FF:USK_04 Introduction to Aesthetics - Course Information
USK_04 Introduction to Aesthetics and the General Theory of Art
Faculty of ArtsAutumn 2020
- Extent and Intensity
- 2/0/0. 6 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- doc. Mgr. Jozef Cseres, PhD. (lecturer)
- Guaranteed by
- PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts - Timetable
- Fri 9. 10. 15:00–16:40 N51, Fri 23. 10. 15:00–16:40 N51, Fri 20. 11. 15:00–16:40 N51, Fri 4. 12. 15:00–16:40 N51
- Prerequisites
- Orientation in the philosophy of arts, aesthetics, and theory of art.
- Course Enrolment Limitations
- The course is only offered to the students of the study fields the course is directly associated with.
- fields of study / plans the course is directly associated with
- Musicology (programme FF, B-OT)
- Combined Art Studies (programme FF, B-OT) (2)
- Theory of Interactive Media (programme FF, B-OT) (2)
- Course objectives
- The aim of the course is to inform students about the basic conceptions of art, issues and categories of aesthetics generated during the history of philosophical-aesthetical reflection of arts. The course also offers the actual solutions of basic issues of philosophy, aesthetics and theory of art after the art broke-up with beauty and the artists resigned to craft skills and stopped to make the sensually attractive artifacts.
- Learning outcomes
- Student will be informed about the basic conceptions of art, issues and categories of aesthetics.
- Syllabus
- 1. Philosophical-aesthetical reflection of performing and fine arts since ancient times till the 18th century. 2. Baumgarten’s conception of aesthetics as a modern science of sensations. 3. Arts in Kant’s Critique of Taste and formalism in aesthetics. 4. Hegel’s, Schopenhauer’s and Nietzsche’s philosophies of art. 5. Clive Bell, Susanne K. Langer, and significant art form. 6. Structuralism and work of art. 7. Arthur C. Danto and artworld. 8. Beauty and sublime in arts. 9. Modern art’s breaking-up with beauty. 10. Art and new sensibility. 11. Wolfgang Welsch and aesthetical thought.
- Literature
- required literature
- KANT, Immanuel. Kritika soudnosti. Praha, 1975.
- WELSCH, Wolfgang: Estetické myslenie. Bratislava, 2002.
- LANGEROVÁ, Susanne K.: O významovosti v hudbe. Genéza umeleckého zmyslu. Bratislava, 1998.
- LANGEROVÁ, Susanne: Kulturní význam umění. In: Iluminace 1/1996, Praha, s. 82-87.
- DANTO, Arthur C.: Zneužitie krásy. Bratislava, 2008.
- MUKAŘOVSKÝ, Jan. Studie z estetiky. Praha, 1966.
- SCHNEIDER, Norbert: Dejiny estetiky od osvietenstva po postmodernu. Bratislava, 2002.
- recommended literature
- HEGEL, Georg Wilhelm Friedrich: Estetika I, II. Praha, 1966.
- BELL, Clive: Art. New York, 1958.
- NIETZSCHE, Friedrich: Zrození tragédie. Praha, 2008.
- HANSLICK, Eduard: O hudebním krásnu. Praha, 1973.
- LÉVI-STRAUSS, Claude: Mýtus a význam. Bratislava, 1993.
- SCHOPENHAUER, Arthur: Svět jako vůle a představa I., II. Pelhřimov, 1997.
- KULKA, Tomáš – CIPORANOV, Denis (eds.): Co je umění? Praha, 2010.
- NIETZSCHE, Friedrich: Soumrak model/Duševní aristokratismus/O umění. Praha, 2009.
- Teaching methods
- lecture, discussion
- Assessment methods
- final test
- Language of instruction
- Czech
- Further Comments
- Study Materials
The course is taught annually. - Teacher's information
- http://www.phil.muni.cz/elf
- Enrolment Statistics (Autumn 2020, recent)
- Permalink: https://is.muni.cz/course/phil/autumn2020/USK_04