FF:IMN115 From Electronics to Coding I - Course Information

IMN115 From Electronic Music to Live Coding Performance I

Extent and Intensity

1/1/0. 6 credit(s). Type of Completion: zk (examination).

Teacher(s)

doc. Mgr. Jozef Cseres, PhD. (lecturer)
doc. PhDr. Martin Flašar, Ph.D. (lecturer)

Guaranteed by

doc. Mgr. Jozef Cseres, PhD.
Department of Musicology – Faculty of Arts
Supplier department: Department of Musicology – Faculty of Arts

Timetable

Thu 8:00–9:40 N21

Course Enrolment Limitations

The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 150 student(s).
Current registration and enrolment status: enrolled: 0/150, only registered: 0/150, only registered with preference (fields directly associated with the programme): 0/150

fields of study / plans the course is directly associated with

• Theory of Interactive Media (programme FF, N-HS)
• Theory of Interactive Media (programme FF, N-OT) (2)

Course objectives

This course should contribute to a broader understanding the development of electroacoustic music in the world as well as in the home conditions. Students will be acquainted with basic aesthetic and technical problems of EM.

Learning outcomes

Students will be able to identify, classify and interpret various forms of technologically produced music in the 2nd half of the 20th century with overlapping to the present times.

Syllabus

• - EM - definition, classification, typology
• - Ferruccio Busoni and Italian Futurism
• - Musique concréte
• - EM in France - E. Varèse, I. Xenakis, P. Boulez
• - EM in Germany - K. Stockhausen
• - EM in the U.S.A.
• - Computer Music
• - EM in Czechoslovakia
• - Nonartificial EAH
• - Interactive performance
• - Improvisation, hardware hacking

Literature

required literature
• FLAŠAR, Martin. Elektroakustická hudba [online]. 1 vyd. Brno: Masarykova univerzita, 2015 [cit. 2018-01-23]. Elportál. Dostupné z: . ISBN 978-80-210-7944-1, 978-80-210-7945-8 (epub). ISSN 1802-128X.

recommended literature
• LÉBL, Vladimír. Elektronická hudba. 1. vyd. Praha: Státní hudební vydavatelství, 1966. 97 s.
• FLAŠAR, Martin. Poeme électronique. 1958. Le Corbusier - E. Varese - I. Xenakis. Vyd. 1. Brno: Masarykova univerzita, 2012. 162 s. Spisy FF MU v Brně ; č. 409. ISBN 978-80-210-5945-0.
• SCHAEFFER, Pierre. Konkrétní hudba. Přeložil František Tvrdý. Praha: Editio Supraphon, 1971.
• FORRÓ, Daniel. Svět MIDI. Vyd. 1. Praha: Grada, 1997. 375 s. ISBN 8071694126.
• DOHNALOVÁ, Lenka. Estetické modely evropské elektroakustické hudby a elektroakustická hudba v ČR. Praha: Univerzita Karlova, 2001. 234 s. +. ISBN 80-7290-047-1.
• HOLMES, Thom. Electronic and experimental music : technology, music, and culture. 3rd ed. New York: Routledge, 2008. xviii, 462. ISBN 9780415957823.
• FLAŠAR, Martin, Daniel MATEJ a Michal RATAJ. Electronic music today: Where are we going and what are we doing? 1. vyd. Brno: Janáčkova akademie múzických umění v Brně, 2014. 126 s. ISBN 978-80-7460-071-5.

Teaching methods

lectures

Assessment methods

Written test.

Language of instruction

Czech

Further Comments

Study Materials
The course is taught annually.

• Enrolment Statistics (Autumn 2019, recent)
  
• Permalink: https://is.muni.cz/course/phil/autumn2019/IMN115