IM091 Bad Filming: Typology of Classic Film Influences on Video Art

Faculty of Arts
Autumn 2009
Extent and Intensity
2/0/0. 3 credit(s). Type of Completion: k (colloquium).
Teacher(s)
Mgr. Marika Kupková, Ph.D. (lecturer)
Guaranteed by
doc. Mgr. Jana Horáková, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: doc. Mgr. Jana Horáková, Ph.D.
Timetable
Thu 11:40–13:15 zruseno D22
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 150 student(s).
Current registration and enrolment status: enrolled: 0/150, only registered: 0/150, only registered with preference (fields directly associated with the programme): 0/150
fields of study / plans the course is directly associated with
there are 7 fields of study the course is directly associated with, display
Course objectives
BAD FILMING Typology of Classical Film Influence on Videoart
At the end of the course student will be able to: orientate himself in the frequented stylish and technological processes related to film and video art; characterize a basic categories of video art, know the exemplary pieces including its use in the gallery; will be able to define the socio-cultural and institutional framework of audiovisual production in cinematography and visual arts; will be able to evaluate a particular audiovisual work in the context of fine art.
Syllabus
  • 1. Basic media relations between film and video art. Intermediality, transmediality, multimediality, mixed-media. 2. Development of the term of intermediality in the context of audiovisual production. 3. Selected categories of video art in relation to fine art disciplines: videoperformance, videoinstalation, videoanimation, etc. 4. Intermedia processes affected by digital technologies: a method of rewriting, remapping, recombination, manageable image, interpolation, networking, immersive relation, etc. 5. Institutional specifics of the cinematography and fine art practice. 6. Perceptional model of the cinema viewer vs. gallery visitor.
Literature
  • Cubitt, Sean. Timeshift On Video Culture. New York: Routledge, 1991.
  • Pospiszyl, Tomáš, Srovnávací studie. Praha: Agite/Fra, 2004.
  • Cubitt, Sean. Videography, Video Media As Art And Culture. New York: Routledge, 1993
  • FILIPOVÁ, Marta and Matthew RAMPLEY. Možnosti vizuálních studií : obrazy, texty, interpretace. 1. vyd. Brno: Masarykova univerzita, Filozofická fakulta, Seminář dějin umění, 2007, 254 s. ISBN 9788087029268. info
  • SZCZEPANIK, Petr. (ed.) Nová filmová historie. Antologie současného myšlení o dějinách kinematografie a audiovizuální kultury. Praha: Herrmann a synové, 2004, 528 pp. info
  • BOURRIAUD, Nicolas. Postprodukce : kultura jako scénář: jak umění nově programuje současný svět. Translated by Petr Turek. Vyd. 1. Praha: Tranzit, 2004, 106 s. ISBN 8090345204. info
  • BAXANDALL, Michael. Stíny a světlo : umění a vizuální zkušenost. Translated by Pavel Pšeja. Vyd. 1. Brno: Barrister & Principal, 2003, 207 s. ISBN 8086598586. info
  • RUSH, Michael. Video art. London: Thames & Hudson, 2003, 224 s. ISBN 0500237980. info
  • BELTING, Hans. Konec dějin umění. Translated by Jan Hlavička. Vyd. 1. Praha: Mladá fronta, 2000, 244 s. ISBN 8020408568. info
  • Vizuální teorie : současné anglo-americké myšlení o výtvarných dílech. Edited by Ladislav Kesner, Translated by Lucie Vidmarová - Ladislav Kesner. Vyd. tohoto souboru 1. Jinočany: H & H, 1997, 265 s. : i. ISBN 80-86022-17-X. info
Teaching methods
The course will consist of lectures and visits in gallery insitutions in Brno.
Assessment methods
essay
Language of instruction
Czech
Further Comments
Study Materials
The course is taught only once.
The course is also listed under the following terms Autumn 2011, Autumn 2012, Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016, Autumn 2018, Autumn 2019, Autumn 2020, Autumn 2021.
  • Enrolment Statistics (Autumn 2009, recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2009/IM091