Passing the study plan
FF FNEVUpV DOPLNIT
Name in Czech: Učitelství estetické výchovy pro střední školy
master's full-time minor, language of instruction: Czech
Included in the programme: FF N-EVU_ Upper Secondary School Teacher Training in Estetic Education
master's full-time minor, language of instruction: Czech
Included in the programme: FF N-EVU_ Upper Secondary School Teacher Training in Estetic Education
Introductory information / Instructions
Oborové povinné předměty a praxe (32 kr.)
| Code | Name | Type of Completion | Credits | Term | Profile Cat. |
| FF:UEV_01a | Teaching Practice I | z | 4 | 1 | P |
| FF:UEV_01b | Teaching Practice III. | z | 10 | 3 | P |
| FF:UEV_04 | Didactics of Aesthetic Education I. | zk | 6 | 1 | Z |
| FF:UEV_09 | Didactics of aesthetic education II. | zk | 6 | 2 | Z |
| FF:UEV_24 | Selected issues of aesthetics I | k | 6 | 1 | Z |
| 32 credits |
Povinně volitelné předměty (alespoň 8 kr.)
Dílčí oborové didaktiky
Vhodné zejména pro studenty, kteří chtějí být připraveni i k výuce tradičně pojaté estetické výchovy.
Průřezová témata
Tematické okruhy průřezových témat pozitivně ovlivňují proces utváření a rozvíjení klíčových kompetencí žáků. Estetická výchova je pro většinu z nich důležitou platformou, proto se některým z nich mohou zájemci věnovat cíleně a do hloubky. Více na http://www.nuv.cz/folder/285/
Specializace a trendy v estetické výchově
| Code | Name | Type of Completion | Credits | Term | Profile Cat. |
| FF:UEV_11 | Application of the RWCT programme (Reading&Writing for Critical Thinking) in aesthetic education | k | 4 | 3 | P |
| FF:UEV_12 | Discussion Seminar: how to teach the aesthetic education | z | 3 | 1 | P |
| FF:UEV_13 | Drama Education for Teachers of Aesthetic Education I. | k | 3 | 1 | P |
| FF:UEV_14 | Drama Education for Teachers of Aesthetic Education II. | k | 3 | 2 | P |
| FF:UEV_17 | Game as a didactic method in the music education process | k | 3 | 3 | P |
| FF:UEV_18 | Experience paedagogy and therapy | k | 3 | 1 | P |
| FF:UEV_21 | Application of the RWCT programme in aesthetic education - expansions, planning | k | 3 | 4 | P |
| FF:UEV_23 | Cultural Andragogy | zk | 4 | 2 | P |
| FF:UEV_25 | Selected issues of aesthetics II | zk | 6 | 4 | P |
| FF:UEV_26 | Work with Orff's instruments and didactics of music activities | k | 2 | 3 | P |
| FF:UEV_27 | Aesthetic Education in non-school Environments | k | 3 | 4 | P |
| FF:UEV_28 | Mentoring and Its Role at School | k | 3 | 4 | P |
| FF:UEV_29 | External Seminar - Aesthetic Education | z | 2 | 4 | P |
| 42 credits |
Formující oborové předměty
Z množiny povinně volitelných předmětů ve všech blocích student přednostně vybírá ty s oborovým kódem UEV.
| Code | Name | Type of Completion | Credits | Term | Profile Cat. |
| FF:ARTS003 | On current issues of contemporary culture, especially music and theater | k | 5 | - | - |
| FF:HV_01a | Introduction to Musicology | zk | 3 | - | - |
| FF:HV_01b | Historiography of Music | zk | 5 | - | - |
| FF:HV_04 | Elements of Music Theory | k | 2 | - | - |
| FF:HV_05a | Harmony I. | k | 2 | - | - |
| FF:HV_06 | Counterpoint | k | 3 | - | - |
| FF:HV_07 | Acoustics of Music | k | 3 | - | - |
| FF:HV_08 | Intonation | k | 1 | - | - |
| FF:HV_09 | Audial Analysis | k | 1 | - | - |
| FF:HV_103 | Musicological Methodology | zk | 6 | - | - |
| FF:HV_105b | Musicological Excursion | z | 2 | - | - |
| FF:HV_15a | Collegium mixed choir | k | 4 | - | - |
| FF:HV_15b | Collegium male choir | k | 4 | - | - |
| FF:HV_15c | Collegium orchestra | k | 4 | - | - |
| FF:HV_15d | Collegium chamber choir | k | 4 | - | - |
| FF:HV_15e | Collegium piano | k | 4 | - | - |
| FF:HV_22 | Musical Forms | zk | 4 | - | - |
| FF:HV_307 | Česká hudební kultura 1945 - 1972 | k | 3 | - | - |
| FF:HV_49 | Russian opera | k | 3 | - | - |
| FF:HV_54 | History of Music Theory | zk | 5 | - | - |
| FF:HV_553 | Reading of Texts on Aesthetics and Theory of Music | z | 5 | - | - |
| FF:HV_57 | Czech Musical Terminology 1300-1900 | k | 5 | - | - |
| FF:HV_62 | Opera: a synthetical genre | k | 3 | - | - |
| FF:HV_700a | Seminar of Music Lexicography | z | 3 | - | - |
| FF:HV_700b | Seminar of Music Lexicography II | z | 3 | - | - |
| FF:HV_702a | Theory and History of Rock Music I | k | 3 | - | - |
| FF:HV_702b | Theory and History of Rock Music II | k | 3 | - | - |
| FF:HV_704a | Vocal Practice. From Hymn to Renaissance I | z | 3 | - | - |
| FF:HV_704b | Vocal Practice. From Hymn to Renaissance II | z | 3 | - | - |
| FF:HV_705 | Vítězslav Novák and his School | k | 3 | - | - |
| FF:HV_707 | From Opera to Musical | k | 3 | - | - |
| FF:HV_714a | Alois Hába and his school | zk | 5 | - | - |
| FF:HV_719a | World Music I. | k | 3 | - | - |
| FF:HV_719b | World Music II. | k | 3 | - | - |
| FF:HV_728 | The operas of L. Janáček | k | 5 | - | - |
| FF:HV_732 | Dramaturgy of opera | k | 3 | - | - |
| FF:HV_739 | Introduction to Musical Semiotics | zk | 5 | 4 | P |
| FF:HV_741a | Theory and history of popular music I. | k | 3 | - | - |
| FF:HV_741b | Theory and history of popular music II. | k | 3 | - | - |
| FF:HV_749 | Music and Liturgy | k | 3 | - | - |
| FF:HV_755 | Chapters from Aesthetisc of Music | zk | 4 | 3 | P |
| FF:HV_785 | Ferruccio Busoni | k | 5 | - | - |
| FF:HV_806a | Music History in Outline VI A | k | 3 | - | - |
| FF:HV_806b | Music History in Outline VI - seminar | k | - | - | - |
| FF:HV_807 | Music History of Czech Lands I | zk | 4 | - | - |
| FF:HV_807a | Czech Music History in Outline I - essay | k | 1 | - | - |
| FF:HV_808 | Music History of Czech Lands II | zk | 3+1 | - | - |
| FF:HV_808a | Czech Music History in Outline II - essay | k | 1 | - | - |
| FF:HV_811 | Centre and Periphery: changes of the musical life during 15th-17th centuries | k | 5 | - | - |
| FF:HV_812 | Vocal-instrumental forms of the baroque period | k | 5 | - | - |
| FF:HV_95a | Seminar "Musical Aesthetics and Theory" I | z | 3 | 3 | P |
| FF:HV_98a | Seminar "Life and Work of Leoš Janáček" I | z | 3 | - | - |
| FF:MVKU_04 | Select Lecture of the history | k | 4 | - | - |
| FF:MVK_06 | Cultural politic | k | 3 | - | - |
| FF:MVK_13 | Copyright Law for Arts Management | z | 3 | - | - |
| FF:MVK_14 | Marketing comunication I. | z | 3 | - | - |
| FF:MVK_15 | Marketing comunication II. | k | 4 | - | - |
| FF:MVK_21 | Infrastruktura umění I. | k | 4 | - | - |
| FF:MVK_22 | Art infrastructure - Evaluation of artistic processes and their impacts in terms of management. | k | 4 | - | - |
| FF:MVK_23 | Sociological Research in Art and Culture | k | 4 | - | - |
| FF:MVK_25 | Chapters from the history of cultural economics and cultural institutions | k | 3 | - | - |
| FF:mvk_28 | Cultural Landscape | k | 3 | - | - |
| FF:MVKU_05 | Select Lecture of the systematics | k | 4 | - | - |
| FF:SUS_08 | Seminar of criticism and cultural journalism | k | 4 | 4 | P |
| FF:SUS_122 | The Culture History of Bohemia in in the years 1890-1938 | k | 4 | - | - |
| FF:SUS_127 | The Central-European Coffee-bar | k | 4 | - | - |
| FF:SUS_129 | Gentleman 1880-1938 | k | 3 | - | - |
| FF:SUS_132a | Cultural History for Art Studies I. | zk | 4 | 1 | P |
| FF:SUS_132b | Cultural History for Art Studies II. | zk | 4 | - | - |
| FF:SUS_133 | The aristocratics representation | k | 4 | - | - |
| FF:SUS_136 | Ut pictura et poesis | k | 4 | - | - |
| FF:SUS_140 | Brno 1919-1938 | k | 4 | - | - |
| FF:SUS_151a | Personalities of Czech and international Design I. | k | 3 | - | - |
| FF:SUS_151b | Personalities of Czech and international Design II. | k | 3 | - | - |
| FF:SUS_178 | Landscape architecture | k | 4 | - | - |
| FF:SUS_182 | Cultural anthropology | k | 3 | 2 | P |
| FF:SUS_183 | False implementation of Art? Poster and advertisiment 1850-1938 | k | 3 | - | - |
| FF:SUS_184 | Advertising as the cultural task. Advertising 1945-2011 | k | 3 | - | - |
| FF:SUS_191 | History of Applied Art I | zk | 4 | - | - |
| FF:SUS_192 | History of Applied Art and Design | zk | 4 | - | - |
| FF:SUS_40 | Film Projection I. | zk | 4 | - | - |
| FF:SUS_41 | Film Projection II. | zk | 4 | - | - |
| FF:SUS_43 | Chapters from Music History I. | zk | 4 | 1 | P |
| FF:SUS_44 | Chapters from Music History II. | zk | 4 | 2 | P |
| FF:SUS_45 | Chapters from Art History I. | zk | 4 | 1 | P |
| FF:SUS_46 | Chapters from Art History II. | zk | 4 | 2 | P |
| FF:SUS_47 | Chapters from Theater History I. | zk | 4 | 1 | P |
| FF:SUS_48 | Chapters from Theater History II. | zk | 4 | 2 | P |
| FF:SUS_49 | Chapters from Film History I. | zk | 4 | 1 | P |
| FF:SUS_50 | Chapters from Fim History II. | zk | 4 | 2 | P |
| FF:SUS_55 | Chapters from History of Aesthetics | zk | 4 | 2 | P |
| FF:SUS_56 | An Introduction to Aesthetics and General Theory of Art | zk | 4 | 1 | P |
| FF:SUS_57 | History of Jazz Music | k | 3 | - | - |
| FF:SUS_58 | Art Nouveau Culture | k | 3 | - | - |
| FF:SUS_60a | The Sign of Genesis: Chapters on Czech Enlightenment I. | k | 3 | 3 | P |
| FF:SUS_60b | The Sign of Genesis: Chapters from Czech Enlightenment II. | k | 3 | 2 | P |
| FF:SUS_61 | History of Czech Jazz Music | k | 3 | - | - |
| FF:SUS_66 | Romanticism and its Descentants | k | 4 | - | - |
| FF:SUS_68 | What is and what is not postmodernism | k | 3 | - | - |
| FF:SUS_70 | Sociology of Art | zk | 4 | 3 | P |
| FF:SUS_81 | Central-European Centres of Art during 19th and 20th century | k | 3 | - | - |
| FF:SUS_82 | Arthistory of Brno I. | k | 4 | - | - |
| FF:SUS_92 | The Pre-Raphaelites | k | 3 | - | - |
| FF:SUS_94 | Arthistory of Brno II. | k | 4 | - | - |
| FF:SUS_95 | Excursion to monuments of art | z | 2 | 1 | P |
| FF:SUS_98 | Contemporary art in changes I. | k | 3 | - | - |
| FF:SUS_99 | Contemporary art in changes II. | k | 3 | - | - |
| FF:TIM_BM_005 | Documents of Presence and Experience I. Process and Experience | z | 5 | - | - |
| FF:TIM_BM_011 | Art & Cybernetics | z | 5 | - | - |
| FF:TIM_B_001 | Introduction to Interactive Media Studies I | zk | 5 | 1 | P |
| FF:TIM_B_002 | Introduction to Interactive Media Studies II | zk | 5 | 2 | P |
| FF:TIM_B_005 | Cyberculture | zk | 5 | - | - |
| FF:TIM_B_006 | Visual Culture | zk | 5 | - | - |
| FF:TIM_B_009 | The New Media Art Canon. The Best of New Media Art I | zk | 5 | - | - |
| FF:TIM_B_010 | The New Media Art Canon. The Best of New Media Art II | zk | 5 | - | - |
| FF:TIM_B_011 | New Media Art I | zk | 5 | - | - |
| FF:TIM_B_012 | New Media Art II | zk | 5 | - | - |
| FF:TIM_B_013 | Aesthetic Theories of Multimedia and Synaesthesia I | zk | 5 | 1 | P |
| FF:TIM_B_014 | Aesthetic Theories of Multimedia and Synesthesis II | zk | 5 | 2 | P |
| FF:TIM_B_019 | Introduction to Visual Composition in Time I | z | 3 | - | - |
| FF:TIM_B_020 | Visual Composition in Time II | zk | 4 | - | - |
| FF:TIM_B_021 | Filmology. Language of Film and New Media I | zk | 4 | - | - |
| FF:TIM_B_022 | Filmology. Language of Film and New Media II | zk | 4 | - | - |
| FF:TIM_B_023 | Videology. The Art of Moving Images I | z | 3 | - | - |
| FF:TIM_B_024 | Videology. Art of Moving Images II | zk | 4 | - | - |
| FF:TIM_B_031 | Artificial Life Art | zk | 4 | - | - |
| FF:TIM_B_033 | Artgorithms: Algorithmic Art – theory | zk | 4 | - | - |
| FF:TIM_B_035 | Marginal forms of music: Czech and Slovak scene | z | 3 | - | - |
| FF:TIM_B_036 | Liberation of Sound from Bounds of Music | z | 3 | - | - |
| FF:TIM_B_037 | Audiocultures Methodologies: theory and practice | z | 3 | - | - |
| FF:TIM_B_038 | Duchamp and Cage Legacy | zk | 4 | - | - |
| FF:TIM_B_039 | Media and their practice | z | 3 | - | - |
| FF:TIM_B_041 | Public Relations - Theory for Practice | z | 3 | - | - |
| FF:TIM_BM_013 | Sound Poetry | z | 5 | - | - |
| FF:TIM_M_001 | From Electronic Music to Live Coding Performance I | zk | 6 | - | - |
| FF:TIM_M_002 | From Electronic Music to Live Coding Performance II | zk | 6 | - | - |
| FF:TIM_M_003 | New Media Art Obsessions I | zk | 6 | - | - |
| FF:TIM_M_004 | New Media Art Obsessions II | zk | 6 | - | - |
| FF:TIM_M_005 | Social Theories of New Media | zk | 6 | - | - |
| FF:TIM_M_010 | Opinion Journalism | z | 4 | - | - |
| FF:TIM_M_011 | Software prototyping of AV work II | z | 3 | - | - |
| FF:TIM_M_012 | Software prototyping of AV work II | zk | 4 | - | - |
| FF:TIM_M_013 | Record - Score - Instruction | z | 3 | - | - |
| FF:TIM_M_014 | Computer music | z | 3 | - | - |
| FF:TIM_M_015 | Computer music_practice | z | 3 | - | - |
| FF:TIM_M_016 | Software Art | zk | 4 | - | - |
| FF:TIM_M_017 | Curatorship: the story of the profession | z | 3 | - | - |
| FF:TIM_M_018 | Curatorship: social context and practical aspects | z | 3 | - | - |
| FF:TIM_M_019 | New Media in Gallery | z | 3 | - | - |
| FF:TIM_M_021 | Modern Interpretational Approaches to Work of Art I | zk | 4 | - | - |
| FF:TIM_M_022 | Modern Interpretational Approaches to Work of Art I | zk | 4 | - | - |
| FF:TIM_M_023 | Analysis of performativity | z | 3 | - | - |
| FF:TIM_M_024 | Theory of performativity | z | 3 | - | - |
| 564 credits |