FAV212 Typology of Film Art I

Faculty of Arts
Autumn 2010
Extent and Intensity
2/0/0. 4 credit(s). Type of Completion: k (colloquium).
Teacher(s)
prof. Pavel Švanda (lecturer), PhDr. Jaromír Blažejovský, Ph.D. (deputy)
Guaranteed by
PhDr. Jaromír Blažejovský, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Timetable
Tue 15:00–15:45 C34, Tue 15:50–18:15 C34
Course Enrolment Limitations
The course is only offered to the students of the study fields the course is directly associated with.

The capacity limit for the course is 135 student(s).
Current registration and enrolment status: enrolled: 0/135, only registered: 0/135
fields of study / plans the course is directly associated with
there are 12 fields of study the course is directly associated with, display
Course objectives
The lectures which are closely connected to a seminar and film screenings introduce the so-called classics (both films and their creators) to the students.
The aim of the course is to:
cultivate the viewers' experiences;
develop their ability to reflect on films;
enhance their written and oral expression capabilities.
Thematically the course will be devoted to Italian neorealism.
Syllabus
  • Vittorio De Sica: Shoe-Shine (Sciuscià)
  • Vittorio De Sica: Bicycle Thieves (Ladri di biciclette)
  • Vittorio De Sica: Umberto D
  • Vittorio De Sica: Marriage Italian-Style (Matrimonio all'italiana)
  • Giuseppe De Santis: Under the Olive Tree (Non c'è pace tra gli ulivi)
  • Giuseppe De Santis: Rome 11:00 (Roma ore 11)
  • Giuseppe De Santis: A Husband for Anna (Un marito per Anna Zaccheo)
  • Alberto Lattuada: The Overcoat (Il cappotto)
  • Mario Monicelli: Big Deal on Madonna Street (I soliti ignoti)
  • Ermanno Olmi: The Fiances (I fidanzati)
  • Ermanno Olmi: The Tree of Wooden Clogs (L'albero degli zoccoli)
Literature
    recommended literature
  • LANDY, Marcia. Italian film. 1st pub. Cambridge: Cambridge University Press, 2000, xxiii, 434. ISBN 0521649773. info
  • OLIVA, Ljubomír. Filmová Itálie. Praha: Čs. filmový ústav, 1987. info
  • OLIVA, Ljubomír. Režiséři (Itálie) : medailóny, filmografie, bibliografie. Praha: Československý filmový ústav, 1984. info
  • OLIVOVÁ, Drahomíra. Film velkých nadějí. 1. vyd. Praha: Orbis, 1963, 198 s. URL info
    not specified
  • KAUTSKÝ, Oldřich. Italský filmový neorealismus. Praha: Orbis, 1958. info
Teaching methods
Screenings and seminar analysis.
Assessment methods
The colloquium: an essay.
Language of instruction
Czech
Further Comments
Study Materials
The course is taught annually.

  • Enrolment Statistics (recent)
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