AJ28056 Rozmanitost kanadské zkušenosti: kanadský film od 70. let do současnosti

Filozofická fakulta
podzim 2008
Rozsah
0/2/0. 2 kr. (plus 3 za zk). Doporučované ukončení: zk. Jiná možná ukončení: z.
Vyučující
doc. PhDr. Tomáš Pospíšil, Ph.D. (přednášející)
Garance
Jeffrey Alan Vanderziel, B.A.
Katedra anglistiky a amerikanistiky – Filozofická fakulta
Kontaktní osoba: Tomáš Hanzálek
Rozvrh
Út 15:00–16:35 G31
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Kurs nabízí přehled kanadského hraného filmu od 70. let dvacátého století do současnosti. V seminářích analyzujeme díla žijících klasiků kanadského filmu (Cronenberg, Egoyan, Arcand) a také díla řady dalších filmařů z řad kanadských minorit.
Osnova
  • Week 1: Introduction: Canada and Canadian Cinema Dorland, Michael. So Close to the State/s, The Emergence of Canadian Feature Film Policy. University of Toronto Press, Toronto, Buffalo, London.1998. (3 - 35) Gittings, Christopher E.: Canadian National Cinema. Routledge, London 2002. (76 - 102) Monk, Katherine: Weird Sex & Snowshoes and Other Canadian Film Phenomena. Raincoast Books, Vancouver, B.C. 2001. (3 23)
  • Week 2: Don Shebib: Goin Down the Road (1970) Gittings, Christopher E.: Canadian National Cinema. Routledge, London 2002. (158-163) Ramsay, Christine: Canadian Narrative Cinema from the Margins: The Nation and Goin Down the Road. In: Walz, Gene. Cross/Cultures 56, Canadas Best Features; Critical Essays on 15 Canadian Films. Rodopi, Amsterdam New York, NY 2002. (3 26)
  • Week 3: Atom Egoyan: Family Viewing (1987) Tschofen, Monique. Repetition, Compulsion and Representation in Atom Egoyans Films. in: Beard, White: North of Everything, English Canadian Cinema Since 1980. Edmonton: University of Alberta Press, 2002.(166-183)
  • Week 4: Denys Arcand: Decline of the American Empire (1986) Perusse, Denise: Gender Relations in the Decline of the American Empire. In: McIlroy, Brian; Loiselle, André Auteur/Provocateur: The Films of Denys Arcand Praeger, Westpoint, Connecticut, 1995 (69-89). Testa, Bart: The Decline of Frivolity and Denys Arcands American Empire. In: Walz, Gene. Cross/Cultures 56, Canadas Best Features; Critical Essays on 15 Canadian Films. Rodopi, Amsterdam New York, NY 2002 (175 208)
  • Week 5: David Cronenberg: Videodrome (1983) Beard, David. Thirty-Two Paragraphs about David Cronenberg, in: Beard, White: North of Everything (144-159) Rotschild, Wayne. The Cronenberg Effect. Beard, White: North of Everything (160-165). Beard, William. The Artist as Monster: The Cinema of David Cronenberg. University of Toronto Press, Toronto, Buffalo, London. 2001. Grant, Michael, ed. The Modern Fantastic: The Films of David Cronenberg. Praeger, Westport, Connecticut. 2000.
  • Week 6: Patricia Rozema: I Have Heard the Mermaids Singing (1987) Parpart, Lee: Political Alignments and the Lure of More Existential Questions in the Films of Patricia Rozema. In: Beard, White. North of Everything, (294-311). Cagle, Robert L.: A Minority on Someone Elses Continent: Identity, Difference, and the Media in the Films of Patricia Rozema. In: Armatage, Banning, Longfellow, Marchessault. Gendering the Nation, Canadian Womens Cinema. University of Toronto Press, Toronto, Buffalo, London. (183-96) Austin-Smith, Brenda: Gender is Irrelevant: Ive Heard the Mermaids Singing as Womens Cinema. In: Walz, Gene. Cross/Cultures 56, Canadas Best Features; Critical Essays on 15 Canadian Films. Rodopi, Amsterdam New York, NY 2002. (209 236)
  • Week 7: Bruce McDonald Highway 61 (1992) Gravestock, Steve. Outlaw Insider: The Films of Bruce McDonald. In: Beard, White: North of Everything (242-255)
  • Week 8: Deepa Mehta: Sam and Me (1991) Jacqueline Levitin: Deepa Mehta as Transnational Filmmaker, or You Cant Go Home Again. In: Beard, White: North of Everything (270-93) Banning, Kass. Playing in the Light: Canadianizing Race and Nation. In: Armatage, Banning, Longfellow, Marchessault. Gendering the Nation (291-310)
  • Week 9: Mina Shum: Double Happiness (1994) Gittings, Christopher E.: Canadian National Cinema (239-41). Spaner, David. Dreaming in the Rain, How Vancouver Became Hollywood North by Northwest. Arsenal Pulp Press. Vancouver. 2003. (136-141). Banning, Kass. Playing in the Light: Canadianizing Race and Nation. In: Armatage, Banning, Longfellow, Marchessault. Gendering the Nation (291-310)
  • Week 10: Clement Virgo: Rude (1995) Banning, Kass: Conjugating Three Moments in Black Canadian Cinema. In: Beard, White: North of Everything (84-99). Gittings, Christopher E.: Canadian National Cinema (255-62). Banning, Kass. Playing in the Light: Canadianizing Race and Nation. In: Armatage, Banning, Longfellow, Marchessault. Gendering the Nation (291-310)
  • Week 11: Robert Lepage: Le Confessionnal (1995) Dundjerovich, Alexandar: The Cinema of Robert Lepage, the Poetics of Memory. Wallflower Press, London, 2003. (53 -76) Manning, Erin: The Haunted Home: Colour Spectrum in Robert Lepages Le Confessionnal. Canadian Journal of Film Studies, Vol. 7 No2, Fall 1998.
  • Week 12: Zacharias Kunuk: Atanarjuat, The Fast Runner (2001)
Literatura
  • MELNYK, George. One hundred years of Canadian cinema. Toronto: University of Toronto Press, 2004, x, 361. ISBN 0802084443. info
  • GITTINGS, Christopher E. Canadian national cinema : ideology, difference and representation. 1st ed. London: Routledge, 2002, ix, 338. ISBN 0415142822. info
  • North of everything : English-Canadian cinema since 1980. Edited by William Beard - Jerry White. Edmonton, Alta.: University of Alberta Press, 2002, xxiii, 488. ISBN 088864390X. info
  • Take one's essential guide to Canadian film. Edited by Wyndham Wise. Toronto: University of Toronto Press, 2001, xiv, 272. ISBN 0802083986. info
Metody hodnocení
Účast, referát, četba, testy v hodině, esej
Vyučovací jazyk
Angličtina
Další komentáře
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Předmět je zařazen také v obdobích jaro 2004, jaro 2005, jaro 2006, jaro 2008, jaro 2011.