TIM_B_020 Visual Composition in Time II

Faculty of Arts
Spring 2023
Extent and Intensity
1/1/0. 4 credit(s). Type of Completion: zk (examination).
Teacher(s)
doc. MgA. Filip Cenek (lecturer), doc. PhDr. Martin Flašar, Ph.D. (deputy)
Guaranteed by
doc. MgA. Filip Cenek
Department of Musicology – Faculty of Arts
Contact Person: Bc. Jitka Leflíková
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Fri 11:00–12:40 218
Prerequisites (in Czech)
TIM_B_019 Visual Composition in Time I
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 10 student(s).
Current registration and enrolment status: enrolled: 0/10, only registered: 0/10, only registered with preference (fields directly associated with the programme): 0/10
fields of study / plans the course is directly associated with
there are 12 fields of study the course is directly associated with, display
Course objectives
Composition of analogue and digital picture, manipulated photograph, creation and work with moving image, Basics of visual communication, language of film, design and colour iconography etc. The main objectives of the course are the ability to work with contemporary software, videopicture and videocomposition.
Learning outcomes
Seamless mastery of the primary procedures of moving image processing in a computer environment and an understanding of related issues (including technological ones: formats, compression, resolution, etc.). Creative use of compositing and compositing programs such as Adobe Premiere Pro, Adobe AfterEffects, Discreet Combustion, and Bauhaus Mirage.
Syllabus
  • A practical course dedicated to the creation and work with moving image in the computer, development of creativity of students. Basics of composition of temporalized image.
Literature
  • Wodtke, Mark: Mind Over Media. McGraw-Hill, New York 1993
  • Vogel, Amos: Film as a Subversive Art. Random House, New York (on-line)
  • Beyond Narrative. DVD-ROM, ZKM, Karlsruhe 2003
  • Bellour, Raymond & Bandy, Mary Lea (eds.): Godard. Son + Image 1974–1991. New York 1992
  • Beránek, Petr.: Digitální video v~praxi. UNIS, Praha 2001
  • Manuály, uživatelská fóra a rozcestníky: Adobe (www.adobe.com), Discreet (www.discreet.com), Quicktime (www.apple.com/quicktime), portály digitalproducer.com, desktopvideo.about.com, dvcentral.org ad.
  • Epstein, Jean: Poetika obrazů. Herrmann & synové, Praha 1997
  • Block, Bruce: The Visual Story: Seeing the Structure of Film, TV, and New Media. FP, 2001
  • Skripta FAMU (části, týkající se střihové skladby)
  • Aumont, Jacques: Obraz. AMU, Praha 2006
  • Čada, Ondřej: Digitální video krok za krokem. Grafika Publishing, Praha 2002
  • Manovich, Lev: The Language of New Media. MIT Press, 2001
  • Reiser, Martin & Zapp, Andrea (eds.): New Screen Media: Cinema/Art/Narrative. London 2002
  • Sitney, P. Adams: Une histoire du cinéma. Museé national d’art moderne, Paris 1976
  • Ulver, Stanislav: Západní filmová avantgarda. ČFÚ, Praha 1991
  • Antologie textů k~Úvodům. FAMU, Praha 2006
Teaching methods
lecture: 1 hour seminar: 2 hours (individual)
Assessment methods
Exam, written essay
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course is taught annually.
Information on the extent and intensity of the course: přednáška+individuální výuka.
The course is also listed under the following terms Spring 2020, Spring 2021, Spring 2022, Spring 2024, Spring 2025.
  • Enrolment Statistics (Spring 2023, recent)
  • Permalink: https://is.muni.cz/course/phil/spring2023/TIM_B_020