DU2747 Seminra: Warburg, Panofsky,Sedlmayr & Gombrich

Faculty of Arts
Autumn 2014
Extent and Intensity
0/2. 5 credit(s). Type of Completion: k (colloquium).
Teacher(s)
prof. PhDr. Ladislav Kesner, Ph.D. (seminar tutor)
Guaranteed by
prof. PhDr. Ladislav Kesner, Ph.D.
Department of Art History – Faculty of Arts
Contact Person: prof. PhDr. Ladislav Kesner, Ph.D.
Supplier department: Department of Art History – Faculty of Arts
Timetable
Mon 15:50–17:25 K31
Prerequisites
Fluent reading of English texts.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 25 student(s).
Current registration and enrolment status: enrolled: 0/25, only registered: 0/25, only registered with preference (fields directly associated with the programme): 0/25
fields of study / plans the course is directly associated with
Course objectives
Deeper understanding of some of the key art-historical texts and their significance for disciplinary practice.
Syllabus
  • Warburg, Panofsky, Dvořák, Gombrich, Sedlmayr
Literature
  • HURTTIG, Marcus Andrew, Ulrich REHM and Claudia WEDEPOHL. Die entfesselte Antike : Aby Warburg und die Geburt der Pathosformel. Edited by Thomas Ketelsen. Köln: Wallraf-Richartz-Museum & Fondation Courboud, 2012, 147 s. ISBN 9783863351519. info
  • DIDI-HUBERMAN, Georges. Das Nachleben der Bilder : Kunstgeschichte und Phantomzeit nach Aby Warburg. Translated by Michael Bischoff. 1. Aufl. Berlin: Suhrkamp, 2010, 646 s. ISBN 9783518585535. info
  • MICHAUD, Philippe-Alain. Aby Warburg and the image in motion. Translated by Sophie Hawkes. 1st pbk. ed. New York: Zone Books, 2007, 402 s. ISBN 9781890951405. info
  • GOMBRICH, E. H. The Preference for the primitive : episodes in the history of western taste and art. London: Phaidon Press, 2002, 324 s. ISBN 0714841544. info
  • GOMBRICH, E. H. The uses of images : studies in the social function of art and visual communication. 1st pbk. ed. London: Phaidon, 2000, 304 s. ISBN 0714839698. info
  • GOMBRICH, E. H. Meditations on a hobby horse : and other essays on the theory of art. Repr. London: Phaidon Press Limited, 1994, x, 182. ISBN 0714832456. info
  • GOMBRICH, E. H. The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. London: Phaidon Press, 1994. ISBN 071483243X. info
  • SEDLMAYR, Hans. Demolovaná krása. Translated by Vlastimil Jiřík. Praha: Státní ústav památkové péče, 1992, 135 s., [4. ISBN 80-85467-19-4. info
  • PANOFSKY, Erwin. Tomb sculpture : four lectures on its changing aspects from Ancient Egypt to Bernini. Edited by H. W. Janson - Martin Warnke. London: Phaidon Press, 1992, 319 s. ISBN 0714828246. info
  • GOMBRICH, E. H. Topics of our time : twentieth-century issues in learning and in art. London: Phaidon, 1991, 223 s. ISBN 0714827916. info
  • GOMBRICH, E. H. The Sense of Order: A Study in the Psychology of Decorative Art. Ithaca: Cornell University Press, 1984. ISBN 0801492491. info
  • PANOFSKY, Erwin. Význam ve výtvarném umění. Edited by Lubomír Konečný. Vyd. 1. Praha: Odeon, 1981, 372 s. info
  • PANOFSKY, Dora Mosse and Erwin PANOFSKY. Pandora's box : the changing aspects of a mythical symbol. New York: Pantheon Books, 1956, xiv, 158. info
  • DVOŘÁK, Max. Italské umění od renesance k baroku. Edited by Jan Krofta. V Praze: Jan Laichter, 1946, 324 s. info
  • DVOŘÁK, Max. Kunstgeschichte als Geistesgeschichte : studien zur abendländischen Kunstentwicklung. München: R. Piper & Co. Verlag, 1924, 275 s. info
Teaching methods
Reading of texts, paper presentation, discussion.
Assessment methods
SEminar paper
Language of instruction
Czech
Further Comments
Study Materials
  • Enrolment Statistics (recent)
  • Permalink: https://is.muni.cz/course/phil/autumn2014/DU2747