FAVz068 Film/Music/Soundtrack. Theory and History of Music in Film and Television

Filozofická fakulta
podzim 2017
Rozsah
2/0/0. 5 kr. Ukončení: zk.
Vyučující
Claus Tieber (přednášející)
Mgr. Martin Kos, Ph.D. (pomocník)
Mgr. Ondřej Pavlík, Ph.D. (pomocník)
Mgr. Jan Trnka, Ph.D. (pomocník)
Garance
prof. PhDr. Jiří Voráč, Ph.D.
Ústav filmu a audiovizuální kultury – Filozofická fakulta
Kontaktní osoba: Mgr. Jan Trnka, Ph.D.
Dodavatelské pracoviště: Ústav filmu a audiovizuální kultury – Filozofická fakulta
Rozvrh
St 8. 11. 15:50–21:35 U34, Čt 9. 11. 15:50–21:35 U34, Pá 10. 11. 9:10–12:25 U34, Út 28. 11. 15:50–19:05 U34, Út 5. 12. 15:50–19:05 U34, Čt 14. 12. 12:30–14:05 U34
Omezení zápisu do předmětu
Předmět je nabízen i studentům mimo mateřské obory.
Předmět si smí zapsat nejvýše 69 stud.
Momentální stav registrace a zápisu: zapsáno: 0/69, pouze zareg.: 0/69, pouze zareg. s předností (mateřské obory): 0/69
Mateřské obory/plány
Cíle předmětu
Film is not just a visual, but an AUDIO-visual Media. Sound and Music are not always subordinated under the narration, and they are not "unheard". Music plays a significant role in the meaning making process of film and television as well as in its emotional effect in its audience. Film music research focuses on questions of meaning, affect and functions of music in films. As a relatively young (sub)discipline it combines film studies and musicology. Important research in this field has been conducted within the last decades. The course is focusing on the functions of music in film, its approach is rooted in film studies with significant knowledge in musicology and music history. (But no musicological analyses will be demanded or delivered) The course will give an overview about the history and theory of film music and wants to motivate students to analyse case studies of musical moments in films on their own. The main theoretical and methodological tools will be taught.
Osnova
  • History of film music research, important theoretical approaches (Adorno, Gorbman, Herzog, Buhler etc.)
  • Functions of music in films
  • Sound and Music in Silent Cinema
  • Overview about the history of film musicals (Hollywood, Austria/Germany, France, India)
  • Classical Hollywood film music (Korngold, Steiner etc.)
  • New Music as film music (from Alex North and Leonard Rosenman to the use of Ligeti, Penderecki etc.)
  • Jazz in Film
  • Film Music and Opera
  • Song scoring, pop songs in films
  • Global perspectives
Literatura
    povinná literatura
  • DYER, Richard (2002): Entertainment and Utopia. In: Only Entertainment. London: Routledge, s. 19-35.
  • KALINAK, Kathryn (2010): What does film music do? In: Film Music: A Very Short Introduction. New York: Oxford University Press, s. 1-31.
  • ALTMAN, Rick (1987): The Structure of the American Film Musical. The American Film Musical. Bloomington: Indiana University Press, s. 28-58.
Výukové metody
Lectures, discussions, working in smaller groups on given questions and present answers (within one unit)
Metody hodnocení
Written test; obligatory 100% attendance (with the exception of distance students who are allowed to miss 2 out of 6 sessions)
Vyučovací jazyk
Angličtina
Informace učitele
PD Mag. Dr. Claus Tieber
Principle investigator of several research projects. Habilitation (post-doc thesis) about the history of the American screenplay (Schreiben für Hollywood. Das Drehbuch im Studiosystem. Münster et al: Lit Verlag 2008), Publications about storytelling in silent cinema (Stummfilmdramaturgie. Erzählweisen des amerikanischen Feature Films 1917 – 1927. Münster et al: Lit Verlag 2011), Hindi cinema and filmmusic. Teaches film studies at universities in Vienna, Brno, Kiel and Salamanca
https://tieber.wordpress.com
Další komentáře
Studijní materiály
Předmět je vyučován jednorázově.
Obligatory 100% attendance (with the exception of distance students who are allowed to miss 2 out of 6 sessions).
  • Statistika zápisu (nejnovější)
  • Permalink: https://is.muni.cz/predmet/phil/podzim2017/FAVz068