US_112 The story of Don Juan narrated by himself

Faculty of Arts
Autumn 2010
Extent and Intensity
2/0. 3 credit(s). Type of Completion: k (colloquium).
Teacher(s)
prof. PhDr. Jaroslav Střítecký, CSc. (lecturer)
Guaranteed by
Mgr. Kristýna Celhofferová, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová
Timetable
Wed 10:00–11:35 zruseno D22
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 210 student(s).
Current registration and enrolment status: enrolled: 0/210, only registered: 0/210, only registered with preference (fields directly associated with the programme): 0/210
fields of study / plans the course is directly associated with
there are 18 fields of study the course is directly associated with, display
Course objectives
The course follows the text of Peter Handke "Don Juan (erzählt von ihm selbst)", Frankfurt am Main, 2004; Czech translation 2006. Its interpretation will enable students to testify the capacity of theories of prose from the sphere of Russian formalism. Comparison will be made to the classical representation of the Don Juan theme (Mozart/Da Ponte), and to the original version in the film by Chaun brothers "Don Gio". Students will be lead to thinking about narration that makes subject of itself, one of the axes of modern and postmodern prose.
Syllabus
  • 1. What is postmodern in literature and what is not. Thomas Bernhard and Peter Handke 2. Alienation and the tradition of deterioration of the tradition in the Russian formalist theory of literature and film 3. Don Juan myth in the metamorphoses of time 4. Mozart/Da Ponte: "Don Giovanni", performace, basic analysis 5. Chauns: "Don Gio", screening and analysis 6. Handke's analytical narration about narration
Literature
  • GRABBE, Christian Dietrich. Žert, satira, ironie a hlubší význam (Přít.) : Don Juan a Faust ; Žert, satira, ironie a hlubší význam. info
  • MOLIÈRE. Don Juan. Translated by Jaroslav Konečný - Karel Kraus. vyd. 1. Praha: Artur, 2006, 77 s. ISBN 8086216683. info
  • STŘÍTECKÝ, Jaroslav. Form und Sinn: Zur Vorgeschichte des Prager Formalismus und Strukturalismus (Form and Sense: Towards the Prehistory of the Prague Formalism and Structuralism). Bohemia : Zeitschrift für Geschichte und Kultur der böhmischen Länder. München: Oldenbourg Verlag, 1993, vol. 1992, No 33, p. 88-100. ISSN 0523-8587. info
  • TOMAN, Josef. Don Juan :Roman. Translated by Franz Peter Künzel. Reinbek bei Hamburg: Rowohlt Taschenbuch Verlag, 1988, 470 s. ISBN 3-499-40047-2. info
  • HANDKE, Peter. Nežádané neštěstí. Praha: Odeon, 1980. info
  • HANSEN-LÖVE, Aage A. Der russische Formalismus : methodologische Rekonstruktion seiner Entwicklung aus dem Prinzip der Verfremdung. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 1978, 636 stran. ISBN 3700102518. info
  • HANSEN-LÖVE, Aage A. Der russische Formalismus : methodologische Rekonstruktion seiner Entwicklung aus dem Prinzip der Verfremdung. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 1978, 636 stran. ISBN 3700102518. info
  • BYRON, George Gordon Byron. Don Juan. Praha: Lyra Pragensis, 1969. info
  • VOSKOVEC, Jiří and Jan WERICH. Fata morgana a jiné hry. Edited by Jiří Voskovec. 1. souborné vyd. Praha: Orbis, 1967, 565 s. URL info
  • FRISCH, Max. Stücke. Edited by Max Frisch. 1. Aufl. Berlin: Volk und Welt, 1965, 341 s. info
  • MOLIÈRE. Don Juan. Edited by Karel Kraus. Praha: Orbis, 1954, 102 stran. info
Assessment methods
Lectures, film projection, readings, discussion, written essay.
Language of instruction
Czech
Further Comments
Study Materials
The course can also be completed outside the examination period.
The course is taught once in two years.
The course is also listed under the following terms Autumn 2008.
  • Enrolment Statistics (recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2010/US_112