FF:FAV062 Cinema of the Balkans - Course Information

FAV062 Cinema of the Balkans

Extent and Intensity

2/0. 4 credit(s). Type of Completion: k (colloquium).

Teacher(s)

PhDr. Jaromír Blažejovský, Ph.D. (lecturer)

Guaranteed by

prof. PhDr. Jiří Voráč, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts

Timetable

Tue 10:00–13:15 12

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.

fields of study / plans the course is directly associated with

there are 9 fields of study the course is directly associated with, display

Course objectives (in Czech)

Přednásku o kinematografiích jihovýchodní Evropy zahájíme v Rumunsku. Povsimneme si zánrového filmu (Sergiu Nicolaescu), autorských osobností (Lucian Pintilie, Mircea Veroiu, Dan Piţa, Mircea Daneliuc) a nové generace 90. let (Nae Caranfil). Z bulharské kinematografie nás bude zajímat poetický film (Rangel Valčanov, Binka Zeljazkovová), filmy inspirované povídkami Nikolaje Chajtova a díla tzv. migračního cyklu (Christo Christov). Z kinematografií bývalé Jugoslávie se zaměříme na tzv.novi film a černou vlnu (Aleksandar Petrović, Zivojin Pavlović, Dusan Makavejev), na podoby partyzánského filmu (Purisa Djordjević, Veljko Bulajić) a na přínos prazské skoly (Goran Paskaljević, Lordan Zafranović, Srdjan Karanović, Goran Marković, Rajko Grlić, Emir Kusturica). Budeme hovořit téz o vývoji národních kinematgrafií po rozpadu Jugoslávie. Literatura: Blazejovský, Jaromír (ed): Ex-jugoslávský film (Uherské Hradistě 2001); Blazejovský, Jaromír: Stav věcí (Stručný pohled na rumunskou kinematografii). Film a doba, 1998, No. 3, p. 124-130; Dudková, Jana: Línie, kruhy a svety Emira Kusturicu (Bratislava 2001); Holloway, Ronald: The Bulgarian Cinema (London, Toronto 1986); Iordanova, Dina: Cinema of Flames: Balkan Film, Culture and the Media (Berkeley 2003); Liehm, Mira & Liehm, Antonín J.: The Most Important Art: Soviet and Eastern European Film After 1945 (Berkeley, Los Angeles, London 1980); Raczewa, Maria: Nowy film bulgarski, Warszawa 1978. Filmy: Balanţa (Dub, Lucian Pintilie 1992), Biče skoro propast sveta (Brzy bude konec světa, Aleksandar Petrović 1968), Bitka na Neretvi (Bitva na Neretvě, Veljko Bulajić 1969), Budjenje pacova (Probuzení krys, Zivojin Pavlović 1967), Bure baruta (Sud prachu, Goran Paskaljević 1999), Čovek nije tica (Člověk není pták, Dusan Makavejev 1965), Dom za vesanje (Dům k pověsení, Emir Kusturica 1987), Iacob (Jakob, Mircea Daneliuc 1987), Jutro (Jitro, Purisa Djordjević 1965), Kad budem mrtav i beo (Az budu mrtev, Zivojin Pavlović 1968), Ko to tamo peva (Kdo to tam zpívá, Slobodan Sijan 1980), Kozijat rog (Kozí roh, Metodi Andonov 1972), Lačenite obuvki na neznajnija vojin (Lakýrky neznámého vojína, Rangel Valčanov 1978), Lepa sela lepo gore (Krásné vesnice krásně hoří, Srdjan Dragojević, 1996), Ljubavni slučaj (Milostný příběh, Dusan Makavejev 1967), Mihai Viteazul (Poslední křízová výprava, Sergiu Nicolaescu 1971), Na malkija ostrov (Ostrov odsouzených, Rangel Valčanov 1958), Nuntă de piatră (Kamenná svatba, Dan Piţa, Mircea Veroiu 1972), O vară de neuitat (Nezapomenutelné léto, Lucian Pintilie 1994), Okupacija u 26 slika (Okupace v 26 obrazech, Lordan Zafranović 1978), Otac na sluzbenom putu (Otec na sluzební cestě, Emir Kusturica 1984), Pad Italiji (Pád Itálie, Lordan Zafranović 1981), Pădurea spânzuraţilor (Reflektor smrti, Liviu Ciulei 1964), Patul conjugal (Manzelské loze, Mircea Daneliuc 1993), Podne (Poledne, Purisa Djordjević 1966), Posledno ljato (Poslední léto, Christo Christov 1973), Privrzanijat balon (Připoutaný balón, Binka Zeljazkovová 1966), Rani radovi (Raná díla, Zelimir Zilnik 1969), Reconstituirea (Rekonstrukce, Lucian Pintilie 1969), San (Sen, Purisa Djordjević 1966), Sjećas li se Doli Bel (Vzpomínás na Dolly Bell?, Emir Kusturica 1981), Skupljači perja (Nákupčí peří, Aleksandar Petrović 1966), Slanceto i sjankata (Slunce a stín, Rangel Valčanov 1961), Tri (Tři, Aleksandar Petrović 1965), Underground (Emir Kusturica 1995), W. R. misterija organizma (W. R. mystéria organismu, Dusan Makavejev 1971), Zivot je lep (Zivot je krásný, Boro Drasković 1985).

Syllabus

• The lecture about the South eastern European cinema will begin in Romania. The course will focus on genre films (Sergiu Nicolaescu), the auteur filmmaking (Lucian Pintilie, Mircea Veroiu, Dan Piţa, Mircea Daneliuc) and the new generation of the 90ties (Nae Caranfil). We will study the poetic cinema in Bulgaria (Rangel Vulchanov, Binka Zhelyazkova), the movies inspired by novels of Nikolai Haitov and the migration cycle (Hristo Hristov). The next part will be focused on the novi film and the black wave in the former Yugoslavia (Aleksandar Petrović, Zivojin Pavlović, Dusan Makavejev, Bato Čengić), the forms of partisan movies (Purisa Djordjević, Veljko Bulajić) and the contribution of Prague school (Goran Paskaljević, Lordan Zafranović, Srdjan Karanović, Goran Marković, Rajko Grlić, Emir Kusturica). We will discuss the evolution of the national cinemas after the break-up of the Yugoslavian Federation. Literature: Blazejovský, Jaromír (ed): Ex-jugoslávský film (Uherské Hradistě 2001); Blazejovský, Jaromír: Stav věcí (Stručný pohled na rumunskou kinematografii). Film a doba r. 1998, č. 3, s. 124-130; Dudková, Jana: Línie, kruhy a svety Emira Kusturicu (Bratislava 2001); Holloway, Ronald: The Bulgarian Cinema (London, Toronto 1986); Iordanova, Dina: Cinema of Flames: Balkan Film, Culture and the Media (Berkeley 2003); Liehm, Mira & Liehm, Antonín J.: The Most Important Art: Soviet and Eastern European Film After 1945 (Berkeley, Los Angeles, London 1980); Raczewa, Maria: Nowy film bulgarski, Warszawa 1978. Films: Balanţa (The Oak, Lucian Pintilie 1992), Biče skoro propast sveta (It Rains in My Village, Aleksandar Petrović 1968), Bitka na Neretvi (The Battle of Neretva, Veljko Bulajić 1969), Budjenje pacova (The Rats Woke Up, Zivojin Pavlović 1967), Bure baruta (Cabaret Balkan, Goran Paskaljević 1999), Čovek nije tica (Man Is Not a Bird, Dusan Makavejev 1965), Dom za vesanje (Time of the Gypsies, Emir Kusturica 1987), Iacob (Mircea Daneliuc 1987), Jutro (The Morning, Purisa Djordjević 1967), Kad budem mrtav i beo (When I Am Dead and Gone, Zivojin Pavlović 1968), Ko to tamo peva (Who's Singing Over There?, Slobodan Sijan, 1980), Koziyat rog (The Goat Horn, Metodi Andonov 1972), Lachenite obouvki na neznainiya voin (The Unknown Soldier s Patent Leather Shoes, Rangel Vulchanov 1978), Lepa sela lepo gore (Pretty Village, Pretty Flame, Srdjan Dragojević, 1996), Ljubavni slučaj (Love Affair, Dusan Makavejev 1967), Mihai Viteazul (The Last Crusade, Sergiu Nicolaescu 1971), Na malkiya ostrov (On a Small Island, Rangel Vulchanov 1958), Nuntă de piatră (The Stone Wedding, Dan Piţa, Mircea Veroiu 1972), O vară de neuitat (An Unforgettable Summer,Lucian Pintilie 1994), Okupacija u 26 slika (Occupation in 26 Pictures, Lordan Zafranović, 1978), Otac na sluzbenom putu (When Father Was Away on Business, Emir Kusturica 1984), Pad Italiji (The Fall of Italy, Lordan Zafranović, 1981), Pădurea spânzuraţilor (The Forest of the Hanged, Liviu Ciulei 1964), Patul conjugal (The Conjugal Bed), Mircea Daneliuc 1993), Podne (Noon, Purisa Djordjević 1968), Posledno lyato (The Last Summer, Christo Christov 1973), Privarzaniyat balon (The Attached Balloon, Binka Zhelyazkova 1966), Rani radovi (Early Works, Zelimir Zilnik, 1969), Reconstituirea (Reenactment Lucian Pintilie 1969), San (The Dream, Purisa Djordjević 1966), Sjećas li se Doli Bel (Do You Remember Dolly Bell?, Emir Kusturica 1981), Skupljači perja (I Even Met Happy Gypsies, Aleksandar Petrović 1966), Slanceto i sjankata (Sun and Shadow), Rangel Vulchanov 1961), Tri (Three, Aleksandar Petrović 1965), Underground (Emir Kusturica 1995), W. R. misterija organizma (W.R.: Mysteries of the Organism, Dusan Makavejev 1971), Zivot je lep (Life Is Beautiful, Boro Drasković, 1985). Kolokvium: list of 24 films for discussion.

Assessment methods (in Czech)

Kolokvium: filmografie 24 filmů k diskusi.

Language of instruction

Czech

Further Comments

The course can also be completed outside the examination period.

• Enrolment Statistics (Autumn 2003, recent)
  
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