TIM_M_019 New Media in Gallery

Faculty of Arts
Autumn 2023
Extent and Intensity
1/1/0. 3 credit(s). Type of Completion: z (credit).
Teacher(s)
Mgr. Monika Szűcsová, Ph.D. (lecturer), doc. Mgr. Jana Horáková, Ph.D. (deputy)
Guaranteed by
doc. Mgr. Jana Horáková, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Ing. Alena Albíniová
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Wed 10:00–11:40 N43, except Wed 15. 11.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 100 student(s).
Current registration and enrolment status: enrolled: 12/100, only registered: 0/100, only registered with preference (fields directly associated with the programme): 0/100
fields of study / plans the course is directly associated with
Course objectives
The course focuses on the introduction and orientation of students of the theory of interactive media with contemporary art production in the new media environment. It emphasizes the timeliness of information, continuity and depth of attention, the immediacy of meetings. The course provides space for dialogue and interpretation of contemporary art in the new media environment.
Learning outcomes
The aim is to develop a lasting interest in current art events in the new media environment, based on its deeper understanding and experience.
Syllabus
  • • 1) Introductory lesson: Course content, requirements for termination
  • • 2) Contemporary art exhibitions and new media art shows - local context and abroad. Selection of current publications in our country and abroad.
  • • 3) Introduction to the issue of the future visited exhibition - theoretical and historical framework.
  • • 4) Visit a selected exhibition of new media art in the gallery.
  • • 5) Debate on the exhibition visited - with the help of recommended literature, the setting seen in the context of new media art, the development of the artist's or artistic group's creation, or the approach to creation. • 6) Introduction to the issue of the future visited exhibition - theoretical and historical framework.
  • • 7) Visit a selected exhibition of new media art in the gallery.
  • • 8) Debate on the exhibition visited - with the help of recommended literature, the setting seen in the context of new media art, the development of the artist's or artistic group's creation, or the approach to creation. • 9) Introduction to the issue of the future visited exhibition - theoretical and historical framework.
  • • 10) Visit a selected exhibition of new media art in the gallery.
  • • 11) Debate on the exhibition visited - with the help of recommended literature, the setting seen in the context of new media art, the development of the artist's or artistic group's creation, or the approach to creation. • 12) Credit week.
Literature
    recommended literature
  • UROSKIE, Andrew V. Between the black box and the white cube : expanded cinema and postwar art. London: University of Chicago Press, 2014, x, 273. ISBN 9780226842981. info
  • O'DOHERTY, Brian. Uvnitř bílé krychle : ideologie galerijního prostoru. Vydání první. Praha: Tranzit.cz, 2014, 103 stran. ISBN 9788087259306. info
  • FALK, John H. and Lynn D. DIERKING. The museum experience revisited. Walnut Creek, California: Left Coast Press, Inc., 2013, 416 stran. ISBN 9781611320442. info
  • OBRIST, Hans Ulrich. Stručná historie kurátorství. V českém jazyce vydání p. Kutná Hora: GASK - Galerie Středočeského kraje, 2012, 201 stran. ISBN 9788070561676. info
  • DZIEKAN, Vince. Virtuality and the art of exhibition : curatorial design for the multimedial museum. First published. Bristol, UK: Intellect, 2012, 207 stran. ISBN 9781841504766. info
  • Curating and the educational turn. Edited by Paul O'Neill - Mick Wilson. First published. Amsterdam: De Appel, 2010, 342 stran. ISBN 9780949004185. info
  • GRAHAM, Beryl and Sarah COOK. Rethinking curating : art after new media. Edited by Steve Dietz. Cambridge, Massachusetts: The MIT Press, 2010, xv, 354. ISBN 9780262528429. info
  • ALTSHULER, Bruce, Iwona BLAZWICK, Chris DERCON, Maria FUSCO, Caro HOWELL, Charles MEREWETHER, Mark NASH, Brian O'DOHERTY, Niru RATNAM, Sukhdev SANDHU, Adam SZYMCZYK and Nayia YIAKOUMAKI. A manual for the 21st century art institution : a room by room guide to the contemporary institution of the future, this collection of new essays considers the evolution of gallery and museum practice. Edited by Shamita Sharmacharja. London: Koenig books, 2009, 183 stran. ISBN 9783865606181. info
  • New media in the white cube and beyond : curatorial models for digital art. Edited by Christiane Paul. Berkeley: University of California Press, 2008, ix, 273. ISBN 9780520243972. info
  • BLACK, Graham. The engaging museum : developing museums for visitor involvement. First published. London: Routledge, Taylor & Francis Group, 2005, xii, 308. ISBN 041534557X. info
  • ALTSHULER, Bruce. The avant-garde in exhibition : new art in the 20th century. New York: Harry N. Abrams, Inc., publishers, 1994, 288 stran. ISBN 0810936372. info
Teaching methods
Lectures, exhibitions visits, discussions.
Assessment methods
Passing on exhibition reviews, presentation of an current cultural event, active participation in lectures.
Language of instruction
Czech
Further Comments
Study Materials
The course is taught annually.
The course is also listed under the following terms Autumn 2019, Autumn 2020, Autumn 2021, Autumn 2022, Autumn 2024.
  • Enrolment Statistics (Autumn 2023, recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2023/TIM_M_019