of the semester. In the case of the festival organization, the students improve their communication, teamwork and generally the organization or compliance with deadlines.
Syllabus
  • Production and preparation of the film festival
  • Filming and realization of their own shots
  • Excursion to the TV studio
  • Film Festival
Literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Radim Urbášek: www.bitgoo.cz/zvuk-v-amaterskem-filmu.php
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Students are presenting and discussing the current status of their works at each lesson. Discussion, review and assigning tasks on the organization of the festival.
Assessment methods
The final evaluation is done based on the successful realization of their own image, based on responsible and productive work on the preparation of the festival or in the colloquium option on a combination of both. For more information visit https://is.muni.cz/auth/el/1433/jaro2012/PV113/index.qwarp.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of audiovisual artefacts

Faculty of Informatics
Spring 2012
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
MgA. Radovan Hakl (assistant)
Bc. Tomáš Adamec (assistant)
Mgr. Miroslava Jarešová (assistant)
Tomáš Knězek (assistant)
Mgr. Daniel Poľan (assistant)
Bc. Radim Urbášek (assistant)
Martin Znášik (assistant)
Guaranteed by
prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
Wed 17:00–17:50 A104, Wed 18:00–19:50 D3
Prerequisites
SOUHLAS
(APPROVAL)
Asking for approval is possible in these cases:

A) the student has his/her technical scenario that s/he created within course PV110 Basics of Film Narratives previous semester approved OR did not complete PV110 in the previous semester, but has his/her own technical scenario that s/he wants to have approved and then shoot it OR participate in the process of making,
B) the student wants to participate in organizing the festival,
C) the student wants to pass the course in the form of a colloquium, and therefore wants a combination of A) and B).

A prerequisite is a passion for creative activity, specifically for multimedia communication via audiovisual works, or is interested in participating in organization of the festival. For more information about approval, detailed requirements or rules visit page https://is.muni.cz/auth/el/1433/jaro2012/PV113/index.qwarp.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 39 fields of study the course is directly associated with, display
Course objectives
At the end of this course, students are able to: identify and work with the basic concepts and roles in the production process of multimedia work, work in teams to produce film and animation work and present it at the Film Festival FI MU at the end of the semester. In the case of the festival organization, the students improve their communication, teamwork and generally the organization or compliance with deadlines.
Syllabus
  • Production and preparation of the film festival
  • Filming and realization of their own shots
  • Excursion to the TV studio
  • Film Festival
Literature
  • David Borwell, Kristin Thompson: Film Art
  • Tony White: How to make Animated Films
  • David Borwell: Making Meaning
  • David Borwell: Planet Hong Kong
  • Radim Urbášek: www.bitgoo.cz/zvuk-v-amaterskem-filmu.php
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Students are presenting and discussing the current status of their works at each lesson. Discussion, review and assigning tasks on the organization of the festival.
Assessment methods
The final evaluation is done based on the successful realization of their own image, based on responsible and productive work on the preparation of the festival or in the colloquium option on a combination of both. For more information visit https://is.muni.cz/auth/el/1433/jaro2012/PV113/index.qwarp.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of audiovisual artefacts

Faculty of Informatics
Spring 2011
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
MgA. Radovan Hakl (seminar tutor)
Bc. Radim Urbášek (assistant)
Martin Znášik (assistant)
Guaranteed by
prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Timetable
Wed 17:00–17:50 A104, Wed 18:00–19:50 D3; and Thu 19. 5. 18:00–20:50 D2, 18:00–20:50 D3, 18:00–20:50 D1
Prerequisites
SOUHLAS
The main thing is strong motivation for multimedia communication and movies -- and ability to work in team on such projects. A prerequisite is having basic knowledge about rules of (visual) communication, for documents gained e.g. (but not necessarily) in PB029 Electronic Document Preparation, and deatiled script of movie project to be realized.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 38 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand notions and roles in the procduction of multimedia publishing product or short movie; prepare the project, project stages, budget for target audience respecting the project goals; understand digital movie grammar and specifics; produce (in a team) movie or animation production of given script and to present it on Faculty's movie festival in the middle of last week of semester.
Syllabus
  • Synopsis - literary script -- detailed technical screenplay -- story board for WEB presentation. Plot preparation -- movie time aspects -- having audience in mind -- conotations and documentaries.
  • Movie production.
  • Cutting; size of shots -- camera dynamics -- speech -- titles -- commentaries -- music -- analysis of examples.
  • Building of story for multimedia -- textual anotation -- picture anotation. Editing -- contrast of music and pictures -- rhythm and cutting on music -- on and off-line cutting -- composition development -- examples.
  • Movie examples -- discussion -- analysis. The best of Academia film Olomouc, ARS Elektronika Linz -- comparison of genres and movie analysis.
  • Animated movie -- combined techniques -- time-driven shooting -- visual communication in movie.
  • Building of production teams, delegation, communication, editing, postproduction, movie festival preparation.
Literature
  • Karel Reisz: Umění střihové skladby, skripta FAMU.
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Discussions on excerpts of movie production and output, looking for a consensus in discussions of production teams, team building and preparation of final movie festival.
Assessment methods
Grading is based mainly on the movie projects presented at the festival organized within the course at the last week of semester. In addition, every student will prepare presentation about some topics related to the movie production. For details, check http://www.fi.muni.cz/~sojka/PV113/ and http://www.fi.muni.cz/lemma/
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of audiovisual artefacts

Faculty of Informatics
Spring 2010
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
MgA. Radovan Hakl (seminar tutor)
Mgr. Petr Bernát (assistant)
Mgr. Martin Kacvinský (assistant)
Guaranteed by
prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Timetable
Wed 17:00–17:50 B011, Wed 18:00–19:50 D3
Prerequisites
SOUHLAS
The main thing is strong motivation for multimedia communication and movies -- and ability to work in team on such projects. A prerequisite is having basic knowledge about rules of (visual) communication, for documents gained e.g. (but not necessarily) in PB029 Electronic Document Preparation, and deatiled script of movie project to be realized.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 36 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand notions and roles in the procduction of multimedia publishing product or short movie; prepare the project, project stages, budget for target audience respecting the project goals; understand digital movie grammar and specifics; produce (in a team) movie or animation production of given script and to present it on Faculty's movie festival in the middle of last week of semester.
Syllabus
  • Synopsis - literary script -- detailed technical screenplay -- story board for WEB presentation. Plot preparation -- movie time aspects -- having audience in mind -- conotations and documentaries.
  • Movie production.
  • Cutting; size of shots -- camera dynamics -- speech -- titles -- commentaries -- music -- analysis of examples.
  • Building of story for multimedia -- textual anotation -- picture anotation. Editing -- contrast of music and pictures -- rhythm and cutting on music -- on and off-line cutting -- composition development -- examples.
  • Movie examples -- discussion -- analysis. The best of Academia film Olomouc, ARS Elektronika Linz -- comparison of genres and movie analysis.
  • Animated movie -- combined techniques -- time-driven shooting -- visual communication in movie.
  • Building of production teams, delegation, communication, editing, postproduction, movie festival preparation.
Literature
  • Karel Reisz: Umění střihové skladby, skripta FAMU.
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Teaching methods
Discussions on excerpts of movie production and output, looking for a consensus in discussions of production teams, team building and preparation of final movie festival.
Assessment methods
Grading is based mainly on the movie projects presented at the festival organized within the course at the last week of semester. In addition, every student will prepare presentation about some topics related to the movie production. For details, check http://www.fi.muni.cz/~sojka/PV113/ and http://www.fi.muni.cz/lemma/
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Production of audiovisual artefacts

Faculty of Informatics
Spring 2009
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
MgA. Radovan Hakl (seminar tutor)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
Guaranteed by
prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Timetable
Wed 17:00–17:50 A104, Wed 18:00–19:50 D3
Prerequisites
SOUHLAS
The main thing is strong motivation for multimedia communication and movies -- and ability to work in team on such projects. A prerequisite is having basic knowledge about rules of (visual) communication, for documents gained e.g. (but not necessarily) in PB029 Electronic Document Preparation, and deatiled script of movie project to be realized.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 25 student(s).
Current registration and enrolment status: enrolled: 0/25, only registered: 0/25, only registered with preference (fields directly associated with the programme): 0/25
fields of study / plans the course is directly associated with
there are 37 fields of study the course is directly associated with, display
Course objectives
The main notions and roles in the development of multimedia publishing product. Preparation of the project, project stages, budget, target audience, goals. Digital movie grammar and specifics. Team movie or animation production of given script and its presentation on Faculty's movie festival in May 2009.
Syllabus
  • Synopsis - literary script -- detailed technical screenplay -- story board for WEB presentation. Plot preparation -- movie time aspects -- having audience in mind -- conotations and documentaries.
  • Movie production.
  • Cutting; size of shots -- camera dynamics -- speech -- titles -- commentaries -- music -- analysis of examples.
  • Building of story for multimedia -- textual anotation -- picture anotation. Editing -- contrast of music and pictures -- rhythm and cutting on music -- on and off-line cutting -- composition development -- examples.
  • Movie examples -- discussion -- analysis. The best of Academia film Olomouc, ARS Elektronika Linz -- comparison of genres and movie analysis.
  • Animated movie -- combined techniques -- time-driven shooting -- visual communication in movie.
  • Building of production teams, delegation, communication, editing, postproduction, movie festival preparation.
Literature
  • Karel Reisz: Umění střihové skladby, skripta FAMU.
  • Seminární práce a filmové festivaly LEMMA 2000--2008 / Seminar papers and film festivals LEMMA 2000-2008
Assessment methods
Grading is based mainly on the movie projects presented at the festival organized within the course at the last week of semester. In addition, every student will prepare presentation about some topics related to the movie production. For details, check http://www.fi.muni.cz/~sojka/PV113/ and http://www.fi.muni.cz/lemma/
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Electronic Publishing Seminar II

Faculty of Informatics
Spring 2008
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
MgA. Radovan Hakl (lecturer)
Mgr. BcA. Robert Král, Ph.D. (lecturer)
Mgr. Martin Kacvinský (assistant)
Guaranteed by
prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Timetable
Tue 13:00–14:50 B311, Wed 18:00–19:50 D3
Prerequisites
SOUHLAS
The main thing is strong motivation for multimedia communication and movies -- and ability to work in team on such projects. A prerequisite is having basic knowledge about rules of (visual) communication, for documents gained e.g. (but not necessarily) in PB029 Electronic Document Preparation, and deatiled script of movie project to be realized.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 25 student(s).
Current registration and enrolment status: enrolled: 0/25, only registered: 0/25, only registered with preference (fields directly associated with the programme): 0/25
fields of study / plans the course is directly associated with
there are 37 fields of study the course is directly associated with, display
Course objectives
The main notions and roles in the development of multimedia publishing product. Preparation of the project, project stages, budget, target audience, goals. Digital movie grammar and specifics. Team movie or animation production of given script and its presentation on Faculty's movie festival in May 2008.
Syllabus
  • Synopsis - literary script -- detailed technical screenplay -- story board for WEB presentation. Plot preparation -- movie time aspects -- having audience in mind -- conotations and documentaries.
  • Movie production.
  • Cutting; size of shots -- camera dynamics -- speech -- titles -- commentaries -- music -- analysis of examples.
  • Building of story for multimedia -- textual anotation -- picture anotation. Editing -- contrast of music and pictures -- rhythm and cutting on music -- on and off-line cutting -- composition development -- examples.
  • Movie examples -- discussion -- analysis. The best of Academia film Olomouc, ARS Elektronika Linz -- comparison of genres and movie analysis.
  • Animated movie -- combined techniques -- time-driven shooting -- visual communication in movie.
  • Building of production teams, delegation, communication, editing, postproduction, movie festival preparation.
Literature
  • Karel Reisz: Umění střihové skladby, skripta FAMU.
  • Seminární práce LEMMA 2000--2005
Assessment methods (in Czech)
Závěrečné hodnocení je prováděno zejména na základě výsledných filmů realizovaných týmy v průběhu semestru a prezentovaných na filmovém festivalu FI MU v posledním týdnu semestru. Každý student dále individuálně vypracuje a prezentuje na cvičeních krátký referát o dílčí problematice předmětu. Více informací je k nalezení na stránce předmětu a laboratoře LEMMA http://www.fi.muni.cz/lemma/.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Electronic Publishing Seminar II

Faculty of Informatics
Spring 2007
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
Mgr. BcA. Robert Král, Ph.D. (seminar tutor)
MgA. Radovan Hakl (seminar tutor)
Guaranteed by
prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Timetable of Seminar Groups
PV113/01: Mon 14:00–14:50 A107, P. Sojka
PV113/02: Mon 15:00–15:50 A107, R. Hakl
PV113/03: Wed 19:00–19:50 D3, R. Král, P. Sojka
Prerequisites
SOUHLAS
The main thing is strong motivation for multimedia communication and movies -- and ability to work in team on such projects. A prerequisite is having basic knowledge about rules of (visual) communication, for documents gained e.g. (but not necessarily) in PB029 Electronic Document Preparation, and deatiled script of movie project to be realized.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 25 student(s).
Current registration and enrolment status: enrolled: 0/25, only registered: 0/25, only registered with preference (fields directly associated with the programme): 0/25
fields of study / plans the course is directly associated with
there are 17 fields of study the course is directly associated with, display
Course objectives
The main notions and roles in the development of multimedia publishing product. Preparation of the project, project stages, budget, target audience, goals. Digital movie grammar and specifics. Team movie or animation production of given script and its presentation on Faculty's movie festival in May 2006.
Syllabus
  • Synopsis - literary script -- detailed technical screenplay -- story board for WEB presentation. Plot preparation -- movie time aspects -- having audience in mind -- conotations and documentaries.
  • Movie production.
  • Formats and software for multimedia: from GIF animations to Macromedia Flash, MPEG 1, 2, 4, 7 norms. Adobe Premiere a AVID.
  • Cutting; size of shots -- camera dynamics -- speech -- titles -- commentaries -- music -- analysis of examples.
  • Building of story for multimedia -- textual anotation -- picture anotation. Editing -- contrast of music and pictures -- rhythm and cutting on music -- on and off-line cutting -- composition development -- examples.
  • Movie examples -- discussion -- analysis. The best of Academia film Olomouc, ARS Elektronika Linz -- comparison of genres and movie analysis.
  • Animated movie -- combined techniques -- time-driven shooting -- visual communication in movie.
  • Building of production teams, delegation, communication, editing, postproduction, movie festival preparation.
Literature
  • Karel Reisz: Umění střihové skladby, skripta FAMU.
  • Seminární práce LEMMA 2000--2005
Assessment methods (in Czech)
Závěrečné hodnocení je prováděno zejména na základě výsledných filmů realizovaných týmy v průběhu semestru a prezentovaných na filmovém festivalu FI MU v posledním týdnu semestru. Každý student dále individuálně vypracuje a prezentuje na cvičeních krátký referát o dílčí problematice předmětu. Více informací je k nalezení na stránce předmětu a laboratoře LEMMA http://www.fi.muni.cz/lemma/.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2006, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Electronic Publishing Seminar II

Faculty of Informatics
Spring 2006
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
MgA. Radovan Hakl (lecturer)
David Kovalský (assistant)
Ing. Pavel Šiler (assistant)
Guaranteed by
prof. Ing. Jiří Sochor, CSc.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Timetable
Mon 16:00–16:50 A104, Thu 12:00–13:50 B204 and each odd Monday 17:00–18:50 A104
Prerequisites
SOUHLAS
The main thing is strong motivation for multimedia communication and movies -- and ability to work in team on such projects. A prerequisite is having basic knowledge about rules of (visual) communication, for documents gained e.g. in PB029 Electronic Document Preparation, and deatiled script of movie project to be realized.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 25 student(s).
Current registration and enrolment status: enrolled: 0/25, only registered: 0/25, only registered with preference (fields directly associated with the programme): 0/25
fields of study / plans the course is directly associated with
there are 17 fields of study the course is directly associated with, display
Course objectives
The main notions and roles in the development of multimedia publishing product. Preparation of the project, project stages, budget, target audience, goals. Digital movie grammar and specifics. Team movie or animation production of given script and its presentation on Faculty's movie festival in May 2006.
Syllabus
  • Synopsis - literary script -- detailed technical screenplay -- story board for WEB presentation. Plot preparation -- movie time aspects -- having audience in mind -- conotations and documentaries.
  • Movie production.
  • Formats and software for multimedia: from GIF animations to Macromedia Flash, MPEG 1, 2, 4, 7 norms. Adobe Premiere a AVID.
  • Cutting; size of shots -- camera dynamics -- speech -- titles -- commentaries -- music -- analysis of examples.
  • Building of story for multimedia -- textual anotation -- picture anotation. Editing -- contrast of music and pictures -- rhythm and cutting on music -- on and off-line cutting -- composition development -- examples.
  • Movie examples -- discussion -- analysis. The best of Academia film Olomouc, ARS Elektronika Linz -- comparison of genres and movie analysis.
  • Animated movie -- combined techniques -- time-driven shooting -- visual communication in movie.
  • Building of production teams, delegation, communication, editing, postproduction, movie festival preparation.
Literature
  • Karel Reisz: Umění střihové skladby, skripta FAMU.
  • Seminární práce LEMMA 2000--2005
Assessment methods (in Czech)
Závěrečné hodnocení je prováděno zejména na základě výsledných filmů realizovaných týmy v průběhu semestru a prezentovaných na filmovém festivalu FI MU v posledním týdnu semestru. Každý student dále individuálně vypracuje a prezentuje na cvičeních krátký referát o dílčí problematice předmětu. Více informací je k nalezení na stránce předmětu a laboratoře LEMMA http://www.fi.muni.cz/lemma/.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2005, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Electronic Publishing Seminar II

Faculty of Informatics
Spring 2005
Extent and Intensity
2/0/3. 5 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer)
MgA. Radovan Hakl (lecturer)
Guaranteed by
doc. Ing. Jan Staudek, CSc.
Department of Computer Systems and Communications – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Timetable
Thu 12:00–13:50 B204
Prerequisites
SOUHLAS
The main thing is strong motivation for multimedia communication and movies -- and ability to work in team on such projects. A prerequisite is having basic knowledge about rules of (visual) communication, for documents gained e.g. in PB029 Electronic Document Preparation, and deatiled script of movie project to be realized.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 25 student(s).
Current registration and enrolment status: enrolled: 0/25, only registered: 0/25, only registered with preference (fields directly associated with the programme): 0/25
fields of study / plans the course is directly associated with
there are 17 fields of study the course is directly associated with, display
Course objectives
The main notions and roles in the development of multimedia publishing product. Preparation of the project, project stages, budget, target audience, goals. Digital movie grammar and specifics. Team movie or animation production of given script and its presentation on Faculty's movie festival in May 2005.
Syllabus
  • Synopsis - literary script -- detailed technical screenplay -- story board for WEB presentation. Plot preparation -- movie time aspects -- having audience in mind -- conotations and documentaries.
  • Movie production.
  • Formats and software for multimedia: from GIF animations to Macromedia Flash, MPEG 1, 2, 4, 7 norms. Adobe Premiere a AVID.
  • Cutting; size of shots -- camera dynamics -- speech -- titles -- commentaries -- music -- analysis of examples.
  • Building of story for multimedia -- textual anotation -- picture anotation. Editing -- contrast of music and pictures -- rhythm and cutting on music -- on and off-line cutting -- composition development -- examples.
  • Movie examples -- discussion -- analysis. The best of Academia film Olomouc, ARS Elektronika Linz -- comparison of genres and movie analysis.
  • Animated movie -- combined techniques -- time-driven shooting -- visual communication in movie.
  • Building of production teams, delegation, communication, editing, postproduction, movie festival preparation.
Literature
  • Karel Reisz: Umění střihové skladby, skripta FAMU.
  • Seminární práce LEMMA 2000--2004.
Assessment methods (in Czech)
Závěrečné hodnocení je prováděno zejména na základě výsledných filmů realizovaných týmy v průběhu semestru a prezentovaných na filmovém festivalu FI MU v posledním týdnu semestru. Každý student dále individuálně vypracuje a prezentuje na cvičeních krátký referát o dílčí problematice předmětu. Více informací je k nalezení na stránce předmětu a laboratoře LEMMA http://www.fi.muni.cz/lemma/.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2004, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Engineering of Electronic Publishing

Faculty of Informatics
Spring 2004
Extent and Intensity
2/3. 4 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
doc. RNDr. Petr Sojka, Ph.D. (lecturer), Mgr. Martin Povolný (deputy)
MgA. Radovan Hakl (seminar tutor)
Mgr. Martin Povolný (seminar tutor)
Guaranteed by
doc. Ing. Jan Staudek, CSc.
Department of Computer Systems and Communications – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Timetable
Thu 8:00–11:50 A107, Thu 14:00–19:50 A107, Thu 18:00–19:50 B311
Prerequisites (in Czech)
SOUHLAS
Základním předpokladem je zapálení pro publikační projekt s pracovním názvem "DVD Všech deset pohromadě" (srovnej CD Všech pět pohromadě vzniklé v roce 1999 k pátemu výročí fakulty). Je vhodné dále mít předpoklady pro týmovou práci a základní povědomí o pravidlech mediálni komunikace, pro dokumenty a jejich přípravu získané například v předmětu PB029 Electronic Document Preparation.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 13 student(s).
Current registration and enrolment status: enrolled: 0/13, only registered: 0/13, only registered with preference (fields directly associated with the programme): 0/13
fields of study / plans the course is directly associated with
there are 8 fields of study the course is directly associated with, display
Course objectives (in Czech)
Návrh a technická realizace rozsáhlého dokumentačního projektu směřujícího k multimediálnímu archívu a prezentaci FI MU na DVD. Bude rozšířen ediční systém vyvinutý pro CD Všech pět pohromadě s využitím technologií příbuzných XML, bude zpracován krátký film o FI MU pomoci nejnovějších digitálních (multimediálních) technologií a formátů, a prezentace výsledku na vlastními silami organizovaném křtu DVD.
Předpokládá se týmová práce směřující k výše uvedenému cíli, což představuje široké spektrum činností od akvizice dat, jejich zpracování do publikovatelné podoby (text, grafika, zvuk, video). Realizace krátkého filmu soudobými plně digitálními multimediálními technikami.
Syllabus (in Czech)
  • Základní pojmy a role v publikačním procesu multimediálního díla. Příprava publikačního záměru, rozpočtu a obhajoba projektového záměru.
  • Metody: divide et impera, kritické cesty.
  • Softwarové nástroje pro automatizaci procesů elektronického publikování.
  • Text: značkování a technologie zpracování textu založené na XML.
  • Grafika: základní formáty a způsoby zpracování.
  • Zvuk: formáty a způsob zpracování.
  • Video: základy dokumentárního filmu. Velikosti záběrů -- pohyb kamery -- mluvené slovo -- vkládání titulků -- komentáře -- hudby -- ukázky a praktické testy.
  • DVD a jeho příprava.
  • Základy autorského zákona.
  • Základy PR: sponzoring, obal, reklama DVD.
  • Příprava prezentace a vyhodnocení projektu.
Literature
  • WITTEN, Ian H., Alistair MOFFAT and Timothy C. BELL. Managing gigabytes :compressing and indexing documents and images. 2nd ed. San Francisco: Morgan Kaufmann Publishers, 1999, xxxi, 519. ISBN 1-55860-570-3. info
  • Karel Reisz: Umění střihové skladby, skripta FAMU.
Assessment methods (in Czech)
Branstormingy, týmové řešení termínovaných podúkolů. KOlokvium za všasné předání-obhájení přidělených agend.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught once in two years.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2003, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.

PV113 Engineering of Electronic Publishing

Faculty of Informatics
Spring 2003
Extent and Intensity
2/3. 4 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
MgA. Radovan Hakl (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
doc. RNDr. Petr Sojka, Ph.D. (seminar tutor)
Guaranteed by
doc. Ing. Jan Staudek, CSc.
Department of Computer Systems and Communications – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Timetable
Tue 12:00–13:50 B007, Tue 15:00–17:50 B311
Prerequisites (in Czech)
SOUHLAS
Výběr studentů pro zápis předmětu proběhne v prvním týdnu semestru formou vyhodnocení ukázek a) dialogu b) popisu situace c) dramatické zápletky Tyto ukázky mohou sloužit jako základ vlastního filmového projektu realizovanho v rámci předěmtu 1-3člennými týmy studentů. Předpokladem zápisu je tedy vypracování těchto tři ukázek v rozsahu cca jedné normostrany pro každou ukázku (vzory ukázek jsou vypracovány na http://www.fi.muni.cz/~sojka/PV113/ukazky.html) a jejich prezentace první týden výuky. Je vhodné dále mít základní povědomí o pravidlech mediálni komunikace, pro dokumenty a jejich přípravu získané například v předmětu P029 Electronic Document Preparation nebo P123 Elements of visual communication.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 13 student(s).
Current registration and enrolment status: enrolled: 0/13, only registered: 0/13, only registered with preference (fields directly associated with the programme): 0/13
fields of study / plans the course is directly associated with
there are 8 fields of study the course is directly associated with, display
Course objectives (in Czech)
Návrh a technická realizace krátkých filmů pomoci nejnovějších digitálních (multimediálních) technologií a formátů, a prezentace výsledků na vlastními silami organizovaném filmovém festivalu.
Předpokládá se samostatná tvůrčí práce směřující k vytvoření vlastnich krátkých filmů týmovou spoluprací. Realizace krátkého filmu soudobými plně digitálními multimediálními technikami, a jejich prezentace na třetím filmovém festivalu FI MU s výhledem nominace nejlepších děl na mezinárodní festival dokumentární a multimediální tvorby ACADEMIA FILM Olomouc 2004 (www.afo.cz).
Syllabus (in Czech)
  • Co obsahuje digitální film? Velikosti záběrů -- pohyb kamery -- mluvené slovo -- vkládání titulků -- komentáře -- hudby -- ukázky a praktické testy.
  • Formáty pro multimedia: od animace GIF, Macromedia Flash po normy MPEG 1, 2, 4, 7. Adobe Premiere.
  • Stavba zápletky --způsob vnímání -- identifikace příjemce -- virtuální konotace a film ve stylu cinema verité. Ukázky a rozbor.
  • Synopsis - literární scénář -- technický scénář -- story board pro prezentaci na WEBu. Ukázka filmu -- diskuse -- rozbor.
  • Animovaný film -- psaní animovaných sekvencí -- trikové záběry dříve -- natáčení po okénku -- animace přes počítač -- výtvarné řešení pro animaci.
  • Stavba příběhu pro multimedia -- anotace textová -- obrazová -- spojení v jednotlivé kapitoly. Editace -- kontrapunkt hudba obraz.
  • Gramatika sledu záběrů -- představení střihu on line a off line, střihová skladba němého filmu -- ukázky.
  • Ukázky z festivalů Akademia film Olomouc, ARS Elektronika. -- srovnání žánrů a rozbor filmů.
  • Týmová práce při sestavení tvůrčí skupiny, dělba úkolů a pravomocí, komunikace, produkce, editace, postprodukce, příprava filmového festivalu a vyhodnocení projektu.
Literature
  • Karel Reisz: Umění střihové skladby, skripta FAMU.
Assessment methods (in Czech)
Závěrečné hodnocení je prováděno zejména na základě výsledných filmů realizovaných týmy v průběhu semestru a prezentovaných na filmovém festivalu FI MU v posledním týdnu semestru. Každý student dále vindividuálně vypracuje a prezentuje na cvičeních krátký referát o dílčí problematice předmětu. Více informací je k nalezení na stránce předmětu a laboratoře LEMMA http://www.fi.muni.cz/lemma.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught once in two years.
Teacher's information
http://www.fi.muni.cz/~sojka/PV113/
The course is also listed under the following terms Spring 2004, Spring 2005, Spring 2006, Spring 2007, Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2017, Spring 2018, Spring 2019, Spring 2020, Spring 2021, Spring 2022, Spring 2023, Spring 2024, Spring 2025.
  • Enrolment Statistics (recent)