FF:IM110 Conceptual thinking & newmedia - Course Information
IM110 Conceptual creative thinking in context of new technologies and media
Faculty of ArtsAutumn 2011
- Extent and Intensity
- 1/1/0. 4 credit(s). Type of Completion: zk (examination).
- Teacher(s)
- doc. Mgr. Jozef Cseres, PhD. (lecturer), doc. Mgr. Jana Horáková, Ph.D. (deputy)
- Guaranteed by
- doc. Mgr. Jana Horáková, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Bc. Jitka Leflíková - Timetable
- each odd Monday 14:10–17:25 J31
- Prerequisites
- Understanding the basic principles of concept art and its applications and modifications in postmodern age of interactive technologies and media. Ability to identify suitable context and to interpret contemporary art in relevant context.
- Course Enrolment Limitations
- The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 150 student(s).
Current registration and enrolment status: enrolled: 0/150, only registered: 0/150, only registered with preference (fields directly associated with the programme): 0/150 - fields of study / plans the course is directly associated with
- there are 6 fields of study the course is directly associated with, display
- Course objectives
- Discursive and non-discursive symbolism in human culture. Philosophy of language and semiotics. Conceptualization of art creation in 20th century. Liberalization of representational conventions in arts of 20th century. De-realization of human experience as a consequence of mutual acting of real and virtual worlds. Art and technology. Art and science. New sensibility in arts and interdisciplinary creativity. Art as an interpretational game with contexts.
- Syllabus
- 1. Dematerialization and conceptualization of work of art. 2. Concept art and philosophy of language. 3. Fluxus and DIY aesthetics. 4. New technologies and media. 5. Intermedia and multimedia. 6. Postmodern age and electronic and media worlds. 7. Art in public space and massmedia. 8. Art as interpretational game with contexts. 9. Interactive art as possible tool for articulation the plurality of postmodern age.
- Literature
- required literature
- Cseres, Jozef – Murin, Michal: Od analógového k digitálnemu… Nové pohľady na nové umenia v audiovizuálnom veku. Banská Bystrica 2010.
- Kosuth, Joseph: Art After Philosophy and After: Collected Writing, 1966-1990. Cambridge 1991.
- recommended literature
- Collins, Nicolas: Handmade Electronic Music: The Art of Hardware Hacking. New York 2009.
- Osborne, Peter: Conceptual Art (Themes & Movements). Londýn 2011.
- Cseres, Jozef: Hudobné simulakrá. Bratislava 2001.
- Goodman, Nelson: Jazyky umění. Praha 2007.
- Langer, Susanne K.: Philosophy in a New Key. A Study in the Symbolism of Reason, Rite, and Art. Cambridge/Londýn 1993.
- Goodman, Nelson: Způsoby světatvorby. Bratislava 1996.
- Ostertag, Bob: Creative Life: Music, Politics, People and Machines. Urbana/Chicago 2009.
- Teaching methods
- lectures and class discussion, home reading;
- Assessment methods
- written test and essay
- Language of instruction
- Czech
- Further Comments
- Study Materials
The course is taught once in two years.
- Enrolment Statistics (Autumn 2011, recent)
- Permalink: https://is.muni.cz/course/phil/autumn2011/IM110