PV114 Production of audiovisual artefacts

Faculty of Informatics
Autumn 2016
Extent and Intensity
0/0/6. 2 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
each even Wednesday 20:00–21:50 D3
Prerequisites
SOUHLAS
Basic knowledge of film production or computer art - PV110 Basics of Film Narratives, PV113 Production of Audiovisual Artefacts or any provided by Graphic design and multimedia studio. Teacher agreement in advance is a must.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 37 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand making composite work; apply softskills knowledge; be responsible for his/her work; understand roles of another film crew members.
Syllabus
  • Collaborative production.
  • Idea and creative intention of movie
  • Responsibility of film crew members
  • Production - casting, shooting
  • Postproduction - cut, special effects, tricks
Literature
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
  • Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
  • MOTAL, Jan. Nové trendy v médiích II. Rozhlas a televize (New Trends in Media II. Radio and Television). 1. vyd. Brno: Masarykova univerzita, 2012, 223 pp. ISBN 978-80-210-5826-2. info
  • BORDWELL, David and Kristin THOMPSON. Film art : an introduction. 3rd ed. New York: McGraw-Hill, 1990, xvi, 425. ISBN 0070064393. info
Teaching methods
Film crew meetings, group project - shooting, individual work.
Assessment methods
presentation of individual work, continuous evaluation of work in team
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
The course is taught annually.
The course is also listed under the following terms Autumn 2013, Autumn 2014, Autumn 2015.

PV114 Production of audiovisual artefacts

Faculty of Informatics
Autumn 2015
Extent and Intensity
0/0/6. 2 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
each odd Monday 20:00–20:50 D3
Prerequisites
SOUHLAS
Basic knowledge of film production or computer art - PV110 Basics of Film Narratives, PV113 Production of Audiovisual Artefacts or any provided by Graphic design and multimedia studio. Teacher agreement in advance is a must.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 37 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand making composite work; apply softskills knowledge; be responsible for his/her work; understand roles of another film crew members.
Syllabus
  • Collaborative production.
  • Idea and creative intention of movie
  • Responsibility of film crew members
  • Production - casting, shooting
  • Postproduction - cut, special effects, tricks
Literature
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
  • Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
  • MOTAL, Jan. Nové trendy v médiích II. Rozhlas a televize (New Trends in Media II. Radio and Television). 1. vyd. Brno: Masarykova univerzita, 2012, 223 pp. ISBN 978-80-210-5826-2. info
  • BORDWELL, David and Kristin THOMPSON. Film art : an introduction. 3rd ed. New York: McGraw-Hill, 1990, xvi, 425. ISBN 0070064393. info
Teaching methods
Film crew meetings, group project - shooting, individual work.
Assessment methods
presentation of individual work, continuous evaluation of work in team
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Autumn 2013, Autumn 2014, Autumn 2016.

PV114 Production of audiovisual artefacts

Faculty of Informatics
Autumn 2014
Extent and Intensity
0/0/6. 2 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
each even Wednesday 20:00–20:50 D3
Prerequisites
SOUHLAS
Basic knowledge of film production or computer art - PV110 Basics of Film Narratives, PV113 Production of Audiovisual Artefacts or any provided by Graphic design and multimedia studio. Teacher agreement in advance is a must.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 36 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand making composite work; apply softskills knowledge; be responsible for his/her work; understand roles of another film crew members.
Syllabus
  • Collaborative production.
  • Idea and creative intention of movie
  • Responsibility of film crew members
  • Production - casting, shooting
  • Postproduction - cut, special effects, tricks
Literature
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
  • Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
  • MOTAL, Jan. Nové trendy v médiích II. Rozhlas a televize (New Trends in Media II. Radio and Television). 1. vyd. Brno: Masarykova univerzita, 2012, 223 pp. ISBN 978-80-210-5826-2. info
  • BORDWELL, David and Kristin THOMPSON. Film art : an introduction. 3rd ed. New York: McGraw-Hill, 1990, xvi, 425. ISBN 0070064393. info
Teaching methods
Film crew meetings, group project - shooting, individual work.
Assessment methods
presentation of individual work, continuous evaluation of work in team
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Autumn 2013, Autumn 2015, Autumn 2016.

PV114 Production of audiovisual artefacts

Faculty of Informatics
Autumn 2013
Extent and Intensity
0/0/6. 2 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
each even Wednesday 20:00–20:50 D3
Prerequisites
SOUHLAS
Basic knowledge of film production or computer art - PV110 Basics of Film Narratives, PV113 Production of Audiovisual Artefacts or any provided by Graphic design and multimedia studio. Teacher agreement in advance is a must.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 36 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand making composite work; apply softskills knowledge; be responsible for his/her work; understand roles of another film crew members.
Syllabus
  • Collaborative production.
  • Idea and creative intention of movie
  • Responsibility of film crew members
  • Production - casting, shooting
  • Postproduction - cut, special effects, tricks
Literature
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
  • Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
  • MOTAL, Jan. Nové trendy v médiích II. Rozhlas a televize (New Trends in Media II. Radio and Television). 1. vyd. Brno: Masarykova univerzita, 2012, 223 pp. ISBN 978-80-210-5826-2. info
  • BORDWELL, David and Kristin THOMPSON. Film art : an introduction. 3rd ed. New York: McGraw-Hill, 1990, xvi, 425. ISBN 0070064393. info
Teaching methods
Film crew meetings, group project - shooting, individual work.
Assessment methods
presentation of individual work, continuous evaluation of work in team
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is also listed under the following terms Autumn 2014, Autumn 2015, Autumn 2016.

PV114 Production of audiovisual artefacts

Faculty of Informatics
Autumn 2023

The course is not taught in Autumn 2023

Extent and Intensity
0/0/6. 2 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Guaranteed by
doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Prerequisites
SOUHLAS
Basic knowledge of film production or computer art - PV110 Basics of Film Narratives, PV113 Production of Audiovisual Artefacts or any provided by Graphic design and multimedia studio. Teacher agreement in advance is a must.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 74 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand making composite work; apply softskills knowledge; be responsible for his/her work; understand roles of another film crew members.
Syllabus
  • Collaborative production.
  • Idea and creative intention of movie
  • Responsibility of film crew members
  • Production - casting, shooting
  • Postproduction - cut, special effects, tricks
Literature
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
  • Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
  • MOTAL, Jan. Nové trendy v médiích II. Rozhlas a televize (New Trends in Media II. Radio and Television). 1. vyd. Brno: Masarykova univerzita, 2012, 223 pp. ISBN 978-80-210-5826-2. info
  • BORDWELL, David and Kristin THOMPSON. Film art : an introduction. 3rd ed. New York: McGraw-Hill, 1990, xvi, 425. ISBN 0070064393. info
Teaching methods
Film crew meetings, group project - shooting, individual work.
Assessment methods
presentation of individual work, continuous evaluation of work in team
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
The course is taught annually.
The course is taught: every week.
The course is also listed under the following terms Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016.

PV114 Production of audiovisual artefacts

Faculty of Informatics
Autumn 2022

The course is not taught in Autumn 2022

Extent and Intensity
0/0/6. 2 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Guaranteed by
doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Prerequisites
SOUHLAS
Basic knowledge of film production or computer art - PV110 Basics of Film Narratives, PV113 Production of Audiovisual Artefacts or any provided by Graphic design and multimedia studio. Teacher agreement in advance is a must.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 74 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand making composite work; apply softskills knowledge; be responsible for his/her work; understand roles of another film crew members.
Syllabus
  • Collaborative production.
  • Idea and creative intention of movie
  • Responsibility of film crew members
  • Production - casting, shooting
  • Postproduction - cut, special effects, tricks
Literature
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
  • Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
  • MOTAL, Jan. Nové trendy v médiích II. Rozhlas a televize (New Trends in Media II. Radio and Television). 1. vyd. Brno: Masarykova univerzita, 2012, 223 pp. ISBN 978-80-210-5826-2. info
  • BORDWELL, David and Kristin THOMPSON. Film art : an introduction. 3rd ed. New York: McGraw-Hill, 1990, xvi, 425. ISBN 0070064393. info
Teaching methods
Film crew meetings, group project - shooting, individual work.
Assessment methods
presentation of individual work, continuous evaluation of work in team
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
The course is taught annually.
The course is taught: every week.
The course is also listed under the following terms Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016.

PV114 Production of audiovisual artefacts

Faculty of Informatics
Autumn 2021

The course is not taught in Autumn 2021

Extent and Intensity
0/0/6. 2 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Guaranteed by
doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Prerequisites
SOUHLAS
Basic knowledge of film production or computer art - PV110 Basics of Film Narratives, PV113 Production of Audiovisual Artefacts or any provided by Graphic design and multimedia studio. Teacher agreement in advance is a must.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 74 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand making composite work; apply softskills knowledge; be responsible for his/her work; understand roles of another film crew members.
Syllabus
  • Collaborative production.
  • Idea and creative intention of movie
  • Responsibility of film crew members
  • Production - casting, shooting
  • Postproduction - cut, special effects, tricks
Literature
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
  • Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
  • MOTAL, Jan. Nové trendy v médiích II. Rozhlas a televize (New Trends in Media II. Radio and Television). 1. vyd. Brno: Masarykova univerzita, 2012, 223 pp. ISBN 978-80-210-5826-2. info
  • BORDWELL, David and Kristin THOMPSON. Film art : an introduction. 3rd ed. New York: McGraw-Hill, 1990, xvi, 425. ISBN 0070064393. info
Teaching methods
Film crew meetings, group project - shooting, individual work.
Assessment methods
presentation of individual work, continuous evaluation of work in team
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
The course is taught annually.
The course is taught: every week.
The course is also listed under the following terms Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016.

PV114 Production of audiovisual artefacts

Faculty of Informatics
Autumn 2020

The course is not taught in Autumn 2020

Extent and Intensity
0/0/6. 2 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Guaranteed by
doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Prerequisites
SOUHLAS
Basic knowledge of film production or computer art - PV110 Basics of Film Narratives, PV113 Production of Audiovisual Artefacts or any provided by Graphic design and multimedia studio. Teacher agreement in advance is a must.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 74 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand making composite work; apply softskills knowledge; be responsible for his/her work; understand roles of another film crew members.
Syllabus
  • Collaborative production.
  • Idea and creative intention of movie
  • Responsibility of film crew members
  • Production - casting, shooting
  • Postproduction - cut, special effects, tricks
Literature
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
  • Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
  • MOTAL, Jan. Nové trendy v médiích II. Rozhlas a televize (New Trends in Media II. Radio and Television). 1. vyd. Brno: Masarykova univerzita, 2012, 223 pp. ISBN 978-80-210-5826-2. info
  • BORDWELL, David and Kristin THOMPSON. Film art : an introduction. 3rd ed. New York: McGraw-Hill, 1990, xvi, 425. ISBN 0070064393. info
Teaching methods
Film crew meetings, group project - shooting, individual work.
Assessment methods
presentation of individual work, continuous evaluation of work in team
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
The course is taught annually.
The course is taught: every week.
The course is also listed under the following terms Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016.

PV114 Production of audiovisual artefacts

Faculty of Informatics
Autumn 2019

The course is not taught in Autumn 2019

Extent and Intensity
0/0/6. 2 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Guaranteed by
doc. RNDr. Petr Sojka, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Prerequisites
SOUHLAS
Basic knowledge of film production or computer art - PV110 Basics of Film Narratives, PV113 Production of Audiovisual Artefacts or any provided by Graphic design and multimedia studio. Teacher agreement in advance is a must.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 74 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand making composite work; apply softskills knowledge; be responsible for his/her work; understand roles of another film crew members.
Syllabus
  • Collaborative production.
  • Idea and creative intention of movie
  • Responsibility of film crew members
  • Production - casting, shooting
  • Postproduction - cut, special effects, tricks
Literature
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
  • Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
  • MOTAL, Jan. Nové trendy v médiích II. Rozhlas a televize (New Trends in Media II. Radio and Television). 1. vyd. Brno: Masarykova univerzita, 2012, 223 pp. ISBN 978-80-210-5826-2. info
  • BORDWELL, David and Kristin THOMPSON. Film art : an introduction. 3rd ed. New York: McGraw-Hill, 1990, xvi, 425. ISBN 0070064393. info
Teaching methods
Film crew meetings, group project - shooting, individual work.
Assessment methods
presentation of individual work, continuous evaluation of work in team
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
The course is taught annually.
The course is taught: every week.
The course is also listed under the following terms Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016.

PV114 Production of audiovisual artefacts

Faculty of Informatics
Autumn 2018

The course is not taught in Autumn 2018

Extent and Intensity
0/0/6. 2 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Prerequisites
SOUHLAS
Basic knowledge of film production or computer art - PV110 Basics of Film Narratives, PV113 Production of Audiovisual Artefacts or any provided by Graphic design and multimedia studio. Teacher agreement in advance is a must.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 37 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand making composite work; apply softskills knowledge; be responsible for his/her work; understand roles of another film crew members.
Syllabus
  • Collaborative production.
  • Idea and creative intention of movie
  • Responsibility of film crew members
  • Production - casting, shooting
  • Postproduction - cut, special effects, tricks
Literature
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
  • Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
  • MOTAL, Jan. Nové trendy v médiích II. Rozhlas a televize (New Trends in Media II. Radio and Television). 1. vyd. Brno: Masarykova univerzita, 2012, 223 pp. ISBN 978-80-210-5826-2. info
  • BORDWELL, David and Kristin THOMPSON. Film art : an introduction. 3rd ed. New York: McGraw-Hill, 1990, xvi, 425. ISBN 0070064393. info
Teaching methods
Film crew meetings, group project - shooting, individual work.
Assessment methods
presentation of individual work, continuous evaluation of work in team
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
The course is taught annually.
The course is taught: every week.
The course is also listed under the following terms Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016.

PV114 Production of audiovisual artefacts

Faculty of Informatics
Autumn 2017

The course is not taught in Autumn 2017

Extent and Intensity
0/0/6. 2 credit(s) (plus extra credits for completion). Recommended Type of Completion: k (colloquium). Other types of completion: z (credit).
Teacher(s)
Mgr. BcA. Robert Král, Ph.D. (lecturer), doc. RNDr. Petr Sojka, Ph.D. (deputy)
Guaranteed by
doc. RNDr. Petr Matula, Ph.D.
Department of Visual Computing – Faculty of Informatics
Contact Person: doc. RNDr. Petr Sojka, Ph.D.
Supplier department: Department of Visual Computing – Faculty of Informatics
Timetable
each even Wednesday 20:00–21:50 D3
Prerequisites
SOUHLAS
Basic knowledge of film production or computer art - PV110 Basics of Film Narratives, PV113 Production of Audiovisual Artefacts or any provided by Graphic design and multimedia studio. Teacher agreement in advance is a must.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 40 student(s).
Current registration and enrolment status: enrolled: 0/40, only registered: 0/40, only registered with preference (fields directly associated with the programme): 0/40
fields of study / plans the course is directly associated with
there are 37 fields of study the course is directly associated with, display
Course objectives
At the end of the course students should be able to: understand making composite work; apply softskills knowledge; be responsible for his/her work; understand roles of another film crew members.
Syllabus
  • Collaborative production.
  • Idea and creative intention of movie
  • Responsibility of film crew members
  • Production - casting, shooting
  • Postproduction - cut, special effects, tricks
Literature
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
  • Petr Sojka, Radovan Hakl a kol.: Základy multimediální produkce. Učební text (draft v ISu).
  • MOTAL, Jan. Nové trendy v médiích II. Rozhlas a televize (New Trends in Media II. Radio and Television). 1. vyd. Brno: Masarykova univerzita, 2012, 223 pp. ISBN 978-80-210-5826-2. info
  • BORDWELL, David and Kristin THOMPSON. Film art : an introduction. 3rd ed. New York: McGraw-Hill, 1990, xvi, 425. ISBN 0070064393. info
Teaching methods
Film crew meetings, group project - shooting, individual work.
Assessment methods
presentation of individual work, continuous evaluation of work in team
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
The course is taught annually.
The course is also listed under the following terms Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016.
  • Enrolment Statistics (recent)