Passing the study plan
FF FNINMEpH Theory of Interactive Media
Name in Czech: Teorie interaktivních médií
master's full-time major, language of instruction: Czech
Included in the programme: FF N-INME_ Theory of Interactive Media
master's full-time major, language of instruction: Czech
Included in the programme: FF N-INME_ Theory of Interactive Media
Introductory information / Instructions
Semester 1
Code | Name | Type of Completion | Credits | Profile Cat. | Requirement |
FF:TIM_M_001 | From Electronic Music to Live Coding Performance I | zk | 6 | Z | P |
FF:TIM_M_003 | New Media Art Obsessions I | zk | 6 | Z | P |
FF:TIM_M_006 | Methods and Technics of Research for Masters | zk | 6 | - | P |
FF:UEV_24 | Selected issues of aesthetics I | k | 6 | Z | P |
24 credits |
Semester 2
Code | Name | Type of Completion | Credits | Profile Cat. | Requirement |
FF:TIM_M_002 | From Electronic Music to Live Coding Performance II | zk | 6 | Z | P |
FF:TIM_M_004 | New Media Art Obsessions II | zk | 6 | Z | P |
FF:TIM_M_005 | Social Theories of New Media | zk | 6 | Z | P |
FF:UEV_25 | Selected issues of aesthetics II | zk | 6 | Z | P |
24 credits |
Semester 3
Code | Name | Type of Completion | Credits | Profile Cat. | Requirement |
FF:TIM_M_007 | Master's Thesis Seminar I | z | 10 | P | P |
10 credits |
Semester 4
Code | Name | Type of Completion | Credits | Profile Cat. | Requirement |
FF:TIM_M_008 | Master's Thesis Seminar II | z | 10 | P | P |
FF:TIM_M_009 | Master's Thesis | z | 5 | P | P |
15 credits |
Any semester
Code | Name | Type of Completion | Credits | Profile Cat. | Requirement |
FF:MVK_10 | Work Experience | z | 6 | - | PV |
FF:TIM_BM_001 | JOINME: Journal of Interactive Media | zk | 6 | - | PV |
FF:TIM_BM_002 | JOINME: Journal of Interactive Media | zk | 6 | - | PV |
FF:TIM_BM_003 | TIM_Master class | zk | 4 | - | PV |
FF:TIM_BM_004 | TIM_Master class | zk | 4 | - | PV |
FF:TIM_BM_005 | Documents of Presence and Experience I. Process and Experience | z | 5 | - | PV |
FF:TIM_BM_006 | Documents of Presence and Experience II. Resistant Strains | z | 5 | - | PV |
FF:TIM_M_010 | Opinion Journalism | z | 4 | - | PV |
FF:TIM_M_011 | Software prototyping of AV work II | z | 3 | - | PV |
FF:TIM_M_012 | Software prototyping of AV work II | zk | 4 | - | PV |
FF:TIM_M_013 | Record - Score - Instruction | z | 3 | - | PV |
FF:TIM_M_014 | Computer music | z | 3 | - | PV |
FF:TIM_M_015 | Computer music_practice | z | 3 | - | PV |
FF:TIM_M_016 | Software Art | zk | 4 | - | PV |
FF:TIM_M_017 | Curatorship: the story of the profession | z | 3 | - | PV |
FF:TIM_M_018 | Curatorship: social context and practical aspects | z | 3 | - | PV |
FF:TIM_M_019 | New Media in Gallery | z | 3 | - | PV |
FF:TIM_M_021 | Modern Interpretational Approaches to Work of Art I | zk | 4 | - | PV |
FF:TIM_M_022 | Modern Interpretational Approaches to Work of Art I | zk | 4 | - | PV |
FF:TIM_M_023 | Analysis of performativity | z | 3 | - | PV |
FF:TIM_M_024 | Theory of performativity | z | 3 | - | PV |
83 credits |