KLBcA26 Art of the Roman Principate

Faculty of Arts
Spring 2014
Extent and Intensity
2/0/0. 4 credit(s). Recommended Type of Completion: zk (examination). Other types of completion: k (colloquium).
Teacher(s)
PhDr. Marie Pardyová, CSc. (lecturer)
Guaranteed by
doc. PhDr. Eliška Kazdová, CSc.
Department of Archaeology and Museology – Faculty of Arts
Contact Person: PhDr. Marie Pardyová, CSc.
Supplier department: Department of Archaeology and Museology – Faculty of Arts
Timetable
Mon 10:50–12:25 C33
Prerequisites
general knowledge of Greek and Etruscan art and culture and of the Roman republic
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
fields of study / plans the course is directly associated with
there are 13 fields of study the course is directly associated with, display
Course objectives
The lecture presents the main structure, theory and topics of the Roman Imperial art from the 1st to the 3rd century A. D. At the end of this course students should be able to understand evolution od roman art in main periods from the first century B. C. to the end of the 3rd century A. D., interpret main monuments and their iconography
Syllabus
  • - Rome and its arts during the principiate, influence of the Hellenistic style, Roman decorative arts arts and Greek legacy, Atticism
  • - Establishing Roman synthesis and its layering
  • - Personal and common architecture
  • - Augustan period and its significance for the state representative art formation (connection of Roman content and Greek form)
  • - Iulio-Claudian period, portrait, historical relief and painting
  • - Flavian art and architecture
  • - Traian classicism - the peak of Roman synthesis in portraiture and historical relief
  • - Hadrian classicism - esthetic romantism, beginnings of spirituality
  • - Antonian art - the increase of expressive elements
Literature
  • PELIKÁN, Oldřich. Dějiny antického umění. 1. vyd. Praha: Státní pedagogické nakladatelství, 1971, 143 s. info
  • KRAUS, Th. Das römische Weltreich. Propyläen Kunstgeschichte. Berlin, 1967. info
  • ANDREAE, B. Römische Kunst. Freiburg, 1973. info
  • BIANCHI BANDINELLI, R. Römische Kunst. München, 1975. info
  • V. HEINTZE, H. Römische Kunst. Stuttgart, 1969. info
  • KÄHLER, H. Der römische Tempel. Berlin, 1970. info
  • FROVA, A. L`arte di Roma e del mondo romano. Torino, 1961. info
  • MANSUELLI, G. A. Roma e il mondo romano. Torino, 1981. info
  • ANDREAE, Bernard. Die römische Kunst : mit über 930 Illustrationen, davon ca. 180 Vierfarbigen auf Kunstdrucktafeln. Neubearb. und erw. Ausg. Freiburg: Herder, 1999, 640 s. ISBN 3451266814. info
  • KRAUS, Theodor and Bernard ANDREAE. Das Römische Weltreich. Berlin: Propyläen Verlag, 1990, 335 s. ISBN 354951026. info
  • ZANKER, Paul. Un'arte per l'impero : funzione e intenzione delle immagini nel mondo romano. Edited by Eugenio Polito. Milano: Electa, 2002, 235 s. ISBN 8843572660. info
  • ANDREAE, Bernard. Praetorium speluncae :Tiberius und Ovid in Sperlonga. Mainz: Akademie der Wissenschaften und der Literatur, 1994, 240 s. ISBN 3-515-06643-8. info
  • PARDYOVÁ, Marie. Le sarcophage de Portonaccio et la composition de son décor (The sarcophagus of Portonaccio and its theme). SPFFBU N 9. Brno: Masarykova univerzita, 2004, vol. 9, 1., p. 55-76. ISSN 1211-6335. info
  • PARDYOVÁ, Marie. La représentation de bataille sur le sarcophage de Portonaccio et sa composition (The representation of the battle at the sarcophagus of Portonaccio and his composition). In Eirene XLII. 1st ed. Praha: AV ČR, 2006, p. 135-151. ISBN 80-86410-41-2. info
  • PARDYOVÁ, Marie. Římské portréty jako palimpsesty (Roman portraits as palimpsests). Ve službách archeologie. Brno: Archeologický ústav SAV Nitra, 2008, vol. 2, No 208, p. 257-264. ISSN 1802-5463. info
  • PARDYOVÁ, Marie. Změny sochařského konceptu a antické opravy sošných památek (Changes in Sculpture Conception and Ancient Repairs of Sculptures). In Ve službách archeologie VI. 1st ed. Brno: Muzejní a vlastivědná společnost v Brně, 2005, p. 513-527, 13 pp. ISBN 80-7275-060-7. info
  • PARDYOVÁ, Marie. A propos des portraits romains d'enfants et d'adolescents, leur identification et datation (About Roman childerns and youths portraits. Its identification and datation.). In ANODOS. Studies of Ancient World. Symposium Mittelmeergebiet und Mitteleuropa in Kontakten und Konfrontationen seit den Bronzezeit bis zum Ausklang der Antike. Trnava, 2001. info
  • PARDYOVÁ, Marie. Přehled vývoje řeckého a římského sochařství (Introduction to the Greek and Roman Sculpture). 1st ed. Brno: Vzdělávací a poradenské centrum MU, 2005, 27 pp. Univerzita 3. věku. info
  • PARDYOVÁ, Marie. Protektivní prvky v antickém sochařství (Struts in the marble sculpture in antiquity). In Ve službách archeologie VII. 1st ed. Brno 2006: Muzejní a vlastivědná společnost v Brně, 2006, p. 449-464. ISBN 80-7275-066-6. info
  • PARDYOVÁ, Marie. Un portrait de Trajan remanié et réutilisé au IVe siècle (Recarved portrait of Trajan and reutilised in the 4th century). SPFFBU E. Brno: Univerzita J. E. Purkyně, 1983, vol. 28, No 1, p. 229-240. info
  • Turcan, Robert: L'art romain. Cinq siècles de la romanité. Paris 1995.
Teaching methods
lectures on the theory of roman art and analysis of most important works of arts and principal monuments, stylistic analysis
Assessment methods
Aims of the course and its fulfillment Requirements for the colloquium: - Basic orientation in the individual spheres of research in the branch - Knowledge of specialist literature, periodicals and outcomes of the work of significant researchers within the scope of the lecture and the assigned literature - Adequate participation in the work of the seminar
Language of instruction
Czech
Follow-Up Courses
Further Comments
The course is taught once in two years.
The course is also listed under the following terms Spring 2004, Spring 2005, Spring 2006, Spring 2008, Spring 2010, Spring 2012, Spring 2016, Spring 2018, Spring 2020.
  • Enrolment Statistics (Spring 2014, recent)
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