US_56 An Introduction to Aesthetics and General Theory of Art

Faculty of Arts
Autumn 2017
Extent and Intensity
2/0/0. 4 credit(s). Type of Completion: k (colloquium).
Teacher(s)
doc. Mgr. Jozef Cseres, PhD. (lecturer)
Guaranteed by
PhDr. Dagmar Koudelková
Department of Musicology – Faculty of Arts
Contact Person: Mgr. Jan Karafiát
Supplier department: Department of Musicology – Faculty of Arts
Timetable
Wed 9:10–10:45 N51
Prerequisites
Orientation in the philosophy of arts, aesthetics, and theory of art.
Course Enrolment Limitations
The course is also offered to the students of the fields other than those the course is directly associated with.
The capacity limit for the course is 240 student(s).
Current registration and enrolment status: enrolled: 0/240, only registered: 0/240, only registered with preference (fields directly associated with the programme): 0/240
fields of study / plans the course is directly associated with
there are 10 fields of study the course is directly associated with, display
Course objectives
The aim of the course is to inform students about the basic conceptions of art, issues and categories of aesthetics generated during the history of philosophical-aesthetical reflection of arts. The course also offers the actual solutions of basic issues of philosophy, aesthetics and theory of art after the art broke-up with beauty and the artists resigned to craft skills and stopped to make the sensually attractive artifacts.
Learning outcomes
Student will be informed about the basic conceptions of art, issues and categories of aesthetics.
Syllabus
  • 1. Philosophical-aesthetical reflection of performing and fine arts since ancient times till the 18th century. 2. Baumgarten’s conception of aesthetics as a modern science of sensations. 3. Arts in Kant’s Critique of Taste and formalism in aesthetics. 4. Hegel’s, Schopenhauer’s and Nietzsche’s philosophies of art. 5. Clive Bell, Susanne K. Langer, and significant art form. 6. Structuralism and work of art. 7. Arthur C. Danto and artworld. 8. Beauty and sublime in arts. 9. Modern art’s breaking-up with beauty. 10. Art and new sensibility. 11. Wolfgang Welsch and aesthetical thought.
Literature
    required literature
  • LANGEROVÁ, Susanne K.: O významovosti v hudbe. Genéza umeleckého zmyslu. Bratislava, 1998.
  • MUKAŘOVSKÝ, Jan. Studie z estetiky. Praha, 1966.
  • SCHNEIDER, Norbert: Dejiny estetiky od osvietenstva po postmodernu. Bratislava, 2002.
  • DANTO, Arthur C.: Zneužitie krásy. Bratislava, 2008.
  • LANGEROVÁ, Susanne: Kulturní význam umění. In: Iluminace 1/1996, Praha, s. 82-87.
  • KANT, Immanuel. Kritika soudnosti. Praha, 1975.
  • WELSCH, Wolfgang: Estetické myslenie. Bratislava, 2002.
    recommended literature
  • LÉVI-STRAUSS, Claude: Mýtus a význam. Bratislava, 1993.
  • KULKA, Tomáš – CIPORANOV, Denis (eds.): Co je umění? Praha, 2010.
  • NIETZSCHE, Friedrich: Zrození tragédie. Praha, 2008.
  • BELL, Clive: Art. New York, 1958.
  • NIETZSCHE, Friedrich: Soumrak model/Duševní aristokratismus/O umění. Praha, 2009.
  • SCHOPENHAUER, Arthur: Svět jako vůle a představa I., II. Pelhřimov, 1997.
  • HANSLICK, Eduard: O hudebním krásnu. Praha, 1973.
  • HEGEL, Georg Wilhelm Friedrich: Estetika I, II. Praha, 1966.
Teaching methods
lecture, discussion
Assessment methods
final test
Language of instruction
Czech
Further Comments
Study Materials
The course is taught annually.
Teacher's information
http://www.phil.muni.cz/elf
The course is also listed under the following terms Autumn 2004, Autumn 2005, Autumn 2006, Autumn 2007, Autumn 2008, Autumn 2009, Autumn 2010, Autumn 2011, Autumn 2012, Autumn 2013, Autumn 2014, Autumn 2015, Autumn 2016, Autumn 2018, Autumn 2019, Autumn 2020, Autumn 2021.
  • Enrolment Statistics (Autumn 2017, recent)
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