CJBC620 The Theory of Poetic Language

Faculty of Arts
Autumn 2010
Extent and Intensity
0/2/0. 4 credit(s). Type of Completion: z (credit).
Teacher(s)
PhDr. Pavel Jiráček, CSc. (lecturer), doc. PhDr. Jiří Kudrnáč, CSc. (deputy)
Guaranteed by
doc. PhDr. Jiří Kudrnáč, CSc.
Department of Czech Literature – Faculty of Arts
Contact Person: Mgr. Eva Zachová
Timetable
Thu 18:20–19:55 C11
Prerequisites
The course is offered to the students of the parent disciplines. Other restrictions: The excessive number of students registered participants will select teachers on the basis of knowledge test or interview.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 8 fields of study the course is directly associated with, display
Course objectives
Selected lecture extends the literary reflection in the organization of the poet´s speech in which personality is most present. Research on the poet's utterances provides a broad interdisciplinary base as well as the courage to new approaches and solutions. The aim of the course is a selection: -create a sufficiently broad interdisciplinary overview of relevant knowledge and theories -familiar with the results of experimental research on subjective speech utterance -to expand the domestic context of Benveniste lines thinking about language and the theory of rythm of Henri Meschonnic -confronting the possibility of further scientific research Self Theory in the poet´s text Lectures as a reflection on the poetic language is based on the author´s three monographs: Lyrický rytmus, o spojení zvuku a smyslu ve verši. 1.vyd. Brno: Host, 2007. ISBN 978-80- 7294-237-4. 304 s. Význam a subjektivita v lyrice, kognitivní struktury v lyrické představě. 1.vyd. Brno: Host, 2008. ISBN 978-80-7294-295-4. 380 s. Kognitivní interpretace českého verše v rytmických souvislostech metrické teorie Miroslava Červenky. 1.vyd. Brno: Host, 2009. ISBN 978-80-7294-345-6. 400 s.
Syllabus
  • -concept of rhythm before Plato: Émile Benveniste and Bohumil Nuska -non-metric theory of rhythm of Henri Meschonnic -tempo-modal and rhythmic-melodic subjective -reference and rhythm and melody prediction -the stylistics rhythm to rhythm semantics: research Self Theory in the poet´s text -stylistics from rhythm to rhythm semantics
Literature
    recommended literature
  • STAIGER, Emil 1969 Základní pojmy poetiky, přel. Miloš Černý a Otakar Veselý (Praha: Československý spisovatel)
  • BENVENISTE, Émile 1966 Problèmes de linguistique générale (Paris: Gallimard)
  • HUMBOLDT, Wilhelm von 2000 O rozmanitosti stavby ľudských jazykov a jej vplyve na duchovný rozvoj ľudského rodu, přel. Slavomír Ondrejovič (Bratislava: Veda)
  • JIRÁNEK, Jaroslav 1996 Hudební sémantika a sémiotika (Olomouc: Vydavatelství Univerzity Palackého)
  • PLATÓN 1994 Filébos, přel. František Novotný (Praha: OIKOYMENH)
  • JAKOBSON, Roman. Poetická funkce. Vyd. 1. Jinočany: H & H, 1995, 747 s. ISBN 80-85787-83-0. info
    not specified
  • STEINMETZ, Karel. 1994 Artikulace času v Janáčkově hudbě (Olomouc: Vydavatelství Univerzity Palackého)
  • ZICH, Otakar. 1981 ESTETICKÉ VNÍMÁNÍ HUDBY ESTETIKA HUDBY (Praha: Supraphon)
Teaching methods (in Czech)
přednášky
Assessment methods (in Czech)
Diskuse o vybraných tématech souvisejících s problematikou přednášky.
Language of instruction
Czech
Further Comments
Study Materials
The course is taught annually.
The course is also listed under the following terms Autumn 2011.
  • Enrolment Statistics (Autumn 2010, recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2010/CJBC620