IM068 The Theory of Composition II A

Faculty of Arts
Autumn 2015
Extent and Intensity
2/0/0. 2 credit(s). Type of Completion: z (credit).
Teacher(s)
Prof. Ing. MgA. Ivo Medek, Ph.D. (lecturer), doc. PhDr. Martin Flašar, Ph.D. (deputy)
Guaranteed by
doc. Mgr. Jana Horáková, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Bc. Jitka Leflíková
Supplier department: Department of Musicology – Faculty of Arts
Prerequisites (in Czech)
Předpoklady: Zájem o vhled do oblasti výstavby uměleckého díla odvíjejícího se v čase. Doporučuje se kombinovat s předměty praktického komponování v oblasti akustické nebo elektronické a počítačové hudby (Základy hudební kompozice I. a II.) a předmětem (Základy teorie kompozice I.).
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 12 student(s).
Current registration and enrolment status: enrolled: 0/12, only registered: 0/12, only registered with preference (fields directly associated with the programme): 0/12
fields of study / plans the course is directly associated with
there are 13 fields of study the course is directly associated with, display
Course objectives
The main objective of the course is to give students who haven't passed the musical education basic information on development of musical composition from the late 19th century until present.
Syllabus
  • 1. Late 19th century, early modernisms
  • 2. Before the 1st World War
  • 3. Between the Wars
  • 4. Afterwar
  • 5. Present
Literature
  • MEDEK, I.: Úvod do procesuality jako komplexní kompoziční metody, JAMU, Brno 1996
  • VIOLA, B.: Reasons for Knocking at an Empty House, in: Writings 1973–1984
  • RUZICKA, P.: Erfundene und Gefundene Musik
  • VOGT, H.: Neue Musik seit 1945, Philipp Reclam jun., Stuttgart 1982
  • PARSCH, A., PIŇOS, A., ŠŤASTNÝ, J.: Transference hudebních elementů v~kompozicích současných skladatelů, JAMU, Brno 2004
  • MEDEK, I., PIŇOS., A.: Řád hudební kompozice a prostředky jeho výstavby, JAMU, Brno 2004
  • IŠTVAN, M.: Jednohlas v~soudobé hudbě, JAMU, Brno 1989
  • New Grove Dictionary of Music and Musicians, 2nd edition, London 2001
  • The Undercurrents, edited by Young R., Continuum, London, New York 2005
  • SUTHERLAND, R.: New Perspectives in Music, sun tavern fields, London 1994
Teaching methods
lectures
Assessment methods
Exam, project
Language of instruction
Czech
Follow-Up Courses
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
The course is taught: every week.
The course is also listed under the following terms Autumn 2007, Autumn 2008, Autumn 2009, Autumn 2010, Autumn 2011, Autumn 2012, Autumn 2013, Autumn 2014.
  • Enrolment Statistics (recent)
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