ZUR580a Documentary making II.

Faculty of Social Studies
Spring 2017
Extent and Intensity
0/2. 6 credit(s). Type of Completion: zk (examination).
Teacher(s)
Mgr. Rodrigo Morales (lecturer)
Guaranteed by
prof. PhDr. Jiří Pavelka, CSc.
Department of Media Studies and Journalism – Faculty of Social Studies
Contact Person: Ing. Bc. Pavlína Brabcová
Supplier department: Department of Media Studies and Journalism – Faculty of Social Studies
Timetable
Thu 9:45–13:00 Střižna 531
Prerequisites
KNOWLEDGE OF FILM LANGUAGE, ORIENTATION IN REPORTAGE METHODS AND WIDE CULTURAL BACKGROUND
Course Enrolment Limitations
The course is only offered to the students of the study fields the course is directly associated with.

The capacity limit for the course is 15 student(s).
Current registration and enrolment status: enrolled: 0/15, only registered: 0/15
fields of study / plans the course is directly associated with
Course objectives
Provide a theoretical foundation in   in the documentary genre. Student gains the ability to expertly analyse documentary works. The student will acquire the expertise and experience required for the realization of documentary and TV publicism work. The course aims to foster students' creative potential and develop their professional knowledge applied in the media   the documentary filmmaking and journalism. Education is conceived as a regular, seminar and practical exercises. In addition, workshops will be carried out with experts from     practice. The output will be continuously exercises and a final project, used for obtaining     expertise and presentation skills of students. Students will acquire basic vocational knowledge and practical experiences in the field of documentary film  . The course was set up so that students can work effectively in the implementation television exercise of broadcast quality. Students will acquire basic knowledge of   in the documentary genre. First, the processing of synopsis necessary for documentary filmmaking, both of film and television documentaries exercises and project. Students completing the course will be able to:
create literary synopsis (and screenplay) necessary for the implementation of documentaries and current affairs programs.
creating short documentaries products and full length documentaries.
Syllabus
  • The course includes theoretical introduction documentary journalistic work in film and television   and practical exercises. Point Outline: Sources of inspiration - behaviorism and legwork. Ethnographic and sociological film. Introduction to literary adaptation of the original thought II. Script developing. The original idea, story, storyline. Alternatively literary processing. Introduction to the typology of document genres, cross-genres of documentary filmmaking in   Journalistic genres II. Determine the form and Footage Evaluation-exercise level II. implementation exercises Copyright reflection exercises. The evaluation exercise. Methods documentary director. The development of literature data. camera concept Sound-dramaturgical concept. Entering audiovisual exercises. Submission and approval of topics Evaluation of ideas ev. scenarios Discussion group. Peaching. Student work-II level. Work on the literary scenario for current affairs documentaries and television formats. Processing and interpretation of technical scenarios production plan shooting exercises Editing - Editing watching developments in its various stages. projections Copyright reflection Discussion group. distribution Evaluation entering the final project Approval of final projects.
Literature
    required literature
  • VALUŠIAK, Josef. Základy střihové skladby. 4., rozš. vyd. V Praze: Akademie múzických umění, 2012, 143 s. ISBN 9788073312305. info
  • NAVRÁTIL, Antonín. Cesty k pravdě či lži :70 let československého dokumentárního filmu. 2. vyd. Praha: Akademie múzických umění, 2002, 285 s. ISBN 80-7331-909-8. info
    recommended literature
  • KUČERA, Jan. Střihová skladba ve filmu a v televizi. 2., dopl. vyd. Praha: Akademie múzických umění, 2002, 230 s. ISBN 80-7331-896-2. info
  • KUČERA, Jan. Střihová skladba. Vydání druhé. Praha: Státní pedagogické nakladatelství, 1960, 89 stran. info
    not specified
  • NICHOLS, Bill. Úvod do dokumentárního filmu. 1. vyd. Praha: Akademie múzických umění v Praze, 2010, 316 s. ISBN 9788073311810. info
  • Hyper-narrative interactive cinemaproblems and solutions. Edited by Nitzan S. Ben-Shaul. New York: Rodopi, 2008, 95 p. ISBN 9789042024618. info
  • Interactive storytelling : first Joint International Conference on Interactive Digital Storytelling, ICIDS 2008 : Erfurt, Germany, November 26-29, 2008 : proceedings. Edited by Ulrike Spierling - Nicolas Szilas. Berlin: Springer, 2008, xii, 334. ISBN 9783540894247. info
  • Interactive multimedia on next generation networks : first International Workshop on Multimedia Interactive Protocols and Systems, MIPS 2003 : Naples, italy, November 18-21, 2003 : proceedings. Edited by Giorgio Ventre - Roberto Canonico. Berlin: Springer, 2003, ix, 418. ISBN 3540205349. info
  • NAVRÁTIL, Antonín. Jiří Lehovec. Praha: Československý filmový ústav, 1984. info
Teaching methods
Lecture, seminar, lab. The subject is associated with workshops.
Assessment methods
Reflection and defence of film projects. Final exam.
Language of instruction
Czech
The course is also listed under the following terms Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016, Spring 2018.
  • Enrolment Statistics (Spring 2017, recent)
  • Permalink: https://is.muni.cz/course/fss/spring2017/ZUR580a