TIM_BM_005 Documents of Presence and Experience I. Process and Structure

Filozofická fakulta
podzim 2020
Rozsah
1/1/0. 5 kr. Ukončení: z.
Vyučující
123920 Jennifer De Felice (přednášející), doc. Mgr. Jana Horáková, Ph.D. (zástupce)
Mgr. MgA. Jennifer Ann Helia DeFelice, Ph.D. (přednášející)
Garance
Mgr. MgA. Jennifer Ann Helia DeFelice, Ph.D.
Ústav hudební vědy – Filozofická fakulta
Kontaktní osoba: Bc. Jitka Leflíková
Dodavatelské pracoviště: Ústav hudební vědy – Filozofická fakulta
Rozvrh
Út 8:00–9:40 N43
Omezení zápisu do předmětu
Předmět je nabízen i studentům mimo mateřské obory.
Předmět si smí zapsat nejvýše 150 stud.
Momentální stav registrace a zápisu: zapsáno: 0/150, pouze zareg.: 0/150, pouze zareg. s předností (mateřské obory): 0/150
Mateřské obory/plány
předmět má 6 mateřských oborů, zobrazit
Cíle předmětu
Documents of Presence and Experience is a series of lectures accompanied by audiovisual projections. Art films, videos, and documentaries and excerpts from lectures by international artists and collectives from the early 20th century to the present are shown throughout the course, illustrating theoretical deliberations on given themes and artistic movements. Art and artist databases, institutional resources, alternative communities, and artist residencies are also showcased within the sessions. Conceptual texts and deliberations are included as part of the curriculum.
Výstupy z učení
Upon succcessful completion of the course students will be able to:
- identify and summarize the guiding concepts of important avant-garde movements
- recognize conceptual tendencies within contemporary art practice
- write a theoretical text detailing or adopting the mechanisms of the manifesto
- analyse the socio-politcal context which gave/gives rise to shifts in aesthetic paradigms
Osnova
  • -Oral Tradition – Myth
  • -Steps to be Taken – Ritual
  • -The Nature of the Game – Play
  • -Performing Culture
  • -Conceptual Approaches
  • -Language Texts and Signs
Literatura
    povinná literatura
  • Schechner, Richard: Performance Studies
  • Dewey, John: Art as Experience
    doporučená literatura
  • Stiles, Kristine, Selz, Peter: Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings
Výukové metody
The presentations are divided into semester-long blocks which deal with individual themes related to perfomativity as a phenomenon. Key concepts such as experience, contemporaneity, avant garde, ritual, play, indeterminacy, social engagement, participation, and improvisation are explored, relying heavily on artistic texts and theoretical works. Lectures are accompanied by audiovisual material.

The classes are based on presentation and class discussions. Students will asked to participate actively in discussion based on reading assignments.
Metody hodnocení
Final evaluation will be based on attendence (75%), active participation in class, the presentation of a project or theme of the student's choice accompanied by a theoretical text (comparative study, curatorial project, personal manifesto (approx. 5 n/s) based on the given theme of the semester.

Semester projects will be assesed based on relevance of theme and quality of research and delivery (presentation, text).
Vyučovací jazyk
Angličtina
Další komentáře
Studijní materiály
Předmět je vyučován jednou za tři roky.
  • Statistika zápisu (nejnovější)
  • Permalink: https://is.muni.cz/predmet/phil/podzim2020/TIM_BM_005