IM067 The Theory of Composition I.B

Faculty of Arts
Spring 2010
Extent and Intensity
2/0. 2 credit(s). Type of Completion: zk (examination).
Teacher(s)
MgA. Jaroslav Šťastný, Ph.D. (lecturer), doc. Mgr. Jana Horáková, Ph.D. (deputy)
Guaranteed by
PhDr. Petr Macek, Ph.D.
Department of Musicology – Faculty of Arts
Contact Person: doc. Mgr. Jana Horáková, Ph.D.
Timetable
Thu 12:30–14:05 JAMU
Prerequisites (in Czech)
IM066 The Theory of Composition I. A
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 12 student(s).
Current registration and enrolment status: enrolled: 0/12, only registered: 0/12, only registered with preference (fields directly associated with the programme): 0/12
fields of study / plans the course is directly associated with
there are 15 fields of study the course is directly associated with, display
Course objectives
The main objective of the course is to give students who haven't passed the musical education basic information on development of musical composition from the late 19th century until present.
Syllabus
  • 1. Late 19th century, early modernisms
  • 2. Before the 1st World War
  • 3. Between the Wars
  • 4. Afterwar
  • 5. Present
Literature
  • PERLOFF, M. – JUNKERMAN, CH.: John Cage. Composed in America
  • RAUSCH, U.: Grenzgänge
  • de LEUW, T.: Die Sprache der Musik im 20. Jahrhundert
  • SCHMIDT, CH.: Komposition und Spiel. Zu Iannis Xenakis
  • FERNEYHOUGH, B.: Collected Writings, Harwood, Amsterdam 1998
  • RÜDIGER, W.: Der Musikalische Atem
  • LUCIER, A.: Reflexions/Reflexionen, MusikTexte, Köln 1995
  • WILSON, P. Niklas: Reduktion
  • SCHALLER, E.: Klang und Zahl
  • KLÜPPELHOLZ, W.: Über Mauricio Kagel, PFAU, Saarbrücken 2003
  • The Undercurrents, edited by Young R., Continuum, London, New York 2005
  • MAHNKOPF, C.-S.: Kritik der neuen Musik, Bärenreiter, Kassel 1998
  • MERTENS, W.: American Minimal Music. Kahn and Averill, London 1993
  • WILSON, P.-N.: Hear and Now. Gedanken zur improvisierten Musik
  • MAHNKOPF, C.-S. (Hrsg): Mythos Cage. Wolke, Hofheim 1999
  • WOLFF, CH.: Cues
  • ANTHEIL, G.: Bad Boy of Music, Rotbuch, Hamburg 2000
  • VOGT, H.: Neue Musik seit 1945, Reclam, Stuttgart 1972
  • LAMBERT, P.: The Music of Charles Ives, Yale Univ. Press, New Haven 1997
  • FLAMMER, E.-H.: Schriften zur Musik, Heilbronn 1999
  • ROGGENKAMP, P.: Schriftbild und Interpretation in neuer Klaviermusik
  • KOFROŇ, P. – SMOLKA, M.: Grafické partitury a koncepty, Votobia 1996
  • SWAFFORD, J.: Charles Ives. A Life with Music
  • WAGNER, A. (Hrsg): Luigi Nono. Dokumente. Materialien
  • SPREE, H.: Fragmente-Stille. An Diotima
  • Musik-Konzepte Sonderband: Musik der anderen Tradition. Mikroton. Tonwelten
  • REINLE, J.P.: Your Own Voice. Ein Kaleidoskop von improvisierten Musik
Assessment methods
Lecture. Credits + Exam.
Language of instruction
Czech
Further Comments
Study Materials
The course is taught annually.
The course is also listed under the following terms Spring 2008, Spring 2009, Spring 2011, Spring 2012, Spring 2013, Spring 2014, Spring 2015, Spring 2016.
  • Enrolment Statistics (Spring 2010, recent)
  • Permalink: https://is.muni.cz/course/phil/spring2010/IM067