FF:VH_755 Aesthetisc of Music - Course Information
VH_755 Chapters from Aesthetisc of Music
Faculty of ArtsAutumn 2009
- Extent and Intensity
- 2/0/0. 5 credit(s). Type of Completion: k (colloquium).
- Teacher(s)
- prof. PhDr. Lubomír Spurný, Ph.D. (lecturer)
- Guaranteed by
- prof. PhDr. Jana Perutková, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: Vlasta Taranzová - Timetable
- Thu 8:20–9:55 J22
- Prerequisites
- VH_39 Bachelor exam
The aesthetics of music: 18th - 20 century. - Course Enrolment Limitations
- The course is only offered to the students of the study fields the course is directly associated with.
- fields of study / plans the course is directly associated with
- there are 8 fields of study the course is directly associated with, display
- Course objectives
- The main objectives of the course are the following: making students aware of romatic aesthetics; imitation and expression; formalism and autonomy; theories of meaning. Use and apply the terms of musical aesthetics of the period.
- Syllabus
- Definition and characteristics of the term.
- Aesthetics of Romanticism. (Wilhelm Heinrich Wackenroder, Johann Ludwig Tieck; Herzensergiessungen eines kunstliebenden Klosterbruders (1797), Phantasien über die Kunst, für Freunde der Kunst (1799); reception of Romanticism in the texts of Carl Dahlhaus, H. H. Eggebrecht, Peter Rummenhöller)
- Richard Wagner: Gesamtkunstwerk, "Musikdrama", absolute music
- Musical formalism: Eduard Hanslick, Vom Musikalisch-Schönen (k dispozici česká verze) http://www.gutenberg.org/etext/26949
- "Entwurf einer neuen Ästhetik der Tonkunst" by Ferruccio Busoni http://www.gutenberg.org/ebooks/24677; http://www.archive.org/details/sketchofanewesth000125mbp
- Otakar Hostinský: "Das Musikalisch-Schöne und das Gesammtkunstwerk vom Standpuncte der formalen Aesthetik" (1877); Zdeněk Nejedlý: "Krise estetiky" (1913), "Otakara Hostinského estetika" (1921); Otakar Zich: "Estetické vnímání hudby" (1911), "Estetika dramatického umění" (1931)
- Aesthetics of music and theory of early 20th century. August Otto Halm, Ernst Kurh, Hans Mersmann, Heinrich Schenker
- Semiotics of music
- Literature
- Scruton, Roger, The aesthetics of music. Oxford University Press 1997. ISBN 019816727X.
- De la Motte-Haber, Helga (ed.), Musikästhetik. Laaber: Laaber-Verlag 2004. ISBN 3-89007-562-2
- FUKAČ, Jiří. Hudební estetika jako konkretizace obecné estetiky a muzikologická disciplína (Music aesthetics as concretization of the general aesthetics and a discipline of musicology). 2nd ed. Brno: Masarykova univerzita, 2001, 168 pp. ISBN 80-210-2575-1. info
- ADORNO, Theodor W. Estetická teorie. 1. vyd. Praha: Panglos, 1997, 581 s. ISBN 80-902205-4-1. info
- LIPPMAN, Edward. A history of western musical aesthetics. Lincoln: University of Nebraska Press, 1992, 551 s. ISBN 0-8032-2863-5. info
- DAHLHAUS, Carl. Klassische und romantische Musikästhetik. Laaber: Laaber-Verlag, 1988, 512 s. ISBN 3-89007-142-2. info
- VÍT, Petr. Formování novodobého historického a estetického myšlení o hudbě jako součást procesu vědeckého a uměleckého vývoje v Čechách v období cca 1760-1848. 1976, 224 s. info
- Teaching methods
- lectures
- Assessment methods
- written test; oral exam
- Language of instruction
- Czech
- Further Comments
- Study Materials
The course is taught only once.
- Enrolment Statistics (Autumn 2009, recent)
- Permalink: https://is.muni.cz/course/phil/autumn2009/VH_755