IM067 The Theory of Composition I B

Faculty of Arts
Spring 2016
Extent and Intensity
2/0. 2 credit(s). Type of Completion: zk (examination).
Teacher(s)
MgA. Jaroslav Šťastný, Ph.D. (lecturer), doc. PhDr. Martin Flašar, Ph.D. (deputy)
Guaranteed by
doc. Mgr. Jana Horáková, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Bc. Jitka Leflíková
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Mon 15:00–16:35 011
Prerequisites (in Czech)
IM066 The Theory of Composition I A
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 10 student(s).
Current registration and enrolment status: enrolled: 0/10, only registered: 0/10, only registered with preference (fields directly associated with the programme): 0/10
fields of study / plans the course is directly associated with
there are 13 fields of study the course is directly associated with, display
Course objectives
The main objective of the course is to give students who haven't passed the musical education basic information on development of musical composition from the late 19th century until present.
Syllabus
  • 1. Late 19th century, early modernisms
  • 2. Before the 1st World War
  • 3. Between the Wars
  • 4. Afterwar
  • 5. Present
Literature
  • WILSON, P. Niklas: Reduktion
  • Musik-Konzepte Sonderband: Musik der anderen Tradition. Mikroton. Tonwelten
  • WAGNER, A. (Hrsg): Luigi Nono. Dokumente. Materialien
  • SCHMIDT, CH.: Komposition und Spiel. Zu Iannis Xenakis
  • LAMBERT, P.: The Music of Charles Ives, Yale Univ. Press, New Haven 1997
  • FERNEYHOUGH, B.: Collected Writings, Harwood, Amsterdam 1998
  • KLÜPPELHOLZ, W.: Über Mauricio Kagel, PFAU, Saarbrücken 2003
  • de LEUW, T.: Die Sprache der Musik im 20. Jahrhundert
  • ANTHEIL, G.: Bad Boy of Music, Rotbuch, Hamburg 2000
  • VOGT, H.: Neue Musik seit 1945, Reclam, Stuttgart 1972
  • WILSON, P.-N.: Hear and Now. Gedanken zur improvisierten Musik
  • LUCIER, A.: Reflexions/Reflexionen, MusikTexte, Köln 1995
  • MAHNKOPF, C.-S.: Kritik der neuen Musik, Bärenreiter, Kassel 1998
  • SWAFFORD, J.: Charles Ives. A Life with Music
  • SCHALLER, E.: Klang und Zahl
  • WOLFF, CH.: Cues
  • RAUSCH, U.: Grenzgänge
  • The Undercurrents, edited by Young R., Continuum, London, New York 2005
  • FLAMMER, E.-H.: Schriften zur Musik, Heilbronn 1999
  • SPREE, H.: Fragmente-Stille. An Diotima
  • KOFROŇ, P. – SMOLKA, M.: Grafické partitury a koncepty, Votobia 1996
  • PERLOFF, M. – JUNKERMAN, CH.: John Cage. Composed in America
  • ROGGENKAMP, P.: Schriftbild und Interpretation in neuer Klaviermusik
  • MAHNKOPF, C.-S. (Hrsg): Mythos Cage. Wolke, Hofheim 1999
  • REINLE, J.P.: Your Own Voice. Ein Kaleidoskop von improvisierten Musik
  • MERTENS, W.: American Minimal Music. Kahn and Averill, London 1993
  • RÜDIGER, W.: Der Musikalische Atem
Assessment methods
Lecture. Credits + Exam.
Language of instruction
Czech
Further comments (probably available only in Czech)
The course is taught annually.
The course is also listed under the following terms Spring 2008, Spring 2009, Spring 2010, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015.
  • Enrolment Statistics (recent)
  • Permalink: https://is.muni.cz/course/phil/spring2016/IM067