FAV331 Protectorate Cinema - Research Seminar IV

Faculty of Arts
Autumn 2018
Extent and Intensity
0/2/0. 5 credit(s) (plus 3 credits for an exam). Recommended Type of Completion: k (colloquium). Other types of completion: zk (examination).
Teacher(s)
doc. Mgr. Pavel Skopal, Ph.D. (lecturer)
Guaranteed by
doc. Mgr. Pavel Skopal, Ph.D.
Department of Film Studies and Audiovisual Culture – Faculty of Arts
Contact Person: Patrycja Astrid Twardowska
Supplier department: Department of Film Studies and Audiovisual Culture – Faculty of Arts
Timetable
Mon 10:00–11:40 C34
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 12 student(s).
Current registration and enrolment status: enrolled: 0/12, only registered: 0/12, only registered with preference (fields directly associated with the programme): 0/12
fields of study / plans the course is directly associated with
there are 10 fields of study the course is directly associated with, display
Course objectives
The seminar will introduce the students to the film journalism of the Protectorate era, will teach them how to analyse historical texts, how to identify research topics in a "bottom-up" way, and to fill in an online database indexing articles in the leading industry paper of that time, Filmový kurýr.
Learning outcomes
Students will be able to analyse historical reviews and essays on cinema, to define research topics by researching published sources. They will be familiar with the conditions of journalism in the Protectorate era, and well informed on the film industry. They will get an experience with a collaboration on a project - in our case, an annotated bibliography of the leading industry journal Filmový kurýr.
Syllabus
  • The students will be researching on changes of the film industry from the First Republic, through so called Second Republic, till the end of the Protectorate Bohemia and Moravia. The main research material will be a spectrum of film journals (Filmovy kuryr, Kinorevue, Vestnik CMFU, etc.). This perspective makes it possible to research: the changes of the film industry through the perspective of its representatives and professinal organizations; 2. the basic features of the public discourse on cinema and its changes caused by political and cultural situation.
Literature
    required literature
  • HAVELKA, Jiří. Filmové hospodářství v zemích českých a na Slovensku 1939 až 1945. Praha: ČSFN, 1946.
  • ŠTÁBLA, Zdeněk. Data a fakta z dějin čs. kinematografie 1896-1945, sv. 4. Praha: ČSFÚ, 1990.
  • BRYANT, Chad Carl. Praha v černém : nacistická vláda a český nacionalismus. Translated by Eduard Geissler. Vyd. 1. Praha: Argo, 2012, 350 s. ISBN 9788025707906. info
    recommended literature
  • Dvořáková, Tereza - Klimeš, Ivan. Prag-Film AG 1941-1945. Im Spannungsfeld zwischen Protektorats- und Reichs-Kinematografie. München: Richard Boorberg Verlag, 2008.
  • KAŠPAR, Lukáš. Český hraný film a filmaři za protektorátu : propaganda, kolaborace, rezistence. Vyd. 1. Praha: Libri, 2007, 491 s. ISBN 9788072773473. info
    not specified
  • WANATOWICZOVÁ, Krystyna. Miloš Havel : český filmový magnát. Vydaní první. Praha: Knihovna Václava Havla, 2013, 551 stran. ISBN 9788087490181. info
Teaching methods
Class discussion, interpretation of archival materials and journal articles, reading.
Assessment methods
Participation at seminar discussions, seminar presentations, essay.
Language of instruction
Czech
Further comments (probably available only in Czech)
Study Materials
The course can also be completed outside the examination period.
General note: Pro studenty bakalářského studia: ukončení klasifikovaným zápočtem (5 kreditů), pro studenty magisterského studia: ukončení zkouškou (8 kreditů).
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